rangerrick14
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I agree. He is really sex. I would love to work for him!!
CLOTILDE COURAU, PRINCESS OF VENICE AND PIEDMONT, WITH PURPLE MAGAZINE’S OLIVIER ZAHM
He seems like a bit of an "ambulance chaser" in the fashion world if you know what I mean..and who is the woman that is ALWAYS on purple-diary.com nude?? And he is ALWAYS at Le Montana in Paris..with Miss Love in 2007
*** Edited, please do not "quote" images. ***
www.courtney-love.org/en/
Purple is a French fashion, art and culture magazine, since 2004 divided into Purple Fashion published by Purple Institute based in Paris and New York, and Purple Journal, published by Les Editions Purple, based in Paris. On February 16th the first installation of Purple Fashion's new online presence was launched. http://purple-diary.com can be considered as the extension of the magazine but as a digital voice that offers immediate access to the world of Purple — including Olivier Zahm’s personal pictures as well as a look into the next issue of the magazine.
History
In 1992, Elein Fleiss and Olivier Zahm started the magazine Purple Prose as a reaction against the superficial glamour of the 1980’s; much as a part of the global counterculture at the time, inspired by magazines like Interview, Ray Gun, Nova, and Helmut Newton’s Illustrated, but with the aestetics of what usually is referred to as anti-fashion. Based on their personal interests and views; Purple was, and in a sense still is, made much in the same spirit of the fanzine. The magazine quickly became associated with the "realism" of the new fashion photography of the 1990’s, with names like Juergen Teller, Terry Richardson, Wolfgang Tillmans, and Mario Sorrenti.
In the introduction of the Purple Anthology, Zahm writes:
“ [...] We launched Purple Prose in the early 1990s without any means, and without any experience, because we wanted to make a magazine that was radically different. We wanted to support the artists around us that noone else supported, much less talked about. [..] It would be a form of opposition of our own, different from the critical jargon of the generation of ’68. [..] From a visual standpoint, we represented the break from ’80s imagery (like Richard Avedon’s photography for Versace, for example). From an artistic standpoint, the artists of the early ’90s were rising up against art as capital fetish [..]. In saying that Purple is the portrait of a generation, I mean it’s a portrait of those who embody their times. At the same time, it’s a portrait of myself and Elein Fleiss, our ideas, our lives, and our aesthetics.
The art director of Purple Prose and Purple Fashion was Christophe Brunnquell until 2006, when he was succeeded by M/M Paris.
Offspring publications
Fleiss & Zahm’s collaboration has resulted in many side projects over the years:
Purple Prose
published from October 1992 to winter 1998 (13 issues).
Purple Fiction
a literary magazine published between 1995 and 1998 (4 issues).
Purple Fashion
published between 1995 - 1998 (4 issues), and 2004 - (present).
Purple Sexe
a magazine devoted to sexuality, published between winter 1998 and 2001 (8 issues). The magazine was reborn as an one-off appendix for Purple Fashion Fall/Winter 2008/09, dedicated to Italian p*rn star Rocco Siffredi.
Purple
a fusion of Purple Prose, Fiction, Fashion, and Sexe; published between summer 1998 and 2003 (16 issues).
Purple Books
a publishing house (1998 - 2001)
Purple Gallery
a Parisian art gallery
Purple Journal
a cultural magazine published 2004 - (present) in a French and an English version. Since 2004, Purple is divided in two different publications; Purple Fashion magazine (edited by Olivier Zahm and published by Purple Institute) and Purple Journal (edited by Elein Fleiss and Sébastien Jamain, published by Les Editions Purple).
Purple Fashion’s artist’s books
Since its second issue, each number of Purple Fashion comes with an artist’s book:
No.2 – Terry Richardson: Terry
No.3 – Richard Prince: The Hippie drawings
No.4 – Hedi Slimane: Interzone
No.5 – Juergen Teller: Ed in Japan
No.6 – Rita Ackermann: Good morning New York
No.7 – Helmut Lang: Selective memory series
No.8 – Dash Snow: You can't drink it if it's frozen
No.9 – Christophe Brunnquell: Annees Erotiques
No.10 – Harmony Korine: Pigxtras
Olivier Zahm (born 1964) is a French art critic, curator, fashion editor, and art director.
[edit] Biography
Olivier Zahm worked as an art critic for Artforum, Flash Art, Art Press and Texte Zur Kunst during the 1980s and early 1990s. He is a renowned curator and has worked with over 150 exhibitions of contemporary art throughout the world, including institutions like PS1, MoMA, and Centre Pompidou [1]. In 1992, he founded Purple Prose magazine (1992 - 1998) with Elein Fleiss, and the publication has created spin-offs like Purple Fiction (1992 - 1998), Purple Sexe (1998 - 2001), Purple magazine (1998 - 2003), Purple Journal (2004 - present), Purple Fashion (1995 - 1998, 2004 - present), and Purple Books, a publishing house [2]. The "realistic", sometimes dubbed "anti-fashion"-, aesthetics of Purple was a reaction against the glamour of the 80’s, and can be linked with the global counterculture of that time, with the work of Juergen Teller, Terry Richardson, Wolfgang Tillmans, and Mario Sorrenti[3].
Since 2004, Zahm is editor in chief of Purple Fashion, a biannual magazine attempting to bridge the worlds of art and fashion. Zahm and Fleiss also run the Paris-based think tank Purple Institute, an art direction society and consulting company aimed at creating links between the art world and industry[4]. He has also art directed the Spring 2007 Yves Saint Laurent Homme campaign. [5]
The first installation of Purple’s new online presence was launched on Monday, February 16th 2009. http://purple-diary.com can be considered as the extension of the magazine but as a digital voice that offers immediate access to the world of Purple — including Olivier Zahm’s personal pictures as well as a look into the next issue of the magazine. Recent entries include "Vandalizing Public Art as Art," - a defense of art student Orion Giret vandalizing a group of public artworks created for the community of Montpellier, France, written by critic Jeff Rian.
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