Peter Philips - Makeup Artist

i-D Magazine Jan/Feb 2000
"Brother Wolf and Sister Moon"
Photographed by Willy Vanderperre
Styled by Oliver Rizzo
Hair by Peter Philips
Makeup by Peter Philips
Models: ???





my scans
 
Backstage at Dries Van Noten

23440485.jpg


unnouveauideal
 
Acne Paper #13 Spring 2012
'CIRCUS MAXIMUS'

Ph: Julia Hetta
Styling: Mattias Karlsson
Make-up: Peter Phillips








acnepaper.com
 
Editorial: "GB.B."
W magazine March 2003
Photographers: Inez van Lamsweerde & Vinoodh Matadin
Model: Gisele Bündchen
Stylist: Alex White
Make-up: Peter Philips
Hair: Kevin Ryan
Source: GUGA/MODA scans




Posted by blueorchid
 
Credits
Chanel
July 2012

Photographer:
Karl Lagerfeld
Models:
Alice Dellal, Cora Emmanuel, Kati Nescher, Lindsey Wixson, Saskia de Brauw, Stella Tennant
Stylist:
Carine Roitfeld
Makeup:
Peter Philips





sammcknight.com
 
Last edited by a moderator:
Vogue UK September 2012
New Noir
Photographer:
Craig McDean
Model: Suvi Koponen
Stylist: Jane How
Hair: Malcolm Edwards
Make-Up: Peter Philips
Nails: Sophy Robson
Set Design: Andy Hillman



vogue.co.uk via Mat Cyruss
 
VMAN #27 Fall 2012

SEOUL CALIBER

AS SOUTH KOREA’S MOST SOCIAL CELEBRITY, SIWON CHOI IS ACCUSTOMED TO ATTENTION. NOW THE ACTOR, MODEL, SINGER, AND CROWN PRINCE OF K-POP MEETS HIS MATCH:

The Lens of Karl Lagerfeld

FASHION MICHAELA DOSAMANTES

HAIR SAM MCKNIGHT

GROOMING PETER PHILIPS

MANICURE ANNY ERRANDONEA
ceCkE.jpg

FzYoA.jpg

nBI4D.jpg


vman.com
 
W September 2012
Super Linda

Photographer: Steven Klein
Stylist: Edward Enninful
Model: Linda Evangelista
Make-Up: Peter Philips
Hair: Julien d’Ys


wmagazine.com via Marc10
 
Vogue Italia September 2012

BEAUTY
Patricia van der Vliet by Richard Burbridge
Editor: Robbie Spencer
Hair: James Pecis
Make-up: Peter Philips

[vogue.it]
 
Fendi S/S 2013
Makeup: Peter Philips
Hair: Sam McKnight





Cut-And-Paste Makeup And “Aerodynamic” Hair, Backstage at Fendi
September 22, 2012

Peter Philips likes to think outside the box. The makeup artist known for his way around a perfect complexion and a gorgeous rose-petal pink or red lip is just as often referenced for mixing makeup mediums—an embroidered eyelash here, a precious gemstone brow there. Blame it on his art school education. At Fendi, it was the latter inclination that, er, stuck. “The idea was to use colors from the collection, and the best way to do that is to use the actual collection,” Philips said as he glued pre-cut fabric strips onto models’ lower eyelids.

“It was a bathing suit,” Philips explained of the neoprene swatches in peach, teal, royal blue, neon orange, tan, and yellow that he placed beneath the lash line in a three-part system: “There is black on the bottom, pointed outward,” he elaborated, followed by a color strip in the middle, and a shorter, brighter piece on the inner corner. “After rehearsal, I noticed the blue really worked,” Philips said of why most models ended up with the same royal blue center. Otherwise, faces were left bare to appear “more young and playful” and less “theatrical”—a directive that came right from Karl Lagerfeld, who dropped by to pay his respects. (”I didn’t want to interrupt you; I just wanted to say hello,” the designer said to Philips in passing). Never one to miss a nail opportunity, Philips added to the season’s neutral polish palette with a nude-salmon varnish, the result of Chanel Le Vernis Nail Lacquer in Ming, a warm, shimmering pink, mixed with white and a few drops of its Mimosa, a sunny yellow.

The same pastel colors could be spotted in a range of embellished headbands that Lagerfeld made for the show to accessorize Sam McKnight’s “sharp, aerodynamic” updos. “It’s not soaking-wet,” McKnight explained of what he ultimately deemed a “malleable, sea-wet” texture, the result of strands that had been prepped with Frederic Fekkai Marine Summer Hair Beach Waves and divided into four sections. Creating a flat bun in the back to remove excess weight, McKnight folded hair over from one side followed by the other, which was twisted and pinned down. Having left the top section free, McKnight ultimately rolled that backward, attaching it to the finished coif. “There’s about 40 pins in each girl,” he estimated, “so we’re not advising them to go to the airport anytime soon.” Zing!
Source: stylebistro.com, style.com
 
Vogue Japan December 2012
"Dedicated To Nuance"
Photographer: Willy Vanderperre
Model: Malgosia Bela
Styling: George Cortina
Hair: Anthony Turner
Make-Up: Peter Philips
Nails: Sophy Robson




zinio.com via Mat Cyruss
 
W December 2012
Come As You Are
Photographer:
Craig McDean
Stylist: Marie-Amelie Sauve
Models: Julia Nobis, Natasha Poly, Kirsten Owen, Maria Bradley & Jamie Bochert
Make-Up: Pater Philips
Hair: Eugene Souleiman


wmagazine.com
 
US Vogue January 2013
Material Girls
Photographer:
Craig McDean
Models: Karlie Kloss & Edie Campbell
Stylist: Camilla Nickerson
Hair: Garren
Make-Up: Peter Philips
Nails: Alicia Torello



Digital Edition Vogue US 01/2013 via Mat Cyruss
 
He left his post as Creative Director of Chanel makeup. :shock:
 
Last edited by a moderator:
Oh.

He had been there for quite a while though. Upside is we'll get to see him experimenting more in editorials. :heart:
 

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