Ralph Lauren Resort 2013

fierceboi

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After being absent from the pre-collection schedule for years, Ralph Lauren decided that this season called for a little extra love and excitement. Thus, the impromptu presentation staged Monday at his Seventh Avenue showroom. “Because of the mood in Europe, I thought it was time to do something happy and strong,” said Lauren, before introducing the lineup based on the house standards of simplicity and elegance, with several major jolts of color. A revisitation of his classics — fringed suede jackets, flared pants, sleek sheaths and safari styles — were updated in long, lean lines that served as a blank canvas for bold tones like magenta, yellow and chartreuse, as well as a plucky multicolored plaid. Worn head-to-toe, as in a yellow leather motorcycle jacket (which, Lauren noted, was a hot number at retail in pink) and matching skirt, the clothes radiated optimism. To temper the palette, the silhouettes were also worked in more muted shades of khakis and green, while a range of sharp bags were shown in neutrals. The signature Ricky, for example, was updated in matte black. Still, Lauren’s main message was all about brights. As he said, “When you have color, business gets better.”

WWD
 

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^exactly, add to that each piece looks as if it's from a different collection than the others
 
The only look that caught my eye is the orange dress.
 
The first few looks reminded me of his Spring 2009 collection.
 
Anna Dello Russo:

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(from above)
 
NEW YORK, June 18, 2012
By Nicole Phelps

It's been four years since Ralph Lauren showed his Resort collection to the press, but he came back with a splash today, showing house classics like his fringed suede jacket, body-skimming evening sheaths, and safari-influenced pieces in seriously bright shades of hyacinth pink, lime, lemon, and orange. A floral print combined all of those hues and an electric plaid was unlike anything seen on Downton Abbey, the hit TV show that inspired his Fall collection. For tamer souls, most of the pieces are also available in a neutral khaki.

A beaded and hand-painted lamé slipdress reverberated with the distant roar of the 1920's, but overall, this outing had a more contemporary feeling. Lauren, like other designers these days, is liking the way a tunic looks over cropped and tapered pants, and for footwear, he even showed his own take on heel-less platforms.

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style
 
Have nothing to say about it but could only pick this one up thru the whole collection.
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from above
 

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