Raquel Zimmermann

[xPedro]

I made this card, it's very simple, I was in a hurry

 

[ThiagoMello]

Great job Pedro This editorial reminds me of her Printemps ads.

Camilla, last picture you posted is from a editorial in Vogue Germany in 2001

 

[ThiagoMello]

I found this at the link Camilla posted: Here

Fendi Palazzo fragance F/W 2007
Ph:. Karl Lagerfeld

I posted again, because we have never seen it in a bigger size and this is, imo, the most beautiful photoshoot Raquel has ever done
If anyone has it, please post it I'll be thankful for the rest of my life

And many more pics here, but they are really tiny

Scanned by Helligirl

 

[harrietcamilla]

xpedro and thiago i love your cards!

 

[ThiagoMello]

Scan of her Dior make-up ad from 2004, and of her Givenchy fragance ad.


Scanned by envy me at bwgreyscale

And four scans of CK by Calvin Klein F/W 07


Scanned by envy me at bwgreyscale

 

[valentina_rocks]

i like the dior one

 

[ThiagoMello]

Will the pics of the gala show up today? I hope people there remember it's Raquel's birthday tomorrow

 

[izzie stevens]

those fendi palazzo shots are stunning.

 

[harrietcamilla]

Thiago the pictures will probably start to show up in like 2 hours, raquel though may not until a little later tonight as she is a model so it will depend if she attends with a designer. but wireimage and getty usually put up all the pictures (and of course of style.com)

 

[harrietcamilla]

Raquel and Liya will be in the Lanvin FW08 campaign shot by Meisel

In March, I met Dangin in Los Angeles, where he had gone to work on the Lanvin ad campaign, to be shot by Steven Meisel. At six in the morning, he picked me up at my hotel—in a red Mini Cooper—and drove to Smashbox Studios, a sprawling complex of soundstages in Culver City.
We arrived to a mostly empty set. Fifteen full-sized wheelie suitcases were waiting for the makeup artist, Pat McGrath. One of them was labelled “Gold-Blonde Wigs.” Dangin went to get a cup of coffee at the craft-services table.
Edward Enninful, the stylist for the shoot, greeted him, and they began to discuss another campaign they were working on, which had been shot earlier. Dangin had just received the raw pictures.
“What was going on with the hair?” Dangin asked.
“I don’t know,” Enninful replied. “It was twenty different ways, doing it, undoing it.”
“It feels compromised,” Dangin said. “This way looks . . . bourgeois. It needs to be a little ****ed up. Maybe I can do something with it.”
“See if you can.”
Dangin approached the middle of the soundstage, where a team of P.A.s, like roadies setting up for a concert, were unloading coils of wire and cable and a huge apparatus that looked like an industrial-sized toaster oven (it turned out to be a printer). Dangin stage-directed as they dragged a couple of long tables to form an L-shaped console, where he would sit as Meisel shot, monitoring the action on two large computer screens, like an assistant director on an action movie.
“Have you seen the new fibre paper that came out?” one of the assistants asked Dangin.
“Yeah, it’s not very good.”
Dangin grabbed a box of printer paper from his console and handed pieces out to each of the assistants, who ogled it, checking every angle for fibre and gloss, in the way of shoppers at the grocery store feeling up the fruit.
There were two models on hand, Liya Kebede and Raquel Zimmerman. Meisel would shoot them separately against a black dropcloth—equivalent to the sort of blue screen a weatherman uses—to set off the movement of the clothes. The idea was for Dangin to take Meisel’s favorite shot of each woman and splice the two onto some sort of artificial urban background of his own creation.
Dangin huddled with Lanvin’s designer, Alber Elbaz, along with McGrath, Enninful, and the creative director for the ad campaign, Ronnie Cooke Newhouse. After some debate about just what sort of glamour the team was going for—“We’re doing our downtown smoky burlesque woman, right?” “So, rich rather than dangerous?”—Meisel arrived, and the shoot began.
We’re doing our downtown smoky burlesque woman, right?” “So, rich rather than dangerous?”—Meisel arrived, and the shoot began.
Later that night, Dangin showed me some prototype images that were the result of the day’s work. One of them featured Kebede, wearing a black strapless gown with ruffles down the front, and Zimmerman, in a plum-colored dress that tied around the neck, in the middle of a dark city street. They looked kinetic, caught in mid-motion, as if they were about to hail a cab. Behind the pair were the blurry lights of New York in the rain. Or so it looked. Dangin had actually assembled the cityscape mostly from hundreds of random images that his staff had culled from the Internet

from an article posted by lucy92 from newyorker.com

 

[ThiagoMello]

I'm so happy with this! Lanvin + Meisel + Raquel = Perfection

 

[Child_in_time]

Yay for the Lanvin campaign. I hope this particular photo is not a repost, vogue.fr

Paris 25 février 2008 - YSL opening

 

[ThiagoMello]

I don't think it is She looks gorgeous there Thanks!

 

[iggy190cm]

So is Lanvin the french campaign she got ?! Oh my go Raquel ~~!

 

[Kanna]

Lanvin casted such unexpected models but it's amazing! I believe she will do it very well. Can't wait to see the campaign!

 

[min-SH]

The Lanvin news killed me! in a good way and in a bad way. lol

 

[*Kristina*]

Her and Liya will be a magnificent duo for the Lanvin campaign! The campaign sounds very interesting from the article, I just can't wait to see it in print.

 

[izzie stevens]

oh my gosh, lanvin!!!!!!!!

 

[Versace-Goddess]

great news.

 

[ThiagoMello]

Happy Birthday Raquel!! I wish you all the best