Interview pt. 2
CAMPBELL: Do you feel like you have a fascination with the topic of celebrity?
COPPOLA: Yeah people say that because all my movies have an element of that and I don’t think about it consciously, but probably from growing up around that must have made a big impact on me, but especially today, I think our culture is overly obsessed with it so that was interesting about this movie to me, just kind of how out of balance our culture is.
CAMPBELL: When you read the Virgin Suicide did you immediately say I want to make this movie?
COPPOLA: I loved that book and then I heard that someone was making a movie of it and I kept thinking ‘I hope they don’t mess it up, I hope they do it like this’ and then I heard how they were doing it, it was a guy doing it, and I thought ’oh, it’s not how you should do it’ and I just got really protective of it and so I started working on a script of it on my own, I didn’t have the rights or anything.
CAMPBELL: It’s a great film. I love everything about it, the soundtrack, the clothes!
COPPOLA: Oh thank you!
CAMPBELL: Directors often say that making your own film is like raising your own child. Do you agree with that.
COPPOLA: They are like your babies and people ask what’s your favourite one and you care about them all. I put my heart into them.
CAMPBELL: Are you stricter as a director or a mother?
COPPOLA: As a mother! (laughs)
CAMPBELL: What do you remember about being in Asia as a kid while your dad filmed Apocolypse Now?
COPPOLA: I remember being in the Philippines, I was around 5 and I thought it was really fun. We’d be in helicopters, or in the jungle, I thought it was exciting. My parents went to Japan a lot as a little kid and I think that’s where I got the connection as I’ve always loved Japan and wanted to go back there.
CAMPBELL: Talking of Japan, when were you last Lost in Translation?
COPPOLA: That’s a good question. I don’t remember.
CAMPBELL: I get lost every day somewhere! Hollywood seems to get faster and faster and your movies are great expectations, like you’re not part of the trend of what people are doing, you do what you want to do, regardless.
COPPOLA: I try to, I enjoy doing my own thing, and also there are so many movies that are similar out there that I feel lucky that I’m able to do my own thing, I try to make them for small budgets so I have creative freedom.
CAMPBELL: So you don’t have to answer to anyone.
COPPOLA: Yeah. What is getting harder and harder is that movies are getting more and more conservative. I think it’s because of the financiers - they want to bet on a sure bet to put their money into something they know is safe and proven and I think they don’t want to take risks as much.
CAMPBELL: So do you find you’re getting more of your backing from America or from Europe?
COPPOLA: We always raise the money from foreign sales.
CAMPBELL: You tell stories mostly through pictures and not through long dialogues, do you trust pictures more than words?
COPPOLA: I have just always been interested in the visual side of it, I love photography and so I like trying to tell stories through the images.
CAMPBELL: You kind of also want to leave it up to the person, the audience to kind of have their own interpretation of things.
COPPOLA: And not tell them everything I think. I feel like in real life people don’t really express their feelings, so in movies it seems unnatural to me. I like showing something with more of a gesture.
CAMPBELL: Damned if you do and damned if you don’t. If you express your feelings you’re an emotional mad person and then when you don’t…. I actually prefer the person that expresses their feelings, I’d rather know straight up what I’m dealing with.
CAMPBELL: You won an Oscan and a Golden Lion in Venice. Which one does your daughter like better? Oh and where do you keep them by the way?
COPPOLA: I don’t think she’s noticed! I left them in Paris because I though it’d be exotic in Paris. I remember when we came to stay at my husband’s parents, and I said “oh we got a Golden Lion” and she was very excited that we had a gold Lion.
CAMPBELL: You’ve tried a lot of things, you’ve done acting, photography and you’re a clothing designer. I read that you did an internship with Karl when you were still in school.
COPPOLA: Yeah when I was 15-16 in the summer. It was really funny, it was Chanel in the 80s, so it was really exciting with models like Marpessa. I thought it was so glamorous and he was really nice and it was fun to see him working.
CAMPBELL: Marc Jacobs named a bag after you, there’s even a wine named Sofia Coppola, what next? I know you’ve got a few clothing things you’re doing, are you allowed to talk about any of those?
COPPOLA: Oh yeah I’m doing the bags for Louis Vuitton, I did my Coppola bag and that was really fun to do.
CAMPBELL: And did you not do something for H&M?
COPPOLA: Oh no, I directed a commercial for them but I never designed things for them.
CAMPBELL: Are you still into directing videos?
COPPOLA: I’m actually going to do a video for my husband’s band Phoenix. I don’t do it very often but I’m looking forward to doing that.
CAMPBELL: He will take direction from you?
COPPOLA: I never did a video for them, I’m kinda worried because I want to do a good job for anyone, but especially for them.
CAMPBELL: How do you get inspired?
COPPOLA: I think it’s different things, like I read this article in Vanity Fair about these kids that I based the story on, I think you never know what will interest you so I try to be open.
CAMPBELL:I also heard you’re close to your brother Roman who is a filmmaker, do you guys talk about news when you get together or just do normal family stuff?
COPPOLA: We do family stuff but I’m glad I can always call him and ask him questions and he knows a lot technically about stuff so I can always ask him about lots of cool things, it’s good to have a big brother who knows about film.
CAMPBELL: I know you’re related to Nicholas Cage, do you ever hang out with him at all?
COPPOLA: He’s my cousin, we saw each other a lot growing up, but I haven’t seem him lately but he’s a really great guy.
CAMPBELL: You directed an advert for Christian Dior, is the approach to making commercials different to making movies?
COPPOLA: Yeah definitely, I enjoyed it because it’s just a few days shoot and especially with beauty it’s just about being fun and beautiful, you don’t have to tell so much of a story.
CAMPBELL: Do you do a storyboard?
COPPOLA: I put a lot of reference photos together, I feel like it’s more free and open because it’s just about beautiful images.
CAMPBELL: You worked with a historical writer, Antonia Frasier on the film Marie Antoinette and seem very interested in historical dramas, could you see yourself getting more involved with filming another one of her books such as the Gunpowder Plot or something?
COPPOLA: I haven’t read that, I haven’t read all her books, that was interesting for me because she’s such an interesting woman and I was never a good student so getting all historical facts was more of a challenge for me but I loved that period in Versailles.
CAMPBELL: That was Kirstin Dunst?
COPPOLA: Yeah I love Kirstin.
CAMPBELL: How many movies have you done with Kirstin?
COPPOLA: Two.
CAMPBELL: Are there any other actors you’ve worked with more than once?
COPPOLA: That’s a good question. I must have but I, yeah I can’t think of any. I love Elle Fanning, I’d love to do something with her.
CAMPBELL: She’s beautiful, she’s so natural and pure.
COPPOLA: I’m excited to see her as she grows up.
CAMPBELL: Emma Watson takes the lead in Bling Ring, were you a fan of the Harry Potter movies?
COPPOLA: I haven’t seen them all, I saw one, so I’m really not that familiar with them, but I really liked her and met her and thought she was really smart and nice. I was impressed by her.
CAMPBELL: Do you like Francois Truffaut?
COPPOLA: Yes Truffaut and Godard.
CAMPBELL: It seems you have the feminine version of that.
COPPOLA: I love French cinematography and the atmosphere so that was definitely something, and seeing Breathless as a kid had a big impact on me.
CAMPBELL: Which part of directing do you like the most? The writing, filming or the editing?
COPPOLA: I think the writing for me is the hardest part, I like being on set, on my own set probably my favourite is editing as you don’t have the stress of time frame, you can just sit back and play with things.
CAMPBELL: - Do you prefer to live in Europe or America?
COPPOLA: I love Paris, and New York these days. I was in Paris for a while and got homesick.
CAMPBELL: We’re faster here, if you forget something at the pharmacy you can go and get it (laughs)
COPPOLA: Yeah yeah, things are much easier
CAMPBELL: Thank you so much!
COPPOLA: Thank you for having me.
interviewrussia.ru