UK Vogue December 2022 by Scott Trindle
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Zorka
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MAGIC REALISM (Reprint from Vogue España November 2022)
Photography: Alasdair McLellan
Styling: Jane How
Hair: Eugene Souleiman
Make-up: Lynsey Alexander
Models: Vittoria Ceretti, Chu Wong, Ruben Bilan-Carroll, Sid Ellisdon, Max Knott, Morgan Kent & Hamid Onifade
UK Vogue Digital Edition
Photography: Alasdair McLellan
Styling: Jane How
Hair: Eugene Souleiman
Make-up: Lynsey Alexander
Models: Vittoria Ceretti, Chu Wong, Ruben Bilan-Carroll, Sid Ellisdon, Max Knott, Morgan Kent & Hamid Onifade
UK Vogue Digital Edition
caioherrero
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Garbage
tigerrouge
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What has really fallen out of favour in fashion magazines is producing an editorial with a storyline, the sense that you're looking at images created with a purpose, to communicate something special.
They've gone from being the gold standard in a publication like Vogue to being the exception, and when you DO occasionally see one - like once every six months - it's the high point of the issue.
Ivano is posting all those old Vogue Italia editorials in the Meisel thread, and while those circumstances are never going to occur again, it's a reminder of what CAN be achieved, and often with very little outlay.
Current-day Vogue wants to be seen as the best at what they do, but these days, they don't even bother turning up most of the time, yet they still want all the accolades, for churning out editorial after editorial of people standing about in various levels of low energy.
They've gone from being the gold standard in a publication like Vogue to being the exception, and when you DO occasionally see one - like once every six months - it's the high point of the issue.
Ivano is posting all those old Vogue Italia editorials in the Meisel thread, and while those circumstances are never going to occur again, it's a reminder of what CAN be achieved, and often with very little outlay.
Current-day Vogue wants to be seen as the best at what they do, but these days, they don't even bother turning up most of the time, yet they still want all the accolades, for churning out editorial after editorial of people standing about in various levels of low energy.
tigerrouge
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354 pages, according to my library's digital copy, which is the Debicki cover. The editor's letter celebrates five years of Edward, there are p l e n t y of ads, and a lot of the content at the front of the magazine (e.g. gift guides) is very festive - but which aren't necessarily going to be repeated in other editions, not like the main editorials are. There's an excerpt from Michelle Obama's book, along with a PR image from the same shoot that was used by French Elle, and a feature with Giorgio Armani. There's a food and drink section, and a pregnancy/parenthood section, and you've seen all the fashion eds in this thread.
In terms of page count, this is a December powerhouse, although some of those advertorials are for things like Alaskan seafood, and those back page listings/property ads seem to take up the rest of the issue, starting from page 306.
WAVES
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tigerrouge
don't look down
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I've posted that many times over the past day, it feels like the thread is me talking to myself...
BUT I got my subscription copy this morning - the Yasmin Finney cover. Somehow I was expecting 90% of the copies to be the Debicki cover, with only a slight chance of getting one of the others.
Another thing I noticed - the Grand Entrance editorial is ruined by big white borders. You look at the scans above, and you get a Rothko vibe where you're immersed in deep colours. NO. In the print magazine, everything has a white border around it, and some of the shots are reduced to half their size on the page. It's like you ordered a Rothko but were sent a Lowry. The editorial looks better online.
BUT I got my subscription copy this morning - the Yasmin Finney cover. Somehow I was expecting 90% of the copies to be the Debicki cover, with only a slight chance of getting one of the others.
Another thing I noticed - the Grand Entrance editorial is ruined by big white borders. You look at the scans above, and you get a Rothko vibe where you're immersed in deep colours. NO. In the print magazine, everything has a white border around it, and some of the shots are reduced to half their size on the page. It's like you ordered a Rothko but were sent a Lowry. The editorial looks better online.
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A pathetic attempt from Edward Enninful at a December issue. It's a hefty issue, feels substantial in hand but the fashion stories are incredibly weak, amateur and completely devoid of festive glamour (which I'm hoping by some miracle has been saved for January).
My subscription gave me the Simone Ashley cover but I made the effort to hunt down Sienna Miller's at the weekend! I was able to find each cover easily, and given the fact the issue is priced at only £2 here in England this month, you could collect all four should you want.
My subscription gave me the Simone Ashley cover but I made the effort to hunt down Sienna Miller's at the weekend! I was able to find each cover easily, and given the fact the issue is priced at only £2 here in England this month, you could collect all four should you want.
