UK Vogue May 2023 by Adama Jalloh | Page 6 | the Fashion Spot

UK Vogue May 2023 by Adama Jalloh

Interesting to see that there are way way more negative reactions here to these covers in comparison to last month's plus size models' cover... lol
Either way people on Instagram will eat this up. It's a cover made to be liked because ''everyone needs their moment to shine'' type of thought.
Another day, another woke cover, another ''moment'' for Edward : everything feels forced. I agree he's doing a Benetton guidebook for his covers.
I feel like it would have been received positively if they had the same glamour, fun make-over Edward gives to everybody.

‘Even last month cover had some types of glamour and fashion to it. This don’t.

When you do those very « profile » type photos, they belongs in an article. We want glamour on the cover and that should the case for disabled people and all the minorities you want to highlight.
 
This issue's already on sale. Can someone here post a review on the page count and editorials? :flower:

I personally didn't notice the issue on shelves today, but would assume subscribers down Southern England have started to receive their copies. Per usual, as a subscriber in the North of England... there was zero signs of the magazine with today's post (always late for me).
 
Oh, my grammar. Sorry for that. I have another thought about it. I do believe in Edward's intentions. He's doing it since his first issue. This particular issue shakes me inside. I ask for glamour, but you can't do it with very sensitive topics. Vogue Italia did it in a fictional way. He styled some of those stories. He's bringing reality here. I praised this magazine didn't hired models to act like people with disabilities, that's the good part. But most of them, the people they want to appeal here, can't buy what they're selling. Vogue is a commercial magazine, full of advertisers and superficial topics and of course it has its journalistic side. I think if there's a true interest from CN to disables, they should donate the money from their sales to fundations. Inclusivity is quite fake when you're making lots of money with it. Fashion isn't democratic as they want to pretend. No one here can buy the clothes they're promoting, but we enjoy the fantasy, the photography, the beauty. Vogue can tell these stories on their covers, and I would love to see reflected in the most realistic way, without Prada and Dior dresses. The pandemic issue with health workers was a good example that something like that is possible.
 
not sure if our generation cant to understand the new or if its too much woke pr by now... but i felt so bored with vogue... give me magic
 
This issue features Halle Bailey inside who i am guessing was supposed to be the cover maybe?
I predict a digital cover?
 
Why would she have been on the May cover, I know The Little Mermaid comes out at the end of may, but I’m sure it was always going to be Karl themed for the Met Gala??
 
Wait... I just realized I didn't notice which thread I left that comment in. Carry on.
 
Edward Enninful talking to the BBC about the issue:

Edward Enninful says Vogue disability issue is 'one of my proudest moments'

British Vogue editor Edward Enninful has said working on May's issue, which has five disabled cover stars, was "one of the proudest moments of my career".

Titled Reframing Fashion, the edition focuses on 19 disabled people in total from fashion, sport and the arts.

The magazine's cover stars include actress Selma Blair, who has multiple sclerosis, and model Ellie Goldstein, who has Down's syndrome.

Enninful, 51, said he had "learned so much" from producing the issue.

"My tenure here at Vogue has always been about inclusivity and diversity, and people forget how hard it is for the disabled community," Enninful told the BBC.

He revealed last year in his memoir that he had visual and hearing impairments and a blood disorder, which he said present "challenges" in his role as editor-in-chief at British Vogue.

"It was so important I could relate - I felt real pride that people can actually speak up about disabilities and not have to hide it and how it impacts them.

"I think this is one of the most incredible issues I've had the privilege of editing in my tenure."

Other contributors to the new edition include racing driver Nicolas Hamilton and comedian Rosie Jones, who both have cerebral palsy, and Justina Miles, who is deaf and was the sign language interpreter at Rihanna's 2023 Super Bowl half time show.

"What I loved about all of them is they all just speak up and champion their community by teaching the world to be more caring and understanding," Enninful said. "Anybody like that deserves to be on a British Vogue cover."

The May issue also features Sinéad Burke as a contributing editor and cover star. She runs accessibility consultancy Tilting the Lens, which has advised brands like Netflix and Starbucks on how to make their businesses more disability-friendly.

"Sinéad taught me that retail spaces are quite unfriendly to people with disabilities and that photographic studios are not designed to cater for them," Enninful said.

"She has really opened my eyes and taught me that a whole group of people are being ignored."

Burke spoke to the BBC's Access All podcast about making sure all Vogue photoshoots for the issue were suitable.

"We surveyed every studio to learn what level of accessibility existed and then ensured the talent was set up to meaningfully participate," she said.

"What makes this issue so different is the way in which we think about visibility and representation moving from something that is solely based on image and the cover, to being in the room where decisions are made so that it's not a moment, it's a movement."

British Vogue said it hopes to represent some of the 16 million people living with invisible and visible disabilities in the UK, and show how the fashion industry can be more inclusive.

Enninful, who got the top job at British Vogue in 2017 and became European editorial director of Vogue in 2020, said he hopes to make the publication a more inclusive workplace.

"We want to carry this on and for people to see Vogue is taking that step... We're not perfect, but we have to create this welcoming space," he said.

It's an issue that got some media attention earlier this year when Victoria Jenkins appeared on BBC show Dragon's Den.

Having become disabled in her 20s, Jenkins discovered there were very few fashionable clothes on the market for people like her.

She founded her own brand Unhidden to cater for various disabilities.

I mentioned this to Enninful, and my own concerns as someone who has had inflammatory bowel disease for nearly 20 years and has had to resort to pyjamas and tracksuit bottoms during a flare-up or operation to feel comfortable.

"I always have conversations with designers and it's something we'll carry on with," Enninful said.

"But I think the more you raise awareness of what people go through, the more people will start thinking how they can be more inclusive."

Enninful said a big part of shooting this Vogue campaign involved making those involved feel like there was a place in the fashion industry for them.

Many people with both visible and hidden disabilities have not felt seen in the media, especially on the front of glossy and often airbrushed magazine covers.

"There were a lot of tears - a lot of them [models] didn't think photoshoots were for them and couldn't believe they were involved," he replied.

"Ellie [Goldstein] said it was her dream to be on the cover of Vogue and she said, seven years ago people would have laughed at her, but there she is, and everybody deserves to be seen.

"When this issue comes out, I hope a lot of disabled people will look at it and say, not only can I see myself on the pages of Vogue, but also in fashion."

BBC.CO.UK
 
All of this is just…pedestrian. But mind you, no more pedestrian than a cover with Gigi Hadid or Lila Rose, that had no business being models. In a world were we are bombarded with professional fashion images created to be seen for free, if you are expecting someone to pay, you have to give them something at a way superior aesthetic level. That’s why i totally stopped buying fashion magazines, well magazines in general, the only thing i still buy is Holiday because i really like the articles.
 
I'm sure there are perfectly good reasons why - if it's always been such a vital thing for Vogue to address - that it's taken the magazine five years to get round to it.

Anyhow, all the copies turning up on ebay at the moment seem to be the Selma Blair cover, so it'll be interesting to see the distribution of the five different shots.

I would like the Sinéad Burke one, on the basis of her being Irish, but to be fair to Vogue, she's someone who has been featured in the magazine before.
 
My subscription just dropped through the door (received the cover with Justina Miles). Another dud issue of British Vogue I'm afraid... so much so that I can barely be bothered to write up a full-length review.

The two Leibovitz and Pavarotti stories from American Vogue are included, as well as last month's Italian Vogue cover story with Kendall Jenner and Nadine Ijewere's story with Akon Changkou, America Gonzalaz and Kai Newman from last month too.

The only original content appears to be Halle Bailey by Sharif Hamza and a six-page story by Felicity Ingram.

The coronation "special" is a measly three pages hidden inside the issue, with zero fanfare. Quite insulting for what is set to be a real moment in British history.

Another subscription I'll be cancelling should this level of mediocrity continue...
 
I miss the times when Vogue was a magazine full of amazing models. A magazine full of stunning ads and model editorials.
Loved these times so much! Miss the real models in the magazines. Loved to buy them and have a look inside. Too sad that they are so long over, both magazines, UK and French Vogue lost quality over the last years and with each editor change.:sleepy:
 
If having a lot of reprints isn't bad enough, they also have reprints from LAST MONTH's issue of other editions.

I'm excited to see Chloe's editorial, though. Is it an outdoor photo shoot? Sharif's outdoor edits with Vogue PH were effective and strong.
 
Making Waves, Vogue UK, May 2023
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yourcelebritymagazines
 
in my opinion this had to be the original cover (although I am amazed by the photographer chosen, an Inez &vinoodh or meisel could have done a nice job, I was also expecting a cover of US Vogue in a little mermaid style by Annie Leibovitz although it could be the cover of June July since the film comes out at the end of May), but in the end they opted for the others (in fact they don't seem suitable photos for covers but for an editorial at the end of the magazine)



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^I believe Margot is getting that summer cover.

Have to say I'm quite shocked to see the star of one of 2023's biggest movies lumped on a digital cover. What a missed opportunity! Halle's fans are the very demographic that this magazine so desperately tries to court so much and this movie may well be big on the box office.
Even the cover down to the styling and photography screams 'digital cover' which is to say very little to no care went into shooting this. I find it to be bad PR for Halle as it means even with a blockbuster movie behind her name she couldn't book a big Vogue cover.

I have no comment about the main cover subjects as I imagine they have enough to deal with right now (Tom Pursglove's viral clip over the weekend :melting:).
 
Her editorial and cover don't do anything to me as they suit more for Teen Vogue, but I don't think Sharif as a photographer is a filler-type; his Vogue PH cover editorial still impresses me months after it was released.

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