US Harper's Bazaar July 1992 : Christy Turlington by Patrick Demarchelier

Due to imagebox closing down and justaguy unavailable, I have saved all the necessary credits and these have been attached to the respective images.
 
I read that this pre-September 92 issue of Harper’s Bazaar was under the Supervision of Liz Tilberis.
 
I read that this pre-September 92 issue of Harper’s Bazaar was under the Supervision of Liz Tilberis.

Interesting. Can’t see even hint of Liz's visionary signatures in any of this content. Pre-September, Anthony Mazzola’s Bazaar had absolutely no distinction— and completely interchangeable with 80s-Vogue, down to the typography, layout and aesthetic.

(Christy looks so typical late-80s/early-90s department-store catalogue with that updated awful 60s bouffant that was everywhere at the time LOL Always such a loss how Beverly wasn’t bigger than she deserved. She can do these very commercial, department-store shoots like this one, then transform into femme fatale mode for a Versace show and campaign, and even disappear into another persona for Italian Vogue. She was as versatile and transformative as Kristen and Yasmine.)
 
Sadly, this is one of the issues I have completely lost. :(
 
scanned by Justaguyhttp://imgbox.com/Z26W7YFF
Is Charles Gerli credited here for runway photos? This illustration looks so much like sketches Robert Best do. The one from Project Runway and also Barbie designer at Mattel
 
Interesting. Can’t see even hint of Liz's visionary signatures in any of this content. Pre-September, Anthony Mazzola’s Bazaar had absolutely no distinction— and completely interchangeable with 80s-Vogue, down to the typography, layout and aesthetic.

(Christy looks so typical late-80s/early-90s department-store catalogue with that updated awful 60s bouffant that was everywhere at the time LOL Always such a loss how Beverly wasn’t bigger than she deserved. She can do these very commercial, department-store shoots like this one, then transform into femme fatale mode for a Versace show and campaign, and even disappear into another persona for Italian Vogue. She was as versatile and transformative as Kristen and Yasmine.)

Liz wrote in No Time to Die that she was summer 92’s Bazaar issues “caretaker”.
Makes sense why Patrick Demarchilier started working in Harper’s Bazaar pre-September 92.
 
Liz wrote in No Time to Die that she was summer 92’s Bazaar issues “caretaker”.
Makes sense why Patrick Demarchilier started working in Harper’s Bazaar pre-September 92.

To be a fly on the wall early-1992 when the new team at Bazaar started to create their revolutionary, visionary fashion vanguard at the cusp of unleash :sigh:

Looking at that game-changing catalyst of a September issue now, it’s rather tame and even politely restrained. But the layout, styling, photography and creative flow was unseen in a mainstream fashion publication. Interview and Italian Vogue had components of Fabien’s creative vision before Liz’s Bazaar, but it really wasn’t until Bazaar that all of the elements came together in such a creative, and still accessible way to redefine fashion presentation. And Fabien’s role with Vogue Paris only ascended fashion presentation to another whole new level. He is one of the last fashion visionaries still standing.
 

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