Seriously?
Yes.
*scanned by me*
Not really an ed but she got the cover of the beauty section along with Natasha. They always put them on this section, should just give them an ed.
*scanned by me*
US Harper's Bazaar September 2010 : Jennifer Aniston by Mark Seliger
- Thread starter tarsha
- Start date
Yes.
*scanned by me*
Not really an ed but she got the cover of the beauty section along with Natasha. They always put them on this section, should just give them an ed.
*scanned by me*
honeycombchild
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Ha. Rachel's editorial made me laugh actually.
VogueGirl8910
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Only excites me are the eds & Slimane works for HB now?... 
D
Deleted member 45369
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Completeley agree, I have a few issues from when Glenda first took over and they include stories by Lindbergh, Demarchelier, Sims, Sorrenti, and I&V sadly they all seemed to jumped ship with no one new to replace them even Sudsboe and Nathanial Goldberg seem to have quit working for Bazaar. Can't really blame them though when Glenda continues to publish trash like Rachel Zoe
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Woah, this looks like an excellent September issue, full of models. Rachel's edit is.. blah, don't understand her hype.
One thing I'll give Bazaar, their issues consist of good fashion stories. Looking forward to most of this issue.
One thing I'll give Bazaar, their issues consist of good fashion stories. Looking forward to most of this issue.
TheCheekyCritic
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I like the Rachel Zoe ed, it's cute.
She better watch her back because Lil Frida G may be gunning for that position. I am surprised that given their relationship with her (which really amounts to a few eds and those supplement covers) that HB hasn't done a style / shopping profile on her like Vogue / style.com just did.
IKR, what's up with that? Maryna is the queen of the random backstage photo turned HB supplement cover, usually taken with some other Russian girl.Not really an ed but she got the cover of the beauty section along with Natasha. They always put them on this section, should just give them an ed.
http://a.imageshack.us/img836/5128/marynanata.th.jpg
*scanned by me*
She better watch her back because Lil Frida G may be gunning for that position. I am surprised that given their relationship with her (which really amounts to a few eds and those supplement covers) that HB hasn't done a style / shopping profile on her like Vogue / style.com just did.
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jeremydante
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i LOOOOVE the rachel zoe edit; such a cute concept for her infamous line.
missnyc
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Having gone from adorable television tots to true fashionistas, Mary-Kate and Ashley Olsen partook in a lovely spread adorning the pages of the September issue of Harper's Bazaar magazine.
Hitting newsstands on August 17th, the latest Harper's installment finds the Olsen sisters opening up about their successful clothing label, their dream client, and how their mother taught them to dress when they were little.
As for their dream client, Ashley tells, “I’d love to get Michelle Obama in the Row. The simple suits and things. It’s all made in America, so why not?"
Meanwhile, Mary-Kate dished on their mom's fashion influence, saying, “When we were growing up, our mother taught us never to have your belly button exposed."
Finishing her sisters sentence, Ashley chimed in, “We’ve always been attracted to longer— “Layers, silhouettes."
celebrity-gossip
Hitting newsstands on August 17th, the latest Harper's installment finds the Olsen sisters opening up about their successful clothing label, their dream client, and how their mother taught them to dress when they were little.
As for their dream client, Ashley tells, “I’d love to get Michelle Obama in the Row. The simple suits and things. It’s all made in America, so why not?"
Meanwhile, Mary-Kate dished on their mom's fashion influence, saying, “When we were growing up, our mother taught us never to have your belly button exposed."
Finishing her sisters sentence, Ashley chimed in, “We’ve always been attracted to longer— “Layers, silhouettes."
celebrity-gossip
missnyc
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Get to Know the Row
Mary-Kate and Ashley Olsen's clothing label takes the spotlight. See more of the sisters wearing their own designs.
By Laura Brown
Walk into the Row's studio in New York's Chelsea neighborhood and you will see no clothes. Sure, Mary-Kate and Ashley Olsen, designers of the Row, have been credited as key to what those of short memory call "new minimalism," but this is a little method. "Oh, man, the clothes are gone," sighs Mary-Kate, looking fine in a vintage red-and-black-spotted Yves Saint Laurent blouse, jeans, and skyscraper heels. "They're off in sales," explains Ashley, on brand in a slouchy Row sweatshirt, pant-skirt, and flat sandals.
That's what happens when everyone wants what you're selling. After 24 years of growing up in front of the American public, Mary-Kate and Ashley now occupy a desirable, influential position in the fashion world. After only three years in business, the Row, born with a luxury T-shirt, sits next to Rick Owens, Lanvin, and Azzedine Alaïa in the world's best retailers.
But this success didn't come by accident or through money or connections. "We work," the two stress almost simultaneously (six days a week, commonly). It's a knee-jerk defense bred from years of intrusive pictures and tabloid gossip insinuating they did anything but. "Remember that crazy time when all of us young girls were being followed?" Ashley says. The two were like hunted animals, their only defense a venti Starbucks. Now that they have both moved to New York full-time, oddly, we see them less. "We're either at home or here at the studio," Mary-Kate notes. "I think they got bored of us."
While you might guess that the Olsens' sartorial preference—a long, covered-up look—might come from a desire not to be seen, you'd be wrong. Mary-Kate explains, "We've always been attracted to longer—" "Layers, silhouettes," Ashley says, finishing her sentence.
"When we were growing up, our mother taught us never to have your belly button exposed," Mary-Kate adds. This low-key, tempered sensuality is the spine of their collection. The Row lady doesn't need to put it all out there because she has something going on "in here." This mood was reflected in the Olsens' Fall 2010 presentation, just 19 looks in a simple palette, worn with the same summery flat: a black wrap coat, a precise white shift dress, a languid jumpsuit—all the pieces girls want but have a devil of a time actually finding. Resort had a similar quiet confidence, each look paired with vintage Prada loafers. Both Olsens are huge Prada fans. "Miuccia's spin always has a sense of humor, which I love," Ashley says. "Céline's quite amazing too," adds Mary-Kate.
Though the two don't fantasize about giving anyone a "Row-over," they would like to dress the first lady. "I'd love to get Michelle Obama in the Row," Ashley says. "The simple suits and things. It's all made in America, so why not?" But the two chalk up their first success to Lauren Hutton, whom both are "obsessed with" and who was shot for Forbes in 2007 "on a motorcycle in our leather leggings. I think there's nothing chicer than that," says Ashley. The Olsens have in fact already appeared in Forbes—the first time as kids. Toddler titans? "Nah," says Ashley, giggling. "The Most Powerful Crawlers."
So, newly 24, newly East Coast, but always in control, Mary-Kate and Ashley are, yes, getting their ducks in a row. And 24, the age when you can take New York by storm, is the perfect time to do it. "Ah, but," says Mary-Kate, looking at Ashley with an old-soul smile, "we're 48."
harpersbazaar.com
Mary-Kate and Ashley Olsen's clothing label takes the spotlight. See more of the sisters wearing their own designs.
By Laura Brown
Walk into the Row's studio in New York's Chelsea neighborhood and you will see no clothes. Sure, Mary-Kate and Ashley Olsen, designers of the Row, have been credited as key to what those of short memory call "new minimalism," but this is a little method. "Oh, man, the clothes are gone," sighs Mary-Kate, looking fine in a vintage red-and-black-spotted Yves Saint Laurent blouse, jeans, and skyscraper heels. "They're off in sales," explains Ashley, on brand in a slouchy Row sweatshirt, pant-skirt, and flat sandals.
That's what happens when everyone wants what you're selling. After 24 years of growing up in front of the American public, Mary-Kate and Ashley now occupy a desirable, influential position in the fashion world. After only three years in business, the Row, born with a luxury T-shirt, sits next to Rick Owens, Lanvin, and Azzedine Alaïa in the world's best retailers.
But this success didn't come by accident or through money or connections. "We work," the two stress almost simultaneously (six days a week, commonly). It's a knee-jerk defense bred from years of intrusive pictures and tabloid gossip insinuating they did anything but. "Remember that crazy time when all of us young girls were being followed?" Ashley says. The two were like hunted animals, their only defense a venti Starbucks. Now that they have both moved to New York full-time, oddly, we see them less. "We're either at home or here at the studio," Mary-Kate notes. "I think they got bored of us."
While you might guess that the Olsens' sartorial preference—a long, covered-up look—might come from a desire not to be seen, you'd be wrong. Mary-Kate explains, "We've always been attracted to longer—" "Layers, silhouettes," Ashley says, finishing her sentence.
"When we were growing up, our mother taught us never to have your belly button exposed," Mary-Kate adds. This low-key, tempered sensuality is the spine of their collection. The Row lady doesn't need to put it all out there because she has something going on "in here." This mood was reflected in the Olsens' Fall 2010 presentation, just 19 looks in a simple palette, worn with the same summery flat: a black wrap coat, a precise white shift dress, a languid jumpsuit—all the pieces girls want but have a devil of a time actually finding. Resort had a similar quiet confidence, each look paired with vintage Prada loafers. Both Olsens are huge Prada fans. "Miuccia's spin always has a sense of humor, which I love," Ashley says. "Céline's quite amazing too," adds Mary-Kate.
Though the two don't fantasize about giving anyone a "Row-over," they would like to dress the first lady. "I'd love to get Michelle Obama in the Row," Ashley says. "The simple suits and things. It's all made in America, so why not?" But the two chalk up their first success to Lauren Hutton, whom both are "obsessed with" and who was shot for Forbes in 2007 "on a motorcycle in our leather leggings. I think there's nothing chicer than that," says Ashley. The Olsens have in fact already appeared in Forbes—the first time as kids. Toddler titans? "Nah," says Ashley, giggling. "The Most Powerful Crawlers."
So, newly 24, newly East Coast, but always in control, Mary-Kate and Ashley are, yes, getting their ducks in a row. And 24, the age when you can take New York by storm, is the perfect time to do it. "Ah, but," says Mary-Kate, looking at Ashley with an old-soul smile, "we're 48."
harpersbazaar.com
eneroenero
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chic easy pieces is great!
Alien Sex Friend
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oh its so damn hot to look at eniko in furs and pieces made out of wool when now its still 35 C where i live and im preparing to the shoot with coats, gloves, woolwork myself, and i can picture myself how hard it ll be if we wont have conditioner...
i have a question, isnt fashion became too fast? such warm stories in september are so uncommon for commercial american publication, and i must say, its everywhere. do fashion editors ever look out of the window? no, really? there is a question of weather and seasonality of fashion and not only of trends. thats okay to have a fur story in november in Europe and north america, for example, but not fall warm coats in july as usually does W just because collections are already available for shooting and (i must notice) not for selling in stores! (at least retailers are enouth adequate)
i have a question, isnt fashion became too fast? such warm stories in september are so uncommon for commercial american publication, and i must say, its everywhere. do fashion editors ever look out of the window? no, really? there is a question of weather and seasonality of fashion and not only of trends. thats okay to have a fur story in november in Europe and north america, for example, but not fall warm coats in july as usually does W just because collections are already available for shooting and (i must notice) not for selling in stores! (at least retailers are enouth adequate)
TheCheekyCritic
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Ooh, "Chic Easy Pieces" is very nice! So nice, in fact, that it would've deserved a better title. 
jeremydante
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Eniko Is The Illest!!
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