US Vogue October 1, 1949 : Wenda Parkinson by Norman Parkinson

Vogue Patterns | News on Velvet, Linen Notes
Photo Martin Munkasci
Models Unknown


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Blouses: More Taste Than Money
Photo Frances McLaughlin
Illustrator Dagmar Freuchen-Gale
Model Cherry Nelms


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Christian Dior for Hudson's S/S 50
Photo Unknown
Model Unknown



I. Magnin & Co. S/S 50
Photo Horst P. Horst
Models Unknown, Mary Jane Russell


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Dexdale De-Luxe Nylons
Photo Unknown
Model Unknown



Ceil Chapman for Lord & Taylor S/S 50
Illustrator Hood


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Onondaga for Celanese S/S 50
Photo Unknown
Model Unknown



Emba S/S 50
Photo Virginia Thoren-Rice
Model Dorian Leigh


vogue archive
 
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Bergdorf Goodman F/W 49.50
Photo Kay Bell
Model Unknown



Hattie Carnegie for Hutzler's S/S 50
Photo Unknown
Models Suzy Parker, Lisa Fonssagrives



Henri Bendel S/S 50
Photo George Platt Lynes
Model Unknown



Larry Aldridge S/S 50
Photo John Rawlings
Model Unknown


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Juilliard S/S 50
Photo Unknown
Model Unknown



Maurice Rentner for Saks Fifth Avenue S/S 50
Photo George Platt Lyness
Model Unknown



Ceil Chapman for Julius Garfinckel & Co. S/S 50
Photo Toni Frissell
Model Unknown



Omar Kiam of Ben Reig for Neiman-Marcus S/S 50
Photo Erwin Blumenfeld
Model Unknown


vogue archive
 
Maximilian F/W 49.50
Photo Unknown
Model Unknown



Jacques Griffe for Burlington Mills S/S 50
Photo Unknown
Model Unknown



Eisenberg S/S 50
Photo Unknown
Model Unknown


vogue archive
 
More taste than money = more dash than cash.
The ultimate extravagance = cost per wearing.
The way they wrote back then was so elegant.
Also, an iconic shot of Babs Rawlings.

Such a gorgeous issue.
Thank you, justaguy.
 

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