US Vogue September 1, 1951 : Lisa Fonssagrives by Irving Penn

Leto Cohn LoBalbo
Photo Alfonso Sharland
Model Nina de Voogt



Howard Greer for Frost Bros.
Photo Unknown
Model Dovima?


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Adele Simpson for Harfeld's
Photo Unknown
Models Barbara Mullen, Jean Patchett



Celanese
Photo Unknown
Model Mary Jane Russell


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Anthony Blotta for Neiman Marcus
Photo Erwin Blumenfeld
Model Jean Patchett



Willi for The Broadway
Photo Unknown
Model Dovima


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B. Weinstein
Photo Unknown
Model Dorian Leigh



Vanity Fair
Photo Mark Shaw
Model Carmen Dell'Orefice


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Adele Simpson for Enka Rayon
Photo Francesco Scavullo
Model Elise Daniels?



Brigance of Frank Gallant for Anglo Fabrics
Photo Unknown
Model Cherry Nelms


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Georgiana
Photo Unknown
Model Jean Patchett



Hannah Troy
Photo Unknown
Model Evelyn Tripp


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Duchess Royal
Photo Unknown
Model Jean Patchett



Philip Mangone for Anglo Fabrics
Photo Unknown
Model Dovima


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Pauline Trigère for Wyner
Photo Maria Martel
Model Lisa Fonssagrives



Gunther Jaeckel
Photo Unknown
Model Unknown


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Donnybrook
Photo Unknown
Model Jean Patchett



Katzman & Ware
Photo Unknown
Model Dorian Leigh


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Seymour Fox
Photo Unknown
Model Sunny Harnett



June Patton
Photo Unknown
Models Jean Patchett, Unknown


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The 50's are really not my favorite decade, but it is all so attractive. Women really were different then.

I personally think something has been lost in getting rid of all the etiquette and cotillion type programs and training that most women went through during these time. Blah, blah, blah now women are all liberated, but many are now grossly unrefined and unfeminine and slovenly (before you crucify me, men could stand to shape up these days, too).

There is something to be said about the way one carries oneself - it's not just for your own dignity, it also a service to others and to society. We live in the ugliest world now...and it's everyone's fault. The more rules we've broken, the more of a mess of ugliness and dysfunction we have to suffer through.
 
^^^ LOL No actual rules have been broken these days, frankly. That’s giving them too much credit, dior. To do so would mean risks are taken and livelihoods/lives put on the line. These entitled, sheltered and spoiled children are sociopaths and narcissists that throw temper tantrums and bully others with cancellation until people give in to their obnoxious and silly demands and even sillier ideologies of first-word problems.

The veneer of the 1950s has always been so much more attractive, tantalizing than the reality of it. I would rather live and gladly suffer in this mess of this era than the 1950s, though— where men like us would always have to keep our sexuality on the DL, unless we’re fine with being deemed legally deviants and mentally-ill by society, and treated like garbage by the law. No doubt that the archetype of Vogue will forever be brandished by that era with its untouchable imagery of high, glossy, proper glamour. Still, I’m more enamoured of our time’s visionaries Gaultier/McQueen/Miuccia and their ideals of 1950s imagery than the actual 1950s— and that includes the designers of that era.
 
Julliard
Dovima
17 (7).jpeg

Fischer
Dorian Leigh
20 (8).jpeg

Avisco
Dorian Leigh
30 (8).jpeg

Miron
Georgia Hamilton, Jean Patchett
40 (5).jpeg41 (9).jpeg
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Strawbridge & Clothier
Dovima
35 (13).jpeg

Swansdown
Evelyn Tripp, Unknown
39 (13).jpeg

Amy Linker
Sunny Harnett
46 (10).jpeg

The Fifth Avenue Shop
Dorian Leigh
53 (11).jpeg
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Brittany
Evelyn Tripp
75 (9).jpeg

Barbara Carol
Georgia Hamilton
80 (8).jpeg

Kay Saks
Barbara Mullen
87 (9).jpeg

Anglo Fabrics
Suzy Parker
93 (7).jpeg
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Botany
Jean Patchett, Unknown
94 (6).jpeg

L'Aiglon
Dovima
103 (10).jpeg

Carolyn
Barbara Mullen, Unknown, Georgia Hamilton ?
104 (13).jpeg

Milium
Dorian Leigh
106 (4).jpeg
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Paul Parnes
Georgia Hamilton
107 (5).jpeg

Morlove
Jean Patchett
114 (3).jpeg

Young Viewpoint
Liz Pringle
115 (3).jpeg

J.Doctor
Georgia Hamilton
125 (6).jpeg
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Dana
Elise Daniels
129 (6).jpeg

Skinner
Suzy Parker
130 (6).jpeg

Bermuda Knitwear
Barbara Mullen
235.jpeg
Vogue Archive
 

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