Vogue Italia July 2002 : Carolyn Murphy & Ryan Burns by Steven Meisel | the Fashion Spot

Vogue Italia July 2002 : Carolyn Murphy & Ryan Burns by Steven Meisel

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Vogue Italia #623
Photographer: Steven Meisel
Stylist: Lori Goldstein
Models: Carolyn Murphy & Ryan Burns
Make-Up: Pat McGrath
Hair: Jimmy Paul
Set Design: Gerard Santos
 
In The Still Of The Night
Photographer: Steven Meisel
Stylist: Lori Goldstein
Models: Carolyn Murphy & Ryan Burns
Make-Up: Pat McGrath
Hair: Jimmy Paul
Set Design: Gerard Santos


Source: Vogue Italia Archive
 
Stunning editorial. That's the Meisel I want to see in Vogue Italia right now.
 
Ann Turkel in Coats
Photographer: Steven Meisel
Stylist: Brana Wolf
Model: Ann Turkel
Make-Up: Pat McGrath
Manicure: Lisa Jachno
Hair: Luigi Murenu


Source: Vogue Italia Archive
 

Source: Vogue Italia Archive

Selma Blair Movie Star
Photographer: Steven Meisel
Stylist: Lori Goldstein
Set Design: Gerard Santos
Make-Up: Pat McGrath
Manicure: Lisa Jachno
Hair: Luigi Murenu


Source: Vogue Italia Archive
 

Source: Vogue Italia Archive

New Designers
Photographer: Steven Meisel
Stylist: Lori Goldstein
Models: Sharon Ganish, Nadine Strittmatter
Make-Up: Pat McGrath
Hair: Luigi Murenu


Source: Vogue Italia Archive
 
Woman in Black
Photographer: Steven Meisel
Stylist: Lori Goldstein
Model: Sharon Ganish
Make-Up: Pat McGrath
Hair: Luigi Murenu


Source: Vogue Italia Archive
 
FIXED

Vogue Italia #623
Photographer: Steven Meisel
Stylist: Lori Goldstein
Models: Carolyn Murphy & Ryan Burns
Make-Up: Pat McGrath
Hair: Jimmy Paul
Set Design: Gerard Santos



Source: hfgl.proboards.com
 
Lori and Brana were phenomenal editors! The allure of these simple studio images just radiate. So much glamour!

And how long was Sharon around for? I feel like it was only a belief period, I love everything she did with Steven.
 
STUNNING issue. Every editorial is devastatingly gorgeous. All of them are breathtaking, but I've always had a soft spot for the "Woman in Black" shoot with Sharon Ganish. Beyond magnificent....that profile portrait of her is un-real.
 
Revisiting this PERFECT editorial... It's impossible that nowadays there isn't a way to do something similar, even with another photographer.
 

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