Vogue Italia April 2002 : Eugenia Volodina by Steven Meisel

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Source: hfgl.proboards.com

Vogue Italia #620
Photographer: Steven Meisel
Stylist: Lori Goldstein
Model: Eugenia Volodina
Make-Up: Pat McGrath
Hair: Orlando Pita

 

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On The Road
Photographer: Steven Meisel
Stylist: Lori Goldstein
Model: Eugenia Volodina
Make-Up: Pat McGrath
Hair: Orlando Pita


Source: Vogue Italia Archive

 

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Bohemian
Photographer: Steven Meisel
Stylist: Brana Wolf
Model: Anne-Catherine Lacroix
Make-Up: Pat McGrath
Hair: Julien d'Ys


Source: Vogue Italia Archive

 

[AD011620]

sooo amazing!!! love the cover and the editorials!

 

[ivano]

FIXED

Vogue Italia #620
Photographer: Steven Meisel
Stylist: Lori Goldstein
Model: Eugenia Volodina
Make-Up: Pat McGrath
Hair: Orlando Pita

Source: hfgl.proboards.com

 

[ivano]

permanent cover:


magpile

 

[pipoca]

Great Hair! (Beauty)
Photographer: Antonio Spinoza
Fashion Editor: Spela Lenarcic
Hair: Eugene Souleiman
Makeup: Lisa Butler
Model: Natasa Vojnovic

Vogue Italia Archivio

 

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A Girl Who Has A Certain Je Ne Sais Quo
Photographer: Inez van Lamsweerde & Vinoodh Matadin
Fashion Editor: Joe McKenna
Hair: Jimmy Paul
Makeup: Diane Kendal
Set Designer: Gerard Santos
Model: Jessica Miller

Vogue Italia Archivio

 

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Sensuousness
Photographer: Steven Klein
Fashion Editor: Joe McKenna
Hair: Luigi Murenu
Makeup: Charlotte Tilbury
Model: Delfine Bafort

Vogue Italia Archivio

 

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Ngong Hills Kenia
Photographer: Jonathan de Villiers
Fashion Editor: Jonathan Kaye, Simon Foxton
Hair: Ray Allington
Makeup: Mary Greenwell
Model: Erin O'Connor

Vogue Italia Archivio

 

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How Lovely
Photographer: Craig McDean
Fashion Editor: Edward Enninful
Hair: Luigi Murenu
Makeup: Aaron de Mey
Set Designer: Donnie Myers
Model: ?

Vogue Italia Archivio

 

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On The Road
Photographer: Steven Meisel
Stylist: Lori Goldstein
Model: Eugenia Volodina
Make-Up: Pat McGrath
Hair: Orlando Pita

starity.hu

 

[MulletProof]

Two of my absolute favorites from back then: Delfine and Eugenia.. both were so elegant, kind of mysterious and with strong features.. loved that. I wanted this issue but couldn't find it then and now that I look at it, looks like I didn't miss on much.. I remember they used to do a lot of sepia/warm b&w stories at the time, because it felt sane when the insufferable work by David Lachapelle (or Terry) triumphed everywhere, some were not so bad, but many really failed to immortalize properly some of the incredible fashion produced at the time.. you'd see some of these Balenciaga, Helmut Lang, Lacroix pieces all blurred as if they had captured them through the reflection of two dirty mirrors.. and it's a shame because when stories were vibrant and prioritized on texture, one can see how remarkable some of these collections actually were.

I remember seeing that model in How Lovely.. in the picture of some party.. ah, who is she, I want to know now lol..