WSJ. Magazine Fall 2024 : Aubrey Plaza by Laura Jane Coulson

[vogue28]

 

[jeremydante]

Needs a shoe. Bad.

 

[kikifoz]

Max Ortega reminds me of those market editors who try to be stylists (Dena from Vogue UK)

no distinct style POV.. feels very emotionless.

 

[fauxfashion]

How Aubrey Plaza Eye-Rolled Her Way to Hollywood Stardom
Photography: Laura Jane Coulson
Styling: Max Ortega
Hair: Mark Townsend
Makeup: Raoul Alejandre
Manicure: Jolene Brodeur
Celeb: Aubrey Plaza

wsj.com

 

[Deleted member 116957]

Why couldn’t they give her some shoes?

 

[Zorka]

TO WIT, AUBREY
Photography: Laura Jane Coulson
Styling: Max Ortega
Hair: Mark Townsend
Make-up: Raoul Alejandre
Model/Celebrity: Aubrey Plaza


WSJ. Magazine Digital Edition

 

[Zorka]

MY FARAWAY ONE
Photography: Sean Thomas
Styling: Tonne Goodman
Hair: Yoko Setoyama
Make-up: Michiko Ikeda
Models: Nora Attal, Luiza Perote & Lou Donelli


WSJ. Magazine Digital Edition

 

[Zorka]

LADY IN WAITING
Photography: Theo Wenner
Styling: Tom Guinness
Hair: Jimmy Paul
Make-up: Dick Page
Models: Olivia Petronella, Anthony Foster & Tom Dragoni


WSJ. Magazine Digital Edition

 

[Zorka]

MOST VALUABLE PLAYERS
Photography: Luna Conte
Styling: Alexander Fisher
Hair: Nero
Make-up: Allie Smith
Models: Valerie Scherzinger & Abuk Adier


WSJ. Magazine Digital Edition

 

[Fiercification]

Tonne's story is really lovely; there you have proof that a legendary editor can elevate even the most mundane (and in Sean Thomas' case that's really f*cking mundane) photography and create good imagery. I also like the casting of Nora and Luisa which seems quite unexpected.

All of the other content is bottom of the barrel, in keeping with the new editor's output since last year.

 

[MModa]

"My Faraway One" by Thomas and "Lady in Waiting" by Wenner are the main fashion editorials inside of the issue. I personally prefer the second but it is not great either. The fashion photography is lackluster.