1879-1944 Paul Poiret

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Gown, 1913

Paul Poiret

Black and White silk satin with glass bead embroidery. Worn by Miss Anita Blair at the debut ball of Gladys High. This was the first couture dress designed for an uncorseted figure.
flickr

© Chicago History Museum
www.chicagohistory.org
 
Way to go, Dos Violines. I'm glad somebody is keeping this thread alive! ^_^
 
My pleasure!

I'm actually surprised that I keep finding images to post...
 
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Dress designed by Paul Poiret (1879-1944).
Paris aboit 1920.

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Dress of the top designer Paul Poiret.
Paris, 1924.

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Dress of the top designer Paul Poiret.
Paris, 1931.

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Dress of the top designer Paul Poiret.
Paris, 1931.

© Lipnitzki / Roger-Viollet

parisenimages.fr
 
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Top designer Paul Poiret's "Rosine" shopwindow.
Paris, Grand-Palais, 1924.

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Top designer Paul Poiret's "Rosine" shopwindow.
Paris, Grand-Palais, 1924.

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Perfume bottle "Rosine" by Paul Poiret.
Paris, about 1925.

© Lipnitzki / Roger-Viollet

parisenimages.fr
 
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Paul Poiret (1879-1944), French top designer and decorator.
Paris, 1926.

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Paris, about 1925.

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Paris, august 1927.

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Paris, may 1927.

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Paris, october 1925.

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Poiret and decorator, with André Derain (1880-1954), French painter.
Paris, about 1925.

© Lipnitzki / Roger-Viollet

parisenimages.fr
 
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Colette, Ninon Gilles and Paul Poiret in : "La Vagabonde" by Colette at the Theatre de l'Avenue.
Paris, February 1927.

© Lipnitzki / Roger-Viollet

parisenimages.fr
 
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Poiret's coat-kimono.
Paris, on 1922.

© Lipnitzki / Roger-Viollet

parisenimages.fr

 
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Poiret hat, 1923.

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Poiret evening dress trousers.
Paris, 1926

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Poiret's house Rosine.

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Poiret evening dress.
Paris, by 1925.

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Poiret dress, by 1925.

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Poiret coat, 1927.

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Poiret dress, before 1925.

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Poiret dress, 1926.

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Poiret coat-kimono, 1926.

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Poiret dress, 1925.

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Poiret dress, 1925.

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Poiret dress, 1925.

© Lipnitzki / Roger-Viollet

parisenimages.fr
 
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A rare Paul Poiret equestrian-style jacket, circa 1913, labelled `Paul Poiret à Paris' and dated `Printemps 1913', of beige facecloth, the curved collar embroidered with black hats with tricolour cockade and riding whips, fastened by domed, plated brass buttons, with inset curved pockets, tab and button detailing to the flared hem
kerrytaylorauctions
 
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Navy and Ecru Floral Print Tea Dress
Attributed to Poiret, circa 1923
Pink silk crepe de chine chemise underdress with creme chiffon front panel, collar and cuffs accented with ruffled Valenciennes lace, the overdress of a graphic Deco print probably by Raoul Dufy edged with loose navy and pink moire ribbon becoming streamers at low belt of same, sewn bow at centre
doylenewyork
 
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Silver Embroidered Chemise Dress
Possibly Paul Poiret, French, circa 1925
Of pumpkin georgette, with rounded neckline, long cuffed sleeves, embroidered at lower half with couched silver metallic worked in horizontal bands of Oriental style flowers, repeated in bands at upper sleeve, the hem sewn with deep pleated brown velvet flounce, silver rope twist cording at top, similar velvet ribbon at dropped waist
doylenewyork
 
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Lame and Velvet Cape
French, 1920s
Three-quarter length, dipping lower in back, with voluminous hoodlike brown fur, possibly zibeline, and black velvet collar, single button closure, the cape fashioned in various layers, the exterior of gold lame woven with Art Deco leaf and vine pattern in the style of Raoul Dufy, the pattern cut out in curvilinear shapes from hip level and sewn with velvet inserts, creating drape and flare at bottom, the velvet areas underlayed with chiffon, the layering doubled at center back section, full black velvet lining with pockets.

Oral history attributes the cape to Paul Poiret.
doylenewyork
 
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RIGHT

Paul Poiret
Melodie
Afternoon dress
Purple silk damask, cotton velvet, cording
Circa 1912, France

This dress belonged to Poiret’s wife Denise, who served as model and muse for her husband. Acknowledging her modernity, he stated, “In dressing Madame Poiret, I strive for omission, not addition.” The bold color palette and rectilinear design, stripped of ornamentation, are typical of her style, as is the girlish, pleated white collar. Inspired by her slim, un-corseted figure, Poiret eliminated the waistline and played with proportion, creating a silhouette that appears to elongate and flatten the body.
fitnyc.edu
 
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-Veda- kindly credit the images - it's tFs policy :flower:
 

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