1960s-1970s André Courrèges | Page 4 | the Fashion Spot

1960s-1970s André Courrèges

^ Oh thank you, La bordélique. We were stumped since there appears to be some disinformation out there about M. Courrèges. I found one article that said he had died of cancer, and another article talking about his "thirty years after his death" which is totally off base since he was very active through the 90s.
 
How I wish these were in color! :(

1970 A prim coat-dress with neat geometrical lines. It is double-breasted with a tiny off-the-neck notched collar, cap sleeves. To further accentuate the purity of its volumes, it is entirely edged with black gros-grain. Square brimmed hat and white kid ankle boots.



1965 A nonconformist riding outfit styled in a yellow and white plaid wool. The hip-belted jodhpurs are worn with a very short and sleeveless top. Wide cowboy hat and white kid ankle boots.



vads.ahds.ac.uk
 
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1965 A youthful and off-beat dress and jacket in white and orange striped wool gabardine. The sleeveless dress stops well above the knees and has a very narrow hip belt. The short double-breasted jacket is in white reversible gabardine. The white gondolier's hat is trimmed with an orange bow.



1971 Belted coat-dress in white wool gabardine, topstitched in orange. Matching buttons, and "AC" initials in orange patent leather patched on the back. Orange boots.



vads.ahds.ac.uk
 
1970 Buttons and topstitching and beautiful curves are the key to this red pure wool crepe dress. The sewn-down side flap and ribbon at the throat are very Courreges 70-71. The white is repeated in the high soft boots, gloves and orb in the hair.



1970 Buttons are big, decorating fashion this season. Courreges uses them liberally, down the front, on the turn-down rounded patch pockets, the martingale, and the shoulder tabs of this classic redingote. The champagne tone of the pure wool crepe is dramatised by the black leather of the boots. Note the topstitching at all the seams.



vads.ahds.ac.uk
 
1970 Courreges shows a rare bit of leg. The elegant white riding boots are paired with a short long-waisted white midi in a pure wool jersey ottoman; as usual this season, Courreges belts and hems in leather, and laces the neck with a bright wool ribbon.



1971 Courreges' pea jacket tops a white wool gabardine trouser suit. Note the buttoning, the topstitching, the belt and jacket monogram. As usual this year, the final touches are the flattest of white vinyl boots and the red baseball cap. The pea jacket is cut in beige pique wool.



vads.ahds.ac.uk
 
1968 Courreges likes his models and his clothes to look full of sparkling good health. Here, a bouncy dress of chocolate wool jersey, with an inset waistband and front tab forming a white cross and sewn-down imitation collar. Worn with ribbed white tights and brown leather boots.



1970 Even Courreges, who invented the mini, has lengthened his hems this Spring. In fact, this is one of his shortest styles. The wrap-over dress, in pure wool white crepe is banded in white leather. The knee socks and Mickey Mouse sun glasses are all part of the look.



vads.ahds.ac.uk
 
1968 Gay young coat and matching skirt from Courreges, in plaid wool gabardine coloured in dark and pale greens with white. The coat is double-breasted with a small round collar, deep inverted back pleat and green leather belt. Worn with a white ribbed sweater and tights, plus white leather boots.



1970 Knee length dress in pure wool pique printed sky blue on white. Orange buttons down the side, and at the "key hole" neckline. A small white collar and buttoned patch pocket. Orange wig -"Mickey Mouse" glasses.



vads.ahds.ac.uk
 
1970 Lengthened minis this season chez Courreges. This one, in sky blue printed on white pure wool gabardine, has a "key-hole" neckline and orange patch pockets and sleeves. To be noted: a flaring cut-out at the hem. Mid thigh socks, bordered in orange. orange wig, "Mickey-Mouse" glasses.



1964 One of Courreges' great classics: it has a middy jacket with a shoulder yoke cut in pale blue wool ratteen. The "stove-pipe" trousers are designed in a pale blue wool gabardine. Charming: the white kid bonnet tied with a bow on the chin.



vads.ahds.ac.uk
 
1971 Pants suit in orange wool gabardine with "blue jean" stitching in white. Belted jacket with patch pockets. Cuffed pants and patent leather boots.



1964 A trapeze shaped suit. The short jacket has square shoulders, welt seams and two rows of buttons which continue on the wrap around skirt with two horizontal pockets. Beige wool whipcord. Compulsory accessories: the short boots of white glove kid.



vads.ahds.ac.uk
 
1968 Streamlined and young, this version of the all important 1969 pants ensemble. The flared, short-sleeved top covers the hips. Creased tube pants. In yellow pure wool gabardine, trimmed with welt seams. Note the ankle boots, a must.



1968 Suit in light grey pure wool shetland by Nattier. An interesting combination of shetland and white leather, used on the buttons, the tabbed cuffs, shoulder insets and the skirt;s pocket flaps. Small martingale in the back. Double belt closed with a white buckle. White leather boots.



vads.ahds.ac.uk
 
1965 The look of the future: designed in a pure wool thick gabardine is this dress and jacket ensemble. The sleeveless dress is precisely architectured with a hip yoke and welted seams. It stops well above the kneecaps. The short jacket is in black and white striped gabardine with a neat off-the-neck collar.



1971 The striking feature of this neat little white wool gabardine dress is the angle cut in the front, closed by a white button. Note the topstitching over the hips and edging the seams and short sleeves. The extra-flat white boots are an integral part of the Courreges look for Winter 71-72.



vads.ahds.ac.uk
 
1971 This royal blue pure wool double gabardine dress is typical Courreges - very simple in cut, topstitching everywhere to emphasise the lines. Note the tiny cap sleeves, slightly flared skirt, and the famous Courreges monogram on the belt. Note the Courreges accessories - this seasons dead flat white boots with a top band, and a long-sleeved transparent white body blouse.



1971 This young cheerful city suit from Courreges mixes a white pure wool gabardine with a fir-green-on-white pure wool houndstooth. The dress has topstitching on all the seams, and the jacket is buttoned asymmetrically. Note the tiny shoulder bag matching the jacket. The flattest of high white vinyl boots and a red vinyl baseball cap add the final Courreges touches.



vads.ahds.ac.uk
 
1965 Trousers and short jacket designed in sky blue and white checked wool gabardine. The tapered pants have a stitched crease and a leather hip-belt, two flap pockets. The tank top stops above the waist and is closed with a zipper. Cap sleeves and funnel collar. White kid ankle boots with chopped off toes.



These two don't have descriptions. :(



vads.ahds.ac.uk - That's the end of what's available in this particular database.
 
July 10, 2006 The Zooop is a high performance 150 kW three seat electric car that weighs just 690 kilograms and has a range of 450 kilometres. It won a special award at the recent international sustainable mobility event, the Michelin Bibendum Challenge for its extreme performance. Remarkably, the Zooop is not the product of an automotive manufacturer, or even an automotive design house. It is the third fully-operative EV prototype produced by globally renowned Paris-based fashion design house Maison de Courrèges and has had very little publicity outside of the car's native France. Which is all very surprising, because in the heady world of fashion, the husband and wife team of André and Coqueline Courrèges are superstars. Both André Courrèges and Coqueline Barrière were (separately) apprenticed and mentored by one of the original fashion designer icons, Cristóbal Balenciaga. Further reading on the remarkable legacy of Balanciaga can be found at Wikipedia, the Fashion Industry Search Engine, InfoMat, and the Metropolitan Museum of Art, and there's currently an exhibition on Balenciaga at the Musée des Arts Décoratifs in Paris.

André Courrèges opened the Maison de Courrèges in 1961 and was one of the most influential designers of the swinging sixties, most famously as the inventor of the miniskirt but also responsible for the trouser suit, the Moongirl look and gogo boots. Though one of the most important designers of the sixties, the Courreges name has maintained its position at the head of the fashion world for nearly fifty years.

Now Madam Coqueline Courrèges is championing the cause of the electric car.

The Maison de Courrèges was one of the driving forces of the sixties, and as far back as 1969 was using electric vehicles in his fashion shows (see photo gallery). The more modern EV direction of the company was first seen publicly when it rolled out La Bulle (the Bubble), a vehicle that looked for all the world like a flying saucer, at the 2002 Michelin Bibendum Challenge in Heidelberg, Germany. The vehicle was capable of 110 km/h and had a range of 170 kilometres - quite a feat back in 2002. La Bulle competed again in the Bibendum Challenge in Sonoma, California in 2003, and has appeared in each subsequent Bibendum.

In the 2003 California event, Coqueline Courrèges drove La Bulle witnessed the performance of the AC Propulsion TZero and soon began negotiations to purchase an entire drive system to power the next Courrèges prototype vehicle.

Sure enough, the following year in 2004, Courrèges ran two cars at the Shanghai Bibendum Challenge. The new ACP-powered EXE was designed to look like a "jewel box" with a Lexan structure atop a lattice frame that converted easily from two to five seats. As with the campaigning of La Bulle before it, Courrèges made no effort to promote the company's involvement with the EXE in the Bibendum Challenge, and no public statements were forthcoming from the celebrity designer behind the wheel. Madame Coqueline Courrèges ' comments on the future of electric vehicles and the wellbeing of the planet were all sourced second hand by the media from other competitors who spoke to her during the event, in which the EXE finished second outright, beating home cars from every major automotive manufacturer on the planet. Not bad for a fashion designer, heh? The EXE used 149 A/h 370 V Lithium Ion batteries, accelerated from 0 to 100 km/h in 6.2 seconds and had a top speed of 160 km/h. In the performance aspects of the event, the Courrèges EXE scored straight A's in the emissions categories and A's in acceleration, handling, and efficiency as well for an overall average of 3.50 (A = 4.0). Only a problem in the braking test prevented an even higher average. Madame Courrèges ordered the tzero hardware and begun construction of the EXE in the garage of her Paris home. AC Propulsion built the systems in California, shipped them to France and the EXE first ran in September. Ten days later it was shipped to Shanghai where final debugging took place at the Shanghai Grand Prix circuit.

After the competitive events were scored and the results posted, some of the cars took to the track again in a ride and drive for the media and distinguished guests. In the Shanghai Circuit's pit lane, the sight of Courrèges' two entries, the almost perfectly round La Bulle or and the acutely angular EXE captured the Bibendum's spirit of innovation and possibility.

The lucky drivers who got behind the wheel of the EXE explored its powerful acceleration and smooth responsiveness on one of the finest racetracks in the world. The experience inspired awe in many and never failed to put a smile on the driver's face. The EV smile. The last drive of the day went to Edouard Michelin, the now deceased CEO of Michelin. With Madame Courrèges in the copilot seat, Michelin drove the EXE hard for two laps, exceeding 100 mph on Shanghai's back straight. Returning to the pit lane he unstrapped his helmet, got out of the EXE and smiled. "Bravo" said Monsieur Michelin. "Voila" said Madame Courrèges.

In 2005 Madame Courrèges continued her pursuit of understanding of the electric vehicle, competing in the Kyoto event with two vehicles. The EXE's was once again using custom-made red tires produced specially by Michelin, but reports suggest that in the unlikely event of a flat tyre, the Courrèges team had a complete set of both blue and green tyres in the van, as the coloured tyres had been made in sets of four and colour co-ordination was considered of utmost importance.

Just prior to the eighth running of the Bibendum Challenge in Courrèges home country, Madame Courrèges unveiled her latest creation, the Zooop, with a bright yellow-orange canopy and matching tires.

The new vehicle is a further development of the EXE's drive train in an entirely new chassis, with Lithium Polymer batteries that are lighter, have greater power density don't overheat, charge quicker and offer many more recharges. The new 70 A/hour 370 V Lithium Polymer batteries offer a range of 450 kilometres.

The Zoop is now capable of 180 km/h and offers performance to match most supercars. No statements have been made by Courrèges regarding the possible future directions of the company's EV efforts.

The Zoop! :flower: I want one!!



The Maison de Courrèges first began experimenting with electric vehicles in 1969.



gizmag.com
 
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from 50 years of fashion by Valerie Steele

  • A-line shift dress
    heavy wool 1968
  • Helmet - off-white vinyl 1965
  • "Space Age" go-go boots
    leather with black zipper & velcro closing 1965
 

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gah i really like the materials he uses.. it seems they are mostly wool/wool gabardine.. i'm surprised because some of it looks a tiny tiny bit glossy and too smooth, very much like leather. maybe it's just the photos..
 
Dress and Jacket, 1967 by Andre Courreges, France, born 1923, silk and embroidered net dress; metallic knit jacket, gift of Mrs. John Frankenheimer.

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costumes.org
 

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