I also like how she gives off (to me, at least) a vampiric vibe.
Alberta Ferretti's fall-winter print ads will spotlight Julia Stegner and Adina Fohlin, photographed by Meisel.
For the Ferretti campaign, the designer wanted to convey a sense of dualism by photographing the leggy brunettes as a twosome posing in and around a modernistic house in Los Angeles. "When I started to think about the fall-winter advertising campaign, I had in mind the idea of 'the double,''' Ferretti said. "My idea was to reflect the reality of contemporary life, in which women use the game of duality to better assert their complex personality."
This marks the first time in 11 years the designer has tapped Meisel to shoot her ads, which will run in the August editions of Vogue, W, Vanity Fair, In Style and Elle.
— Rosemary Feitelberg
She looks like she's just not from this planet. I adore her look right now - its just perfect.
Her face is just completely modern. Some girls are gorgeous but their look calls to mind the mood of another time period (Irina IS the 60s mod, Hilary Rhoda IS the 80s powerdressing - love them both to bits but they call to mind those eras for me) but with Adina's face I just think future - its like she was engineered in a lab or something. There is something almost inhuman about her perfection. She's all hard lines and strength - I love girls who look strong and powerful.
This is one of my favorite Adina edits :: points to avatar :: from Numero.
Coup de Grace
Photographer: Simon Emmett
Magazine: Numero
I'm obsessed with the idea of Adina working with Freja. I think they'd be a dynamic duo.
Image Credit | Her Famed Good Looks & Serlin Associates
There is something almost inhuman about her perfection.
She's in the August issue of Allure. I'm scanning as we speak (or type, I guess).
Did you ever know, that you're my hero?
Sorry - I should've reposted L.A. Gant's scans a few days ago (I thought she had already done so in this thread)! But at least now you have another version