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The Red Carpet Highlights of... The 78th Annual Cannes Film Festival 2025!
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Thanks a mil Cosmocat, you do such a great job keeping this thread alive! moreproductive
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I'm still undecided about Anouck. She looks great in some photos and then horrible the rest of the time.
Thanks very much, though it is becoming an addiction.Thanks a mil Cosmocat, you do such a great job keeping this thread alive!
Originally posted by DosViolines in
http://www.thefashionspot.com/forums/f78/kandy-land-nytimes-magazine-article-helgas-folly-fashion-editorial-37157.html
www.nytimes.com
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www.theplace.ru
From Numero
From Numero
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Hye Park Lover
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Please could someone post some pics of Anouck with short hair, like the cut she had at the beginning of her career? 
She looks great with short hair in my opinion, so it'd definitely be interesting to see some more pictures. Cheers in advance!
She looks great with short hair in my opinion, so it'd definitely be interesting to see some more pictures. Cheers in advance!^Yes, I thought so too but wasn't sure.
Short hair pics-I haven't seen a huge amount, though there are some posted recently from www.bwgreyscale.com. Will have a look...
www.theplace.ru
Short hair pics-I haven't seen a huge amount, though there are some posted recently from www.bwgreyscale.com. Will have a look...
www.theplace.ru
Attachments
Here are some. I thought they'd have been posted before, as well as the interview but I did some searches, and it seems not.Please could someone post some pics of Anouck with short hair, like the cut she had at the beginning of her career?
www.models.com
The interview-Anouck Rocks (www.models.com)
There is a certain kind of girl fashion needs. Or at the very least, loves. She is the rock-chic, spiky haired punk princess glaring out of cutting edge editorials in all her tough beauty. She reminds punters of vintage rockers like Joan Jett, Chrissie Hynde and Siouxie Sioux. In many ways French legend, Elizabeth Dijan, one of the greatest fashion editors of all time, 'founded' this kind of girl. In her very influential early 80's fashion magazine "Jill", Dijan managed to hitch the then new punk rock revolution to the time honored tradition of Parisian chic.
This season's edition of that tradition is a nineteen year old Belgian stunner named Anouck Lepere'. But beneath the rock cool of her hard edged surface is a lot more than meets the jaded eye.
The interesting thing (and this is essential to pulling off the goth-chic/punk princess look) -is that Anouck is from that school of models who never really set out to be a model. "Really? How did all this start?" muses the raven haired beauty as she sits in a downtown photo-studio dutifully being made up. "I was in school. I'm studying architecture in Antwerp. At my school its a small world. Everybody is social with everybody. A few of my friends were in fashion. Some of them were showing in Paris and asked me if I wanted to walk in the shows there. So I did" Talk about understatement. What Anouck declines to say is that these friends were such bright young fashion lights as Dries van Noten, Oliver Theyskens and W<. Exposure in shows of that caliber naturally led to a perfect bit of casting, her very appropriate walk through the Fall 2000 Chanel show.
But one would imagine that architecture schools impose a pretty tough schedule. How could a modeling career mesh with those demands? "Actually I took a break. It's a seven year program but I'm going to take a year off and explore this but afterwards I'm definetly going back!" But from studying the dynamics of constructing buildings to making pouty faces for the camera is quite an emotional (not to mention intellectual) leap, but it is one with a motive on Anouck's part. "When IMG approached me, part of what interested me was the possibility of coming to New York and exploring this city. That was the great thing about modeling that attracted me, the chance to travel and see how people in other places put their world together. It's a chance to educate my eye and see the world on a whole different scale."
Her obvious intelligence and an almost spooky poise creates an interesting tension. Her response to being ushered instantly into fashion's VIP circles (V cover, Bazaar, Vogue Italia, Sportmax and Vuitton campaign) is so matter of fact it's amusing. But does this detachment continue onto the camera? Her images thus far have been very beautiful and cool. But there is the question of today's clothes for this MODELS.com cover shoot. Maybe its the excess of leather and fishnets, (but most probably its the rather risque Moliniere and Mapplethorpe images lying around in the stylist's reference book).
Things are looking like they are going to be going in quite an exhibitionistic direction. Martha Camarillo, the photographer beckons to the rather tough to take pictures and explains "We want to get past the explicitness That's not what we're trying to do today. But look at their bodies. These guys are so elegant and ladylike in their poses. These poses are what we're after. Not the same poses but similar." Anouck looks at the pictures without even blinking and stands up in the perfectly uncomfortable leather body suit worn with the rather revealing fishnets and vintage store pumps(complete with cheap rhinestones).
"Madonna. Open Your Heart Mondino video," offers Sergio, the make-up artist. Anouck then settles onto the cheap pink carpet and looks towards the lens. Adjustments are made. The hair made less clean, the lips made less red and the strobe fires. Anouck looks into the lens and raises up, ever so slightly. The crew sits waiting for the first Polaroid, the telling Polaroid. The assistant peels it back and presents it to Martha. Everybody clusters around. In the picture Anouck is raised on her hands her knees jutting forward , her eyes dead on the camera. Her face is beautiful, her body is precarious with tension. She's sexy, elegant, a little bit too much but still contained. Just what is required for the image. "We're going to film!" announces Martha.
For the next four hours Anouck nails her poses shot after shot, taking direction with the calm professionalism of a veteran, and throwing herself wholeheartedly into the concept. At the end of the shoot I tease "And you're the girl who didn't even care about being a model in the first place." Anouck laughs. "Yeah but that doesn't mean I want to be mediocre !" A rush of double-kisses and she's off to the car ready to whisk her back to Paris.
Three days later as we wade through the contact sheets we notice through every one of Anouck's shots is a common factor. "Do you notice," says Martha, "that there is not even a hint of insecurity or self-consciousness in her. She is so free it's amazing." That's because for the best models, posing for the camera is a dynamic, an aesthetic ritual, a performance. And in Anouck's performance rings the untouchable cool of a young Mick Jagger, the reckless chic of an Iggy Pop, the don't-give-a-damn drive of Miss Joan Jett. And that's the difference between mediocrity and stardom. Rock on.
There is a certain kind of girl fashion needs. Or at the very least, loves. She is the rock-chic, spiky haired punk princess glaring out of cutting edge editorials in all her tough beauty. She reminds punters of vintage rockers like Joan Jett, Chrissie Hynde and Siouxie Sioux. In many ways French legend, Elizabeth Dijan, one of the greatest fashion editors of all time, 'founded' this kind of girl. In her very influential early 80's fashion magazine "Jill", Dijan managed to hitch the then new punk rock revolution to the time honored tradition of Parisian chic.
This season's edition of that tradition is a nineteen year old Belgian stunner named Anouck Lepere'. But beneath the rock cool of her hard edged surface is a lot more than meets the jaded eye.
The interesting thing (and this is essential to pulling off the goth-chic/punk princess look) -is that Anouck is from that school of models who never really set out to be a model. "Really? How did all this start?" muses the raven haired beauty as she sits in a downtown photo-studio dutifully being made up. "I was in school. I'm studying architecture in Antwerp. At my school its a small world. Everybody is social with everybody. A few of my friends were in fashion. Some of them were showing in Paris and asked me if I wanted to walk in the shows there. So I did" Talk about understatement. What Anouck declines to say is that these friends were such bright young fashion lights as Dries van Noten, Oliver Theyskens and W<. Exposure in shows of that caliber naturally led to a perfect bit of casting, her very appropriate walk through the Fall 2000 Chanel show.
But one would imagine that architecture schools impose a pretty tough schedule. How could a modeling career mesh with those demands? "Actually I took a break. It's a seven year program but I'm going to take a year off and explore this but afterwards I'm definetly going back!" But from studying the dynamics of constructing buildings to making pouty faces for the camera is quite an emotional (not to mention intellectual) leap, but it is one with a motive on Anouck's part. "When IMG approached me, part of what interested me was the possibility of coming to New York and exploring this city. That was the great thing about modeling that attracted me, the chance to travel and see how people in other places put their world together. It's a chance to educate my eye and see the world on a whole different scale."
Her obvious intelligence and an almost spooky poise creates an interesting tension. Her response to being ushered instantly into fashion's VIP circles (V cover, Bazaar, Vogue Italia, Sportmax and Vuitton campaign) is so matter of fact it's amusing. But does this detachment continue onto the camera? Her images thus far have been very beautiful and cool. But there is the question of today's clothes for this MODELS.com cover shoot. Maybe its the excess of leather and fishnets, (but most probably its the rather risque Moliniere and Mapplethorpe images lying around in the stylist's reference book).
Things are looking like they are going to be going in quite an exhibitionistic direction. Martha Camarillo, the photographer beckons to the rather tough to take pictures and explains "We want to get past the explicitness That's not what we're trying to do today. But look at their bodies. These guys are so elegant and ladylike in their poses. These poses are what we're after. Not the same poses but similar." Anouck looks at the pictures without even blinking and stands up in the perfectly uncomfortable leather body suit worn with the rather revealing fishnets and vintage store pumps(complete with cheap rhinestones).
"Madonna. Open Your Heart Mondino video," offers Sergio, the make-up artist. Anouck then settles onto the cheap pink carpet and looks towards the lens. Adjustments are made. The hair made less clean, the lips made less red and the strobe fires. Anouck looks into the lens and raises up, ever so slightly. The crew sits waiting for the first Polaroid, the telling Polaroid. The assistant peels it back and presents it to Martha. Everybody clusters around. In the picture Anouck is raised on her hands her knees jutting forward , her eyes dead on the camera. Her face is beautiful, her body is precarious with tension. She's sexy, elegant, a little bit too much but still contained. Just what is required for the image. "We're going to film!" announces Martha.
For the next four hours Anouck nails her poses shot after shot, taking direction with the calm professionalism of a veteran, and throwing herself wholeheartedly into the concept. At the end of the shoot I tease "And you're the girl who didn't even care about being a model in the first place." Anouck laughs. "Yeah but that doesn't mean I want to be mediocre !" A rush of double-kisses and she's off to the car ready to whisk her back to Paris.
Three days later as we wade through the contact sheets we notice through every one of Anouck's shots is a common factor. "Do you notice," says Martha, "that there is not even a hint of insecurity or self-consciousness in her. She is so free it's amazing." That's because for the best models, posing for the camera is a dynamic, an aesthetic ritual, a performance. And in Anouck's performance rings the untouchable cool of a young Mick Jagger, the reckless chic of an Iggy Pop, the don't-give-a-damn drive of Miss Joan Jett. And that's the difference between mediocrity and stardom. Rock on.
Attachments
^Found a couple on www.jcrew.com
Attachments
http://www.theones2watch.com
'Anouck & Sasha have mastered the tilt.'
Unique
'Anouck lights up the room.'
McQueen party
'Anouck & Sasha have mastered the tilt.'
Unique
'Anouck lights up the room.'
McQueen party
I can't remeber seeing these properly, when were they and what did they look like?!
http://celebs.technovision.dk
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