haha, i mean noT really my cup of teaI think it's a bit stiff....now really my cup of tea![]()
@MulletProof, you're in luck, because I do (I think I have about 120 images of this collection). This is the look you've posted above from my archives:@Maayan would you happen to have bigger pictures of this collection?.. most of what was posted here has expired and I came across a picture I posted many years ago (below) and remembered how good this was and would love to see it again.


.. you're the best! thank you thank you!!! and yes, zero rush, just coming to the realisation that I've never really seen this in HQs!Probably one of the reasons why I fell in love with his work early on, he was a romantic, not the kind of designer who was strictly functional. I think he simplified it a lot when he started to show in Paris and made it more commercial, I suppose (same sad trajectory as Anne Valerie Hash). From a distance most pieces looked practical so I guess the details looked unnecessary but I remember the lookbooks and small presentations from the Belgian days, and it was the only way around, the rich textures and embellishment were central in these collections, definitely not functionality.A few too many rows of tiny buttons here, or decorative seams there that would often not provide a functional solution for his garments.



) dress and not a top and a skirt.
, but he quit after 2 years and spent another two years traveling around India and Australia. He returned around 2012 with Honest By (a company with a whole dogma on sustainability). I don't think that's active anymore, wonder if it was one of the many businesses that went down the covid vortex..theonlyother way around
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thisisprobably also works

This is so sad, this guy had talent...I remember around 2007 everyone was talking about him. Then he just disappeared.^ I think tricotineacetat or @runner may have more details but looking back, he was one of the many designers of his generation impacted by the recession in the late 00s and juggling the dilemma of watering down their work a lot and borrowing whatever's popular for the sake of survival (you see traces of Raf's success at Jil Sander in this collection for example), or keeping it confined to a small sector who may or may not have had the resources to translate their excitement into actual consumption. I guess going corporate must've always been looming over his business and he eventually did join Hugo Boss. I can't recall a single collection he did there, it was that memorable, but he quit after 2 years and spent another two years traveling around India and Australia. He returned around 2012 with Honest By (a company with a whole dogma on sustainability). I don't think that's active anymore, wonder if it was one of the many businesses that went down the covid vortex..
Personally, I think his work was never stronger than when it was being published in the now defunct CFA site. I guess moving to Paris must've sounded logical but things kind of went downhill from there (just like they did for Anne Valerie, Hartmann Nordenholz, even for Sharon Wauchob for years), and I can't imagine a label of this kind (as in the one before Paris) taking off now that everyone's like a zombie and programmed only to respond to LVMH and Kering.
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Check out First View, it’s usually the site where everything is still viewable@jeanclaude that particular picture was for Vogue Nippon and I can't seem to find anything online. Same for Spring 2004, which was my favorite.. so frustrating.. you always think that whatever is on the internet, will forever stay on the internet (there's even a whole bureaucratic/legal circus if you want to be erased from the internet lol) but independent designers' legacy? nuh uh... I can't even access any of the sites from back then, or the photo-hosting sites where this could be.
That grey skirt!![]()