That was terrible, however the full version was much better tbh.Between Follow me for Coco Mademoiselle and Veridis Quo from Daft Punk, they know how to choose the music at Chanel.
I didn’t get the commercial at all but it’s beautiful, and the right amount of cheesy.
However I wonder how the edited 1min version is going to look like.
The full commercials are always terrible for me anyway.
I hate full versions of commercials because I’m expecting something to happen and sometimes, nothing happens. The full N5 with Kidman was super cheesy. The commercial with Audrey Tautou was good because the story was simple even though too long. The one with Gisele was again too long.That was terrible, however the full version was much better tbh.
At first, I didn’t get it.Maybe I am dumb but I did not get it...
Keira Knightley had already the motorcycle for Coco Mademoiselle. There wasn’t any transportation mode left lolLet's be honest, she's insanely gorgeous and he's gorgeous too. The red is perfect on her, hair & makeup too and I want Jacob's bomber.
The music is a great find but the storyline of a missed rendez-vous is cheesy and dumb as f*ck, it ends looking like a car commercial.
Plus I am pretty bothered they went that much into gender stereotypes: he should have the car and she should be on the motorcycle, even with her red jacket. That would have been much more 2025.
I wonder if Michel Gaubert works as a sound consultant also for the CHANEL beauty division. He's a great Daft Punk fan and used Around the world for the FW13 world globe show and Contact for the FW17 space station showBetween Follow me for Coco Mademoiselle and Veridis Quo from Daft Punk, they know how to choose the music at Chanel.
It’s a possibility. Amanda Lear for Coco Mademoiselle is very Gaubert coded too.I wonder if Michel Gaubert works as a sound consultant also for the CHANEL beauty division. He's a great Daft Punk fan and used Around the world for the FW13 world globe show and Contact for the FW17 space station show