It's a similar business model to Harris Reed, where their whole business is hinged on made-to-order pieces. Due to low operation costs, they only need to sell maybe 5 to 10 pieces at 10'000 to 50'000 each to fund the next season. It's a smart business model.Curious where he is getting the funding for all of this.
Given the state of independent fashion right now it almost feels like self-sabotage to hold a show like this.
is that even enough to pay their atelier and their space rental. or are they usually working in the outskirts of france.It's a similar business model to Harris Reed, where their whole business is hinged on made-to-order pieces. Due to low operation costs, they only need to sell maybe 5 to 10 pieces at 10'000 to 50'000 each to fund the next season. It's a smart business model.
Interesting. Hard for me to imagine enough wealthy women, haute couture clients being in the market for this style of garments TBH.It's a similar business model to Harris Reed, where their whole business is hinged on made-to-order pieces. Due to low operation costs, they only need to sell maybe 5 to 10 pieces at 10'000 to 50'000 each to fund the next season. It's a smart business model.
He is still working with Lucien Pages. He is tagged as the PR for this show at least. I suppose some of these PRs handle some relations for young designers they take interest in at under-market rate or for gratuity as an investment in a young designer’s career.I am curious if he is still working with Lucien Pages, PR is very expensive even with a friendly discount.
I can't imagine Charles paying a monthly retainer from selling this collection
And after the Rochas gig, where can he go?
Pretty sure Charles de Vilmorin and Harris Reed's businesses subsist solely off of unpaid interns. Also these guys come off as nepo babies so it's all a vanity business to them, they probably don't care if they make profit as long as people are talking about the draaammmaaaaais that even enough to pay their atelier and their space rental. or are they usually working in the outskirts of france.
The vanity business/ “creative release” set up works when you have a day job, like he did at Rochas. The challenge is surviving and building something viable on your own when you no longer have a creative director position at Rochas or Nina Ricci.Pretty sure Charles de Vilmorin and Harris Reed's businesses subsist solely off of unpaid interns. Also these guys come off as nepo babies so it's all a vanity business to them, they probably don't care if they make profit as long as people are talking about the draaammmaaaaa
I kinda agree it is personal expression, done with 1/100th of the budget of Balenciaga and with a lot of pro-bono and goodwill. I am not enthralled by the collection but good for him if some clients prefer to go to him instead of Balenciaga.Can I say sum without everyone getting mad at me. It’d be one thing if he was trying to start a “brand” to sell crap, but it seems like this is just his personal project for expressing himself. And while yes he presents at couture week for everyone to judge, I feel like his tea is valid.