Coco Rocha | Page 563 | the Fashion Spot

Coco Rocha

Sunday, July 26, 2009

6a00e54ef1680988330115713cc96b970c-800wi.jpg
I just stumbled across this picture, shot by Tim Walker a few months ago, and was so excited to show it. Why? Tim rarely uses photo shop, if never uses. This is in fact a miniature greenhouse and miniature pots with flowers and a miniature ladder.

Oh and the green house is for sale, so I'm told. The link below gives you all the details on how you can obtain it.
http://shop.showstudio.com/index.php?sort=low&

ohsococo.blogspot.com
 
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^^yeah I read on fashionista.com (i think) that the green house was for sale and it was used for a photo shoot with Coco, but i never saw the picture. It was good that she posted it
 
^that's what I was wondering...Tim Walker works for Vogue UK, non?

ahh, no, the answer was on the site where you can purchase it:

Victorian-style
miniature greenhouse created
for Autumn/Winter 2009
Albion Cosmetics campaign,
photographed by Tim Walker.
Painted wood, glass.
 
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^oh yeah, definitely. There's the hair and the mouth and the lips look like her too. I checked out the website, it's a japanese cosmetics firm. Right now they still advertise with Carol Trentini.
 
^thanks charly!

i don't think this was posted before, since it was recently uploaded on youtube. anyway i apologize if it was indeed:flower:

Dolce & Gabbana Spring Summer 2009 Backstage Relive
it's not a lot but she appears at 0:55 and 6:44 (i think there's one more but i can't remember)

youtube
 
Blog Update

FRIDAY, JULY 31, 2009

I had the great opportunity to watch the busy people of Vogue do what they do best for the past few weeks. It was definitely an eye opener. I knew there was a lot that went on, but I didn't think there was so much detail that was put into making a magazine.

I got to observe how they choose which girl for each shoot and determined what editor was going to work with which model. I had the privilege to watch the photo department and see the amount of work they put into trying to find a location for a shoot, or how they would place the pictures with the writing so that it look just right. Then I was able to watch the girls in the beauty department, and how they had to make sure the product was shot just the right sort of way. It was also in that department where I discovered the beauty closet. I was even spoiled to go into the library and see one of the first issues of Vogue ever printed. In Accessories I had the chance to see all the hats and purses and shoes laid out so that the editors could choose what they would use on their shoots. In the Fashion department I was lucky to go on a few viewings of pre-collections with the editors.

There was so much I got to see in that short amount of time I was observing there. Being around the office was a little nerve racking I will admit, but then again I would never have had the opportunity of realizing how hard it is for Anna and the rest of the team at Vogue to come up with bigger and better ideas for upcoming issues.

I take my hat off to them, they most definitely the perfect group for such a job.
 

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