To hear Daniela Vega tell it, her career as an actor is but a string of happy accidents. She may currently be earning accolades for her captivating performance as Marina Vidal in Sebastián Lelio’s “A Fantastic Woman,” but she never was one to fantasize about making a living as a performer. It took her years to start thinking of herself as an actor and not just someone who was trying her hand at acting. She was as surprised as anyone to receive a script she’d been a consultant on years prior to find herself (or someone very similar to her) in the lead role.
As the star of the acclaimed indie, which picked up an Oscar nomination for best foreign language film on Jan. 23, Vega is in almost every single scene of the film. We see her character grappling with the loss of her partner, who dies suddenly and leaves her to deal with his ex-wife and son; bitter over the relatively recent divorce and ashamed of his relationship with someone who wasn’t, in their eyes, “normal,” his family makes Marina’s grief all the harder to contain. Vega is gorgeous in her restraint.
But if she didn’t daydream as a kid of being an actor, what did she fantasize about being? Her answer is as simple as it is telling: a woman. While her peers were busy charting their future paths during their teenage years, Vega was committed to making this a reality.
She began her transition at an early age, and it took over her life. “There’s a loss of consciousness when it comes to who you are, physically, when you go through that transition,” she tells Backstage, “especially with so few tools and such scant information as I had when I was 14, 14 years ago! It was like being in the trenches and needing to go out there and talk to people who didn’t even speak my language.” The transition pushed her away from everything, and Vega eventually even gave up the artistic outlet that had first entranced her: singing.
backstage.com