Yeah I'm into this. What I like about Erdem is that he combines two tendencies in modern British fashion that are often done very badly - turn-of-the-century femininity and heavy maximalism - and does them both very well. This isn't twee or cosplaying as Victoriana, or costumey (except a couple of weaker looks), and it isn't 'chuck loads of fabrics on and see what sticks', it's that escape-from-modern-life energy lots of London designers try and fail to achieve done immaculately. You have to be careful that stuff like this doesn't get too childish/little girl dressing up, and he's in danger of crossing that line with the horrible shoes and the antennae headbands, but he mostly finds a really dreamy, gently nostalgic balance. It's lovely.