Avant Garde
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May 25, 2006 – When it comes to fall's best bags, size really is everything. At Chanel, chain-handled patent totes were so extravagant, they almost grazed the runway. Satchels of carry-on proportions lent a jet-set air at Marc Jacobs, Chloé, and Givenchy, where Riccardo Tisci outfitted Naomi Campbell in an L.B.D. and not one but two black holdalls. At Tuleh, meanwhile, Bryan Bradley's patrician "Vassar Girls" were followed by a trio of "Suitcase Girls" determinedly lugging old-fashioned hard cases in both hands. "The whole point," Bradley explains, "is that she carries her own bags: She's crisply, quietly self-sufficient."
Camilla Stærk isn't one to rely on a porter, either. The inspiration for her oversized carrier came from her father, who transported Verner Panton glass dishes in leather duffels. "I'm actually addicted to my bag," the Danish-born designer admits. "I think the reason for this is partly the psychologically safe feeling of knowing that I have my work with me at all times. Also, I can carry shoes if I'm going out after work." Ah, shoes—now that's a subject for another column.
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