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At this point, you might as well employ The Great Sphinx for all the animation you're going to get.
At the same time, with all these appearances, she's making the money she missed out on in the 90s, when contracts were going to other girls ahead of her.
even with the Great Sphinx one must be careful, as it might not be as easy as it looks as we can see from how they dealt with the pyramids for the latest Men’s Dior Cruise campaign…
I'm able to tolerate the colour images, far more than I am of those photographed in black and white. The colour images have more life in them, despite feeling just as robotic and static as the black and white. This feels worlds apart from Linda Evangelista's recent Fendi campaign...
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