It’s actually an admirable-- and gorgeous concept: Giving the oversized, baggy designs a wuxia context with the Chinese models and poses. That I like a lot. The paint-splattered vector-overlays (to simulate calligraphy on sand?)— not so much. At least it’s not another selfie-looking aesthetic with a frowning cast…
If you have to make sh*t clothes look at least interesting, then they’ve succeeded beyond expectation. (Good call to present this “collection” in B&W.)