thesydneygirl
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i adore the sheer pieces 

Nice volume of a gianfranco Ferre dress from the SS 2010 collection, Milano.
Photo Olivier Zahm
Some outfits I think could have been edited out because they don't look particularly "new," but for the most part, I think this looks great!
Some pieces, especially the white ones, remind me quite a bit of Tisci's earlier work at Givenchy, but I'm not complaining, really.
And while I do love the look of the shoe (from the front), I find the heel itself a bit forced.
MILAN — “Delicate, weightless — almost intangible” was the message from the design duo responsible for upholding the legacy of Gianfranco Ferré.
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Chris Moore/Karl Prouse
The super-light dresses wrapped like a mist around a waif are the work of Tommaso Aquilano and Roberto Rimondi, now heading Ferre.
The super-light, ultra-short dresses wrapped like a mist around a waif of a woman are the work of Tommaso Aquilano and Roberto Rimondi — and they are very much in tune with the mood of the Milan 2010 summer season.
Anyone wanting a party dress made with the lightest of hands in filmy fabrics has a wide wardrobe to choose from. In that context, the Ferré concept of a “butterfly evolving from a caterpillar” was poetic and pretty.
But was this collection Thursday, with its ethereal take on fashion, for real? And was it a genuine expression of the Ferré heritage? The late designer was a bold architect whose look was rooted in luxurious sportswear from leather jackets to white shirts, enlivened by his cultural knowledge and his love of India and its rich colors.
It may be hard to embrace all that in a single collection, yet the Ferré look from the new designers seemed too timid and pallid. Its plus points were the exquisite workmanship that made the heart of a rose twirl its petals around the midriff and embroidery imprint voile with fairytale stitches. And in its limited way, the look was in tune with current fashion that seems determined to escape the stark recession reality.
The palette of white evolving into sand, honey and ultimately black was often touched with gilding, offering gilt bands at the waist and metallic fork-heeled shoes that all glinted against the nude background. There were also trousers, either jodhpurs or more streamlined pants, as well as a few jackets among the light-as-a-cloud dresses.
The truth is that it is tough for two designers with their own creative vision to morph into someone else. Like so many current houses, Ferré is struggling to keep its original identity, yet to absorb a younger spirit.
The ultra-light look with a suggestion of escapism is the theme of these early Milan shows.