Haute Couture Clients

[Squizree]

Kirsty B. married a rich guy.

 

[seanutbutter]

Kassidy Schagrin

Hails from: Washington

And yet I've never heard of her.

 

[baddabling]

i hate to generalize, but i am sure that many of the Russian women are not, *athem*, self made...there have been quite a few Russian business men who have become very wealthy very quickly. And it seems like they are looking for something to let their wives spend their money on

 

[fashionista-ta]

Irina Abramovich



she talks about raph lauren as if it was zara, no? great to see young clients!! great to see clients at all actually! there's a thread on a tv program called "the secret world of couture" or s/ like that. Some more clients there, but older ones!

Or Target

 

[C_24]

^^Well, sometimes it`s the ex-wives who do the money-laundering. Isn`t Irina Abramovich Roman`s ex-wife?

I`m not judging though. There has always been inequality, so why complain now, when they`re actually supporting a financially desastrous industry?

 

[fashionista-ta]

The clients are all such bimbos. I think the Lebanese woman is self made. Ive heard my parents talk about her before.

Most of them certainly don't strike me that way ... being a couture client is kind of an exacting process, from what I understand ... I don't know that a bimbo would be up to it ...

 

[fashionista-ta]

And yet I've never heard of her.

Typically these folks are not at all well known ... thus the excitement about the WWD article (I've never heard of the woman from my area either.)

 

[MissMagAddict]

And yet I've never heard of her.

Washington D.C.

 

[LUXXX]

How do these women become clients...like what if a random, newly wealthy woman decided she wanted to go to the couture shows and buy...how would she do it?

 

[Squizree]

When I say bimbo I dont mean dumb and stupid, I mean they all look really shallow and airheaded women who only care about how they look.

 

[Foxie-Pooh]

...I wonder how fashion is supposed to stay in business without these "bimbos"

 

[Squizree]

That's precisely how it says in business, these bimbos just go round spending their money on anything they want, couture happens to be one of them.

 

[seanutbutter]

Washington D.C.

I always get confused when reporters don't add the "D.C." Thanks for clearing it up!

 

[MissMagAddict]

source | polyglot | December 25, 2007

Couture's New Clients Part I

After the czars, the maharajahs, the American Rockefellers, Vanderbilts, and the sheikhs, where will couture find a new client source?

If the spring/summer 2007 season was anything to go by, there seems to be a new youthful clientele in the front rows, amongst them the Miller sisters, Alexandra Von Furstenberg and Marie-Chantal, wife of Crown Prince Pavlos of Greece, as well as the 20-something Angelique Hennessy of the cognac family, (Chanel’s youngest client is currently all of 24).

Soaring oil prices have also stroked Middle East interest, reviving a client base that had slumped in the early 1990s. The oil rally has seen some of those princesses return. Sheikh Ahmed Bin Khaled Hamad al-Thani from Qatar was a guest at the Dior show. “I am a client for my wife,” he said. Asked if more of his friends and colleagues would be buying haute couture after oil prices hit a record of $70 per barrel last year, he said, “I think so.”

By now it’s apparent that primary factor driving Couture sales is vast new wealth, especially in emerging markets like India and Eastern Europe, as well as Abu Dhabi, and the United Arab Emirates. The presence of a large Arab clientele was also echoed by Marco Gobbetti, the CEO of Givenchy. "Lately, the Middle East has been a significant market that has grown very quickly," he says. Even Giancarlo Giammetti of Valentino has noticed the upswing in couture clients. "There is such a new wealth in the world in countries you didn't expect to explode so much. These people are dressing almost all the time in Couture, so they're able to order huge amounts of clothes,” noted Giammetti.

But the most telling sign of a couture revival occurred back stage after the Dior show, where staff were overjoyed as yet another couture client - the 17-year-old daughter of a Russian millionaire - ordered seven bespoke Dior outfits. With an estimated 25 billionaires, along with a healthy number of 88,000 millionaires, the Russians have become couture’s newest customers, assuming the swagger and style of the oil sheikhs of the 1970’s in their spending habits.

Furthermore Armani Privé has taken to flying its seamstresses to clients for in-person fittings, where a five-dress-per-season order is considered the minimum to qualify for such elite customer service. While Valentino Couture boasts one client who orders a mindboggling 25 to 30 new dresses each season. “The demand for handmade, exclusive, personalized fashion designs for a small but important number of women is significant and growing,” notes Robert Triefus, Armani’s executive VP of PR.

But despite the growing number of clients at several of the couture houses, it is widely believed that the couture label with the most customers is neither Chanel, Valentino, or Dior for that matter, but the lesser-known Lebanese designer Elie Saab, whose front row is usually packed with glamorous Saudi princesses. “Haute Couture is the ultimate refinement," said Nayla Lati, a member of a prominent Beirut banking family who was seated front row at Saab's show.

Then there are the first lady’s, queens and royal consorts who rely upon the couture as a means of projecting a confident and sophisticated image in their increasingly public lives. Sheikha Mozah bint Nasser Al-Missnad, wife of the Emir of Qatar, for instance, regularly calls upon the Houses of Dior, Scherrer, Gaultier, and Chanel to outfit her for foreign visits and the state functions she attends as part of her role as a roving ambassador for the Emirate. While the young Queen of Morocco, Lalla Salma, who is best know for the sumptuously embroidered caftans she dons for royal banquets, is often seen in immaculately tailored Valentino couture outfits for other official functions.

The couture houses that remain insist they are making money. Chanel, which has arguably of the largest haute couture businesses, has reported a 50 per cent increase in sales for the past two years. Its couture division has experienced such significant growth that it now employs 120 workers in three ateliers to keep up with orders. “The couture was profitable if you took out the cost of the presentation of the show”, said Francoise Montenay, the chief executive and president of Chanel, who added that, "What happens is that when they have tasted couture, they cannot live without it - if they still have the money."

In 2005, when Giorgio Armani entered the rarified world of Haute Couture, industry insiders questioned the decision. But according to Armani’s Triefus, the Privé line has experienced tremendous “interest and growth,” pointing out that their roster of European and British clients are now ordering an impressive average of three Armani Privé ensembles each season. At Christian Dior Couture, sales doubled with the previous January collection, while the House of Lacroix has experienced similar growth. "Last year was up about 25 to 30 percent and this year, so far, is running slightly higher,” agrees Nicolas Topiol, president of Christian Lacroix. "Couture is very vibrant."

“My feeling is that the pendulum is swinging back to Couture,” says Jean Paul Gaultier president, Christophe Caillaud. “Rich clients are willing to have exclusive and exceptional products: made-to-measure and personalized. They want to have goods adapted to their specific needs and this includes, or course, Couture.”

Yet despite a rising interest in the craft, the market for haute couture is becoming less French every day. For decades, couture clients used to buy their haute-couture suits and ball gowns directly at the fashion houses in Paris. But many of the couture houses have recognized that if wealthy clients from emerging markets such as India and the Far East can't or won't come to the shows, then the designers will take their collections on the road. The latest to do so were Chanel and Georgio Armani, who both reprised their Paris shows in Hong Kong and New Delhi in a bid to capture a new clientele.

During Dior’s 60th anniversary couture show held on the grounds of Versailles, one executive said that they expected to sell many of the 45 embroidered gowns coming down the runway at that night's show. The catch was that such transactions would not be taking place in Paris, but at a showroom on Fifth Avenue in New York City. Officials at Valentino have also confirmed that they regularly fly to Moscow and Dubai to meet clients, since only 10% of clients still buy the label's signature couture gowns through its Paris showroom.

 

[MissMagAddict]

source | polyglot | December 25, 2007

Couture's New Clients Part II

In recent years haute couture has witnessed a surge in clients, many of them young, in their 20’s and 30’s. For some it is their first experience wearing couture, while others have acquired a taste for it through their mother’s and friends who were already established customers. Most new customers will gain entrance into a couture house through an introduction by an already established client.

Top left clockwise: Sheetal Mafatlal represents a new Indian couture clientele and was instrumental in opening the first Valentino boutique in India; Valentino with the young couture client Eugenia Niarchos; In a rare moment, young Arab clients from the Gulf caught on film after the Gaultier Paris show, with Catherine Deneuve being interviewed in the foreground; New York client Helen Lee Schifter in Dior haute couture; Princess Lalla Soukaïna of Morocco represents a young Middle Eastern couture customer; Princess Rosario of Bulgaria is a regular customer at Valentino; Princess Charlotte, Princess Caroline of Monaco’s daughter, has acquired her mother’s taste for Chanel haute couture; Indian clients seated at a Dior couture show; Anh Duong and Rena Sindi were both married in couture wedding gowns by Christian Lacroix, Sindi’s mother is Nada Kirdar who is a prominent couture customer; Fabiola Beracasa is no stranger to the world haute couture with an illustrious pedigree to match. Her mother Veronica Heart was born in Monte Carlo to Princess Fatemah Khanoum and the Dutch aristocrat Wilhelmus de Gruyter and was first fitted for Balenciaga couture at the age of 16. As a child Fabiola attended many of her mother’s fittings at Valentino and Dior and reputedly has 14 closets of couture and countless more through her mother. Seen here wearing a Givenchy couture ball gown from Spring 2007; When the American heiress Marie-Chantal Miller married Crown Prince Pavlos of Greece in London in 1995, not only did she wear a couture gown by Valentino, made with ten types of lace, but dozens in the wedding party wore Valentino as well. Today she is still a loyal customer at the House, shown here wearing a Balmain couture gown from Fall 2001.

 

[MissMagAddict]

source | polyglot

How Exclusive is this Club?

With the term Haute Couture being tossed around casually these days on fashion magazine headlines and onto the labels of expensive ready-to-wear, one would be forgiven for describing a pair of jeans as couture, even if you did pay $2000 for them. Haute couture, on the other hand, is made by hand, in Paris, to the exact measurements of those who can afford it.

To the untrained eye, there's little difference between a four-figure Pucci dress bought off the rack at Barney’s and a $150,000 Christian Dior ball gown. But for haute couture’s core clients there is a big difference. At society events such as the Metropolitan Museum of Art's annual Costume Institute Gala, or at lavish weddings in Riyadh, you'll see wealthy women flaunting both styles. But, when a socialite wears couture it means she's really serious about fashion and has the lifestyle to support it.

Cason Thrash stresses that the couture social circle is not an easy one to access. When she began collecting six or seven years back, she was lucky enough to be guided by Suzanne Saperstein, the woman Vanity Fair once called "probably the world's No. 1 consumer of haute couture."

"Couture is almost like a private club," says Cason Thrash, who favors American designer Ralph Rucci, as well as Europeans Christian Lacroix, Christian Dior and Jean-Paul Gaultier. With Saperstein in her corner, she was introduced to the right people. "Even though they need the business, it’s not easy at first to get your invitations or to get to know the directresses of the houses. But once you navigate your way through that rocky beginning, every show is a lovely reunion with like-minded individuals."

 

[LetThemEatCake]

These women are not "bimbos". Not that I know any of them, but they're doing something fabulous by wearing these creations and I think it's fantastic. And to point out they only appear to be vain and self-centered on their looks, well...look at where they're photographed. Parties and the front row at shows, places where people (with billions of dollars) are expected to be photographed. I'd be in a Chanel suit and looking my best and most fit at all times too.
I love the clients from Saudi Arabia and the UAB and of course Princess Caroline and her daughter.
Like this thread. And I love Ahn Duong!

 

[Meg]

I've no doubt the club is exclusive but I think haute couture clients also promote its exclusivity and perhaps exaggerate to a certain degree to try and keep the club exclusive. To get in I think they need to know someone who is already a couture client in terms of getting in socially to the group. But if you wanted to get something made couture (and had the money for it) you could probably call up the house and see about arranging an appointment. If you countinued to be a customer, I've no doubt that you would eventually be invited to the show.

 

[cygnenoir]

I had the impression from the above profile that Yuki Tan of Beijing may have her own money. She's listed as the president of Folie Follie, whatever that is.

To be honest, I would doubt that most self-made businesswomen have the time for Couture unless they are in the fashion industry or retired. They're too busy running companies to go to Paris and get fittings.

Personally, I'm happy that there are new Couture customers. I don't much care how they got their money as long as it keeps it going and I get to see the clothes. I'm just sad that as of this moment, unfortunately, I'm not one of them.

 

[baddabling]

How do these women become clients...like what if a random, newly wealthy woman decided she wanted to go to the couture shows and buy...how would she do it?

there is a whole process...
in order to even have access to the opportunity to go to the shows, let alone buy them, you must be approved by the Federation Francaise de la Couture. Like Meg has said, in order to get in you need to be invited by an existing member or inherit membership from a deceased member.