Katie Grand recalls highlights from ten years of styling for Louis Vuitton, referring to each of the collections shot by Dazed in the April issue...
 A/W06 
“I call this collection ‘Sprouse the  Second’. A lot of leopard  had been shown at the men’s shows that season  and Marc and I liked the  idea of using it in some way. He suggested  using the Sprouse leopard,  which was first commissioned in 2000. Then  we started looking at images  of Stephen Sprouse and the ideas for the  hats came from there. I  remember calling Stephen Jones at 3am asking if  he could come over to  help, and Stephen being Stephen, he said, ‘Of  course, see you in half an  hour.’ We’ve worked with him most seasons  since.”
 
S/S07
“Lots of the embroideries were extremely  complex in this  collection. After hours and hours of handwork, we were  dipping the  embroideries in bleach. Unfortunately there were a few  last-minute  hiccups where the embroidery completely disintegrated as  the bleach was  too strong!”
 
A/W05
“I remember the original design team  heading off to  Scotland to go and look at various castles for  inspiration and getting  absolutely terrified about ghosts. Peter  Copping, then head of studio,  swore he woke up with someone sat on his  chest.”
 
S/S08
“They started working with Richard Prince  early on in the  season. He would send his canvasses to the studio and  we were literally  putting them on the photocopier to work out the  placements for the bags.  The whole studio was full of his paintings in  various sizes and colours  – I remember just laughing about how they  were all propped up on the  floor! The idea of the nurses came about  really late, probably about a  week before the show, and Marc suggested  opening with Stephanie Seymour  as she was a collector of Prince. I was  so excited to meet her. This was  the season that the fittings went on  for hours and hours as all of the  ‘nurses’ were so famous and so  chatty.”
 
A/W09 
“This was the season we looked at lots of  French couture  clients past and present. We wanted a very decadent and  opulent look –  almost Louis XIV – mixed with Deee-Lite. So the shoes  were brocade and  had an old-French-meets-Lady-Miss-Kier look. Lucy, one  of the designers,  tied a bit of pink silk around her ponytail which I  loved as it looked  like rabbit ears (and I’d just been bought a  rabbit). And thus, in my  mind, it became the ‘Bunny’ season.”
 
S/S02 
“This season is fondly known as  ‘Fairytale’. Julie Verhoeven worked on the bags and the collection had a  very painterly feel – there was lots of appliqué, denim and suede.  
There’s a pair of boots with the same technique featured in the  exhibition.”