Leif Ritchey is an artist and fashion designer who builds his visual language from the ground up. His recent work is constructed out of scraps of paper, thread and fabric collected off the streets and from the floor of his job at a New York fashion house. He transforms these found materials into vibrant, shrine-like compositions, held together with yarn and clear packing tape. Ritchie compares the process of gathering materials from his immediate environment (and putting them to use) with the ecological aim of “using the entire animal.” New York is Ritchie’s “animal” at the moment, an endless source of potentially useable objects and fragments.
Ritchey began altering, adding to and “collaging” clothes in high school as a way of “customizing himself.” In addition to clothes, books, mix tapes and visual art, Ritchey creates one-of-a-kind shoes, usually with specific individuals in mind. “I try to embody a person or a vibe by designing shoes to fit it.”
Most recently, Ritchey has been designing clothes with his partner and long-time collaborator Tooya Deas. He collaborated with Tom Hohmann and Zach Miner on a recent installation built by simulating the temporary nesting patterns of apes. Constraining themselves to a two-mile radius surrounding the gallery space, the artists gathered indigenous materials and sculpted them into five sofa size nests where visitors were invited to relax. In this project, as in much of Ritchey’s work, organic forms and inorganic materials manage to coexist. The two go together for Ritchey as “both plastic things and natural things are extreme at this point.”