Too right ... I remember that page softgrey ... and Marc was on it too
I actually like his look.
Thanks for the link to the whole story, droogist. I actually went to Barnes & Noble last night to look for the magazine, and this issue hasn't arrived here in the belt buckle yet ... naturally
Here's a couple other excerpts I thought were really important ...
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“It’s more psychological,” Jacobs says. “For people that don’t have any interest in the psychology of nuance, who need everything to be in their face, who don’t want to analyze . . . those aren’t the people I romanticize about dressing.” ...
Jacobs’s clothes do, sometimes, require explanation, as well as a healthy sense of irony. With the wrong attitude, the wrong body, and without the right wink, wearing Marc Jacobs clothes could leave a girl looking a bit like Mrs. Doubtfire. ...
There’s a strict line in Jacobs’s mind separating the Marc Jacobs woman from the woman who is very Vuitton. It’s the difference between being a siren and being shy, between finished and f*cked-up. It’s the girls he relates to versus those who frighten him a bit—those Tom Ford girls. ...
Ultimately, two people contacted Duffy directly to insist that something be done about Jacobs’s addictions. One was Anna Wintour, who had realized that the designer she’d been aggressively championing for years was now getting thrown off airplanes. The other was Naomi Campbell. ...
“When I first moved here, my life was just like a frustrated version of what my life had been in New York,” Jacobs says. He didn’t (and still doesn’t) speak French. He didn’t like the food, [He didn't like the food?!?!] ...
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L[/size]ast February, at the 26th Street Armory, after an excruciating 90-minute wait, Jacobs showed one of the strongest collections of his career. It was dark and it was gothic; the clothes were enormous, lush, and truly beautiful. They were more challenging than one tends to see in New York from such a major designer—it wasn’t easy for the untrained eye to understand, immediately, how so much velvet could ultimately be worn.
Jacobs, for once, was completely satisfied with his work. “It was a great feeling,” he says. “I wasn’t searching for inspiration, I was finding it everywhere I turned. It was T. J. Wilcox, Violet and the Incredibles, Tim Burton. Mostly, it was all the fallen angels in my life. I just think everyone’s an angel, and an angel is a perfect thing. Now I’m going into storybook land, but it’s the imperfection or the trip that I like. We’re all human, and we’re not supposed to be perfect, but there are certain girls who make mistakes, and I just love that. I love the strength to move forward. It’s very hard to be someone publicly, and then to be human and honest at the same time, say, ‘Yeah, I did that. Yeah, I’m human.’ It’s a dark angel, not dark like an evil spirit, it’s a melancholy, broken, dark soul. It’s a good thing.”
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This is probably the best interview of Marc that's ever been done.