Margaux Hemingway

[alicia753]

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[alicia753]

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[alicia753]

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[alicia753]

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Actress Margaux Hemingway and actress Raquel Welch attend Chopard's New Fragrance 'Casmir' Launch Party on March 28, 1994 at Saks Fifth Avenue in New York City.

 

[alicia753]

getty images

Margaux Hemingway during Margaux Hemingway Sighting - April 22, 1990 in New York City, United States.

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Lester Persky and Margaux Hemingway during Elaine's 25th Anniversary Party at Elaine's Restaurant in New York City, New York, United States. 25 avr. 1988

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Pepsi Celebrity Ski Invitational in Conjunction with Quebec's Winter Carnival - February 5, 1988
Brooke Shields, Carol Alt, and Margaux Hemingway during Pepsi Celebrity Ski Invitational in Conjunction with Quebec's Winter Carnival at Mount St. Anne in Beaupré, Quebec, Canada.

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[alicia753]

getty images

Margaux Hemingway Sighting - September 28, 1981
Margaux Hemingway with her second husband Bernard Foucher

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Margaux Hemingway with her husband Errol Wetson during Margaux Hemingway Sighting - December 21, 1976 at Chasen's Restaurant in Los Angeles, United States.

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[alicia753]

getty images

Margaux Hemingway Sighting in Beverly Hills - October 14, 1976

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Margaux Hemingway and guest during 48th Annual Academy Awards at Dorothy Chandler Pavilion Music Center in Los Angeles, California, United States.

March 29th 1976

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At a party for Faberge's 'Babe' perfume (for which she was the spokesmodel), American actress and model Margaux Hemingway (1954 - 1996) and her husband, Errol Wetson, sit at a table at Cecil's, New York, New York, November 1975.

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NEW YORK CITY - MAY 12: Margaux Hemingway and Errol Wetson attend the party for Seals and Croft on May 12, 1975 at Gallagher's Restaurant in New York City.

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[alicia753]

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[Jeanne]

In the picture right above the bottom one, I suddenly had the feeling it was Michelle Phillips I was looking at, so I went to her thread. There are some pictures where they look alike, others where they are entirely different. Michelle had a much softer look, although that Vanity Fair article described a life of turmoil. Margaux generally looks tougher and their build is obviously different. Margaux has this great capacity to convey pain, distress, anguish, with her eyes. I don't know whether Michelle ever had highly dramatic roles, but she generally looks so sweet. Her looks belie her toughness. Anyway, with the same hairdo, they can look remarkably similar. Boomer, I didn't know Michelle Phillips was your big adolescent crush. She did look fantastic, almost unreal. But Margaux moves me more, once you get past the looks. Alicia, thanks for the pictures, as always.

 

[alicia753]

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[alicia753]

newscom.com

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[Boomer]

I don't know whether Michelle ever had highly dramatic roles, but she generally looks so sweet. Her looks belie her toughness. Anyway, with the same hairdo, they can look remarkably similar. Boomer, I didn't know Michelle Phillips was your big adolescent crush. She did look fantastic, almost unreal. But Margaux moves me more, once you get past the looks. Alicia, thanks for the pictures, as always.

^Thanks for all of the pictures! Yes, Michelle had a hypnotic effect on me as well as half of the people who met her and many of the biggest stars in Hollywood! I doubt if anyone has every figured out what it was that led a rather short, slight, little hippie girl to raise havoc in the lives and marriages of so many rich and famous men!

As you say, Margaux always seemed to have that vulnerability to her, always looking like she was one minute away from breaking down in tears…No doubt a lovely young woman, but carrying some very serious personal problems… ​

 

[alicia753]

Of course, and she had just such a tragic personal story... She carried her own difficulties, she had, as you note it, an aura of vulnerability floating around her, but, in one sense, she also strikes me for beeing very brave, in her own meaning...
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[alicia753]

profimedia.cz

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Margaux Hemingway with designer Halston at Regine's for a Rio Carnival party

 

[alicia753]

profimedia.cz

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[alicia753]

profimedia.cz

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Margaux Hemingway at The Fabrege-Fawcett party in Studio 54

 

[Boomer]

^ Ugh- Studio 54...The very last place she ever should have been going...

 

[Jeanne]

I hope I am not being tiresome, but in the last picture you posted, alicia, Margaux now reminds me of Charlotte, especially with your avatar next to it. You are right, Margaux has the tragic etched into her face. Not hysterics, not melodrama, something very real and intense. It almost makes you believe in a sense of destiny, as if she were marked from birth with the knowledge she would follow in her grand-father's footsteps.
I try to see similarities and differences in powerful actresses and think of the roles they could have played. Even though Margaux also reminds me of Monica Vitti, who also has a tragic face, (or Liv Ullman, for that matter), hers is very different. Not lean and aristocratic like Monica in La Notte or L'Aventura, not wholesome yet tortured like Liv according to Bergman, no, Margaux' face is quintessentially American and the epitome of the eighties, the decade of living dangerously. As beautiful as Emmanuelle Beart in Chabrol's "L'Enfer", ("Hell"), but doomed, doomed, doomed. In "L'Enfer", Beart's face remains whole, as it is her husband who projects his own hell onto her, but Margaux's hell is her own creation and her face is, as you say, Boomer, "one minute away from breaking in tears", one minute away from betraying her dark side. She wears her secrets not on her sleeve but on her face, and looking at her is almost painful. Looking at Michelle, by contrast, is always soothing, always a pleasure, she really looks like an angel at times, although according to you, Boomer, it might be more of an angel of temptation.

 

[Boomer]

^ Yes! But she has really changed, so together and into helping others these days- in that classic Vanity Fair article it was so wonderful, to see how Michelle has moved on from her crazy days...Poor Margaux never really got past her demons...

 

[Jeanne]

I agree. I guess what struck me in your sentence was the word "breaking". There is something fractured about Margaux's face, which comes across clearly in some pictures. As for Michelle, you are right again. I read Joan Collins's beauty book, "My friends' secrets" which has an excellent chapter on Michelle. She has weathered all the storms, building a stronger and stronger sense of her own self. She could be one of the role models in the series "What would 'Michelle' do?", like Audrey and Jackie. As a human being she is very impressive. As a figure standing for something else, more primitive, more human in her frailty and capacity for fall, Margaux touches on something elemental, recessed about us and as the definition of tragedy states, she evokes both horror and pity. Michelle had the free spirit of the sixties and seventies, where the turmoil was everywhere in the culture, Margaux with her fame, beauty, money, pedigree, fell into the narrower fringe bent on self-destruction. I am simplifying, but that's broadly how I see things.