Michel Comte - Photographer

Vogue Italia November 2015
Model/Star: Lauren Avery
Photographer: Michel Comte
Stylists: Giulio Martinelli & Ayako Yoshida
Hair: Peter Savic
Makeup: Francesca Tolot
Manicure: Nette Davis




Vogue Italia via Fashion Mayhem
 
US Vogue June 1982

The New Beauty Priorities
Photo Michel Comte
Models Kim Alexis & Isabella Rossellini
Hair Howard Fugler
Makeup Paul Gobel




justaguy
 
Vogue Italia March 2016
"Twin Chic"
Models: Unknowns
Photographer: Michel Comte
Stylists: Giulio Martinelli & Ayako Yoshida
Hair: Dennis Gots
Makeup: Nathan Hejl
Manicure: Nettie Davis




Vogue Italia digital edition via Fashion Mayhem
 
Vogue Italia January 2016
Vogue Beauty
Model: Eva Doll
Photographer: Michel Comte
Stylists: Giulio Martinelli & Ayako Yoshida
Hair: Dennis Gots
Makeup: Nathan Hejl
Manicure: Nettie Davis




Vogue Italia Digital Edition via Avogadro
 
Vogue Italia September 2016
Vogue Beauty
Photographer: Michel Comte
Model: Alycia Debnam-Carey
Stylists: Giulio Martinelli & Ayako Yoshida
Hair: Dennis Gots
Makeup: Nathan Hejl
Manicure: Michelle Saunders



Vogue Italia Digital Edition via Avogadro
 
Elle Japan February 1986
Photographer: Michel Comte
Model: Stephanie Seymour
Makeup: Marc Schaeffer
Hair: Bruce Libre



Scanned by brazilianaffair @ Bellazon via RosieNikolaeva
 
VOGUE Germany July 1997
"Sensible Energien"
Photographer:Michel Comte
Models:Jenny Knight,Laetizia Venezia Tarnowska,Karin Saby and unknown to me
Scanned by missparker7

 
Michel Comte was a renowned fashion photographer but he needed more

Updated 28th January 2019

Written by Sonia Kolesnikov-Jessop, CNN

In the 1990s, Michel Comte was one of the fashion's most in-demand photographers, working regularly for magazines such as Vogue Italia and Vanity Fair, and shooting Naomi Campbell, Cindy Crawford and Kate Moss, and the decade's biggest celebrities.

Away from the high-gloss magazine editorials and his lucrative luxury campaigns, Comte kept himself grounded by taking on photo assignments for the International Red Cross (ICRC) in war-ravaged regions like Bosnia, Angola, Rwanda and Somalia. His work with the ICRC contributed to fundraising efforts to build an orthopedic hospital in Kabul, Afghanistan, and helped raise awareness and money for victims of conflicts.
"I was never paid for any of these projects, but they gave me a sense of purpose and a needed distance from the celebrity world," Comte said.

Then 10 years ago, shortly after he met his wife, fashion editor and stylist Ayako Yoshida, Comte started to turn down the glamour assignments and set out to establish himself first and foremost as an artist.
"When we met, I felt a need for change. I'd had a dramatic eye accident and almost lost my vision," he said. Shortly after we started producing the experimental art film, 'The Girl from Nagasaki.'
"We worked together on the film, and I started focusing on my art work. I kept working for Franca (Sozzani, the late editor-in-chief of Vogue Italia), because we had a long history, but besides that I started to turn down assignments," he recalled. "I was never a fashion person even though I spent several decades in that world. I know it sounds very strange. But I felt a need to evolve. Now my focus is my artwork with very few collaborations."
The transition from star fashion photographer to artist wasn't a smooth one.
"It was an extremely difficult time to make a clear cut. Frankly, my name had a stigma in the art world: 'Michel Comte, fashion photographer.' The moment I said my name, they wanted to do another fashion retrospective, but I felt 'I'm not dead yet, and while I'm alive this is what I do now.'"

Recently, Comte's artistic practice has focused on causes that have long been close to his heart: The conservation and protection of the environment. As a youngster, he spent the winter months in the Alps of his native Switzerland, skiing every day before school; and in the summer he loved to run through forests early in the morning. These formative years led to an "extreme love of nature" and a keen eye for observation.

He has managed to transform this long-term love for the environment into a varied artistic practice using mixed-media painting, sculpture to video art and even land art.
In recent years, these works have been getting greater recognition. Since 2017, the artist has staged large-scale multimedia exhibitions related to climate change at the Milan Triennale museum, Beijing's Galerie Urs Meile and the MAXXI Museum in Rome, where he transformed the facade into a glacier using a 3D-mapping projection.

"Frankly, it's no longer about raising awareness, because I think people are aware of the impact of climate change. It's about taking action," Comte said. "Time and apathy are the biggest challenges we face in the race against climate change, and arts and culture possess a unique power to inspire and to shake things up. Visual arts are powerful tools to convey inconvenient truths."
One of his next projects will be another 3D-mapping video installation, this time on an Arctic ice wall to showcase how it's expected to melt over the next 15 years. "I can't be too precise about the exact location because the glacier walls are moving fast, and we will determine that exact location by early August," he explained. "It will be a light and sound installation over three kilometers of glacier. The horizon will change. It will be monumental."

Commissioned by the Wavelength Foundation, a private platform that empowers artists and other creatives to raise awareness about environmental issues, the installation cum climate vigil is planned for the early days of 2020. Comte is hoping to bring together "a few thousand people to experience the work together," but, to keep the carbon footprint of the project small, "everybody will have to sail there."
"With social media, we live in a world of second-hand experiences, and we think we have knowledge. But this knowledge we are acquiring is very superficial. I think it's very important people experience first-hand the effect of climate changes, Comte said. "We have to become participants in this, we can't just watch."

CNN.com
 
Gianfranco Ferré
Photographer:Michel Comte
Model:Ewa Witkowska


comte 98 2.jpg
Scanned by me (Cosmopolitan Russia 1998)
 
Vogue Italia October 1980-2
Seduttrice In Abito Da Seduttore

Photo Michel Comte
Models Claire Atkinson & Leslie Winer
Hair Mimmo
Makeup Nando Chiesa



archivio.vogue.it
 
Vogue Italia June 1984
Offriamoci Al Sole

Photo Michel Comte
Models Unknown


archivio.vogue.it
 
Vogue Italia September 1992
"Sharon Stone: La Nuova Dea Bionda di Hollywood Parla di Sé"

Model/Star: Sharon Stone
Photographer: Michel Comte
Stylist: Brana Wolf
Hair: Serena Radaelli
Makeup: Matthew Boger





archivio.vogue.it
 
US Vogue October 1997
"A Perfect Match"
Models/Stars: Michelle Pfeiffer & Jessica Lange
Photographer: Michel Comte
Sittings Editor: Deda Coben
Hair: Ray Allington
Makeup: Paul Starr




archive.vogue.com
 
Vogue Italia September 1984-1
Bellezza: American Dream

Photo Michel Comte
Model Unknown
Hair Robertino
Makeup Jim Brusock


archivio vogue
 
US Vogue February 1998
"L.A. Times"
Models: Chandra North & Guinevere van Seenus
Photographer: Michel Comte
Stylist: Paul Cavaco
Hair: Louis Angelo
Makeup: Yasuo







archive.vogue.com
 
US Vogue February 1998
"Artistic License"
Models: Guinevere van Seenus, Kiara Kabukuru & Maggie Rizer
Photographer: Michel Comte
Stylist: Phyllis Posnick
Hair: Pier Giuseppe
Makeup: Laura Mercier (Guinevere), Bobbi Brown (Kiara) & Diane Kendal (Maggie)




archive.vogue.com
 
US Vogue October 1998
"Secret Services"

Model: Larissa
Photographer: Michel Comte
Sittings Editor: Phyllis Posnick
Hair: Keith Carpenter
Makeup: Yasuo



archive.vogue.com
 
Vogue Italia May 1988
Con La Perla Mare: Nuova Grazia Anche Nel Microslip

Photo Michel Comte
Model Jana Rajilich
Hair & Makeup Nadia Taricco





archivio vogue
 
US Vogue August 1998

Party Planning
Photographer: Michel Comte
Fashion Editor: Phyllis Posnick
Hair Styling: Yannick d'Is
Makeup: Yasuo
Model: Karen Elson


Vogue Archive
 
US Vogue April 1987
"Mind/Body: The New Basics - Fitness Redefined"

Model: Ashley Richardson
Photographer: Michel Comte







archive.vogue.com
 

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