INTERVIEW part 2
MŚ: Fashion houses, which you had been working with, didn't mind your young age?
MJ: I had one unpleasant situation. When i flight to Australia for fashion week, people started to argue ovet model's very young age, and, unfortunately in that scandal they used exactly my name. On of australian newspaper sent a journalist to my little family town. He waited next to my house and watched me when i was going to school. On Fashion Weeks in Australia and London models can't work if they are under 16 year old.
In Paris they can't work by night. That i lost another Hermes campaing because Paolo Roversi wanted to shoot right then.
MŚ: But you were in New York.
MJ: Yes, my very first Fashion Week. I was walking with map, on Manhattan everything was near and i could go on my foot or move around by metro. In Paris and Milan it's much difficult and model gets her own driver.
MŚ: Your stay in New York was very successful.
MJ: I got Calvin Klein campaign. At the beginning, they booked me on show, and few minutes before the show someone said "you will go first". And rumors had it that i would appear in their main line advertisement.
MŚ: How was the shooting for Calvin Klein campaign?
MJ: It's nearly like the shooting for magazine editorial. I can say, maybe a little modest than. We shooted in Hamptons. There were only David Sims (photographer), stylist Camilla Nickerson and assistants.
MŚ: Klein's session isn't stylized by Karl Templer?
MJ: Well, Karl stylizes only CK lines, not Calvin Klein Collection. But he's a perfect stylist too. We did Valentino and Interview editorial together.
MŚ: That session named by your name "Jac". That's something special.
MJ: It's only a nickname. IMG Agency devised it, because the name Monika for them was too common. Booker from IMG said "Jac", and i liked it so.
MŚ: You are posing for world's most influential photographers. With whom do you like working the most?
MJ: Well, the biggest number of shoots i have with David Sims, i work the best with Peter Lindbergh, but maybe Steven Meisel has the greatest methods of work. When he took a photos, he put a big mirror next to the model and let them to watch their reflection, it helps a lot. At the other side he is a little withdrawn. I think i won't pluck up courage and come up to him.
MŚ: This season you are in Valentino, Marc Jacobs, Alberta Ferretti ads. That many campaigns in one season - such a big success.
MJ: For Klein i did two campaigns in turn, i was an exclusive, so i couldn't work for anyone else. When my contract ended, i didn't know if anyone will want me to be in their advertisement.
But this year will be the most important for me, because in IMG i'm not gonna be in the "New Faces" section anymore, i will move into main woman section. I have been assigned a booker, who is with Sasha Pivovarova and Daria Werbowy. They told me that i will be very busy when autumn will come (guys do you see that?
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MŚ: What about school?
MJ: Teachers supported me. I could pass the subjects earlier and go for Fashion Weeks and photoshoot. We will see how it will look now. I start high school in September.
MŚ: Aren't your friends jealous?
MJ: Rather angry, that i leave them so frequent. I'm a little out, but if i have two choices: new cover of Numero in Paris, or a school trip, now i would choose second one. Agency tries to arrange my work in weekends and free days.
MŚ: How are your contacts with other models?
MJ: Better and better. Sure, girls living in New York know each other better, but i got some friends: Frida Gustavsson, Kasia Struss, Hanne Gaby Odiele.
MŚ: I have heard that Hanne Gaby is a true party animal...
MJ: She seems to be, because she is so crazy and easy going. On the backstage she fools around. But for this work distance is necessary. Girls who take it very serious or very freely, often don't work out. To show off is not good too.
MŚ: You are appearing on the runaways in Milan, New York, Paris. About 50 shows per season. Where do you ear the biggest money?
MJ: The biggest rate is in Milan, because there are the most famous brands. Model can earn even a few thousands dollars per show. In Paris and New York it's about a few hundreds. But it depends on model, big names (long time in business) scores big money.
MŚ: You have one beauty campaign. For a model, it's like winning an Oscar for an actress.
MJ: I signed two-year contract with Chanel. When i was choosen, i didn't do any of Chanel shows. Peter Philips, main make up artist, said that they'd wanted me because i have "plastic, malleable face". I think Sølve Sundsbø had an effect on them, he works for Chanel, and i had a shoot with him earlier.
MŚ: You worked with Carine Roitfeld for Vogue Paris.
MJ: Carine is my favourite stylist. Of course Camilla and Karl are perfect too, but she is unique. I can say that she is a little like a mother for models. Sometimes girl during the session says "i'm fat", and she says: "you are not, you are pretty as you are". Sometimes she advises something honestly. Carine has many clothes on the session, but it's not true that she have an army of assistants, she comes with one co-worker and one assistant. And she dresses models for photos by herself.
MŚ: You are trying to be a stylist too.
MJ: Yes, but i'm not treating it very serious. I len my clothers for test sessions in Gaga. I learn a lot from watching our stylist work during the shoots.
MŚ: You can dress yourself very stylish.
MJ: But it's something other than dress someone, being a stylist. That's an other kind of story.
MŚ: What kind of clothes do you like?
MJ: A little teen, a little grunge. I rather not buy designer clothes, because of money. I buy in Topshop, Zara, only sometimes i can afford to Alexander Wang or Balmain. But it is known that models like spending money on clothes.
MŚ: Are you on a diet?
MJ: No, i just look on what i'm eating. I care abou my body because it's my tool of work.
MŚ: But we will end the cake?
MJ: For sure!