Natasha Poly | Page 1654 | the Fashion Spot

Natasha Poly

Wow what a fantastic edit:woot:, love the wild styling. Anyone of those shots wouldve made a 100x better cover choice.
 
Can't say that I love the editorial itself, because of the whole feel of it and the outfits but of course Natasha is looking amazing and working it of course as the pro that she is!
 
Happy she got the VR cover but I really do not like it at all. If you are going to use Natasha, use her for her real qualities and not try and make her look like someone else. There is a beautiful delicacy to the real Natasha in person and her eyes have wonderful colouring in them. To blast it all in a photograph like this is a waste of Natasha in my opinion.

Love the Hans Feurer ed, though not sure if the purple tinge is just bad or silly post image processing.

Really happy for her, so much in love and her work exploding wonderfully:)
 
i found about the Fiat 500 n why natasha was choose as the face of it.

According to the designers of this elegant model. Natasha Poly was chosen because it represents the essence, Natasha travel in style and live life at full speed, which is the idea of it ​​self.Fiat 500 by Gucci 2012 include the model Natasha Poly to become part of the campaign, resulting in a glamorous pump.

anyways i just love how much they mention Natasha in that webpage,such a top model! :heart:
 
Didn't she had an editorial with Joan Smalls or she got confused with Hailey Clauson?
 
Whenever there's a Natasha-drought I'd recommend a vacation, the amount of work posted within that space of time is immense! I have some catching up to do.

The Vogue Paris editorial, Natasha looks incredible and proves the versatility she carries. I'm disappointed with the direction of the Barney's campaign, I would of loved to have seen some face. I guess the photos for Moscow's FNO compensate for that, I adore the colour shot. Poly's certainty sold that mediocre bag.

I'd love to know what music was played during Slimane's Vogue Russia shoot, so much energy oozing from Natasha. Shame the heavy editing downgrades the cover shot, and the make-up ruins most of the editorial. But as usual I'm bias and can't praise Natasha enough for snagging all this creditable work.
 

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