New York Magazine

[Deleted member 116957]

New York Magazine - November 21, 1983
"Mentionables" by Benita Cassar Torreggiani
Featuring: Diane Lane
Photographer: Bruce Weber
Hair: Didier Malige
Makeup: Bonnie Maller




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[Deleted member 116957]

New York Magazine - March 26, 1984
"Men About Town" by Kezia Keeble & Paul Cavaco
Models: Billy Gleason, Jon Wiedemann, Ed Flory, Peter Moore, John Hoffmeister, Tom Tripodi, Bruce Hulse, Todd Bentley, Ben Short, Barry Kaufman, Mat Norklun, James Scales, Tom Preston, Mike Irving,
Photographer: Michael Halsband
Grooming: Kent Rulon






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[Deleted member 116957]

New York Magazine - April 23, 1984
"The Little Black Suits" by Wendy Goodman
Models: Jenno Topping, Colleen Kaehr
Photographer: Perry Ogden
Hair: Trevor Bowden
Makeup: George Newell





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[Deleted member 116957]

New York Magazine - April 30, 1984
"Celebrating a Legend" by Wendy Goodman
Model: Stella
Featuring: Claudette Colbert
Photographer: Perry Ogden
Hair: Alex Hilliard
Makeup: George Newell



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[Deleted member 116957]

New York Magazine - June 4, 1984
"When it Sizzles" by Wendy Goodman
Model: Elle Macpherson, Jette Storm, Mariama. Stella, Ariane, Pamela Cook
Photographer: Alex Chatelain
Hair: Alex Hilliard
Makeup: Rumiko




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[Deleted member 116957]

New York Magazine - November 5, 1984
"For the Good Times" by Wendy Goodman
Model: Maria Johnson, Robert Russell
Photographer: Paul Lange
Hair: Odile
Makeup: Lydia Snyder




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[Deleted member 116957]

New York Magazine - December 17, 1984
"Sean's Way" by Wendy Goodman
Featuring: Sean Young
Photographer: Bert Stern
Hair: Frederick
Makeup: Paul Gobel




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[Deleted member 116957]

New York Magazine - July 6, 1981
"In the Heat of the Night" by Anna Wintour
Models: Andie MacDowell, Sophie Billiard
Photographer: Guy Le Baube
Hair & Makeup: Hamid Bechiri



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[Deleted member 116957]

New York Magazine - April 19, 1982
"Strong Suits" by Anna Wintour
Models: Eva Johansson, Sydney, Pam Huson, Karen Howard
Photographer: Jean Pagliuso
Hair: Hamid Bechiri, Bruno Demetrio
Makeup: Anne-Marie Barthelemy




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[Deleted member 116957]

New York Magazine - May 5, 1982
"Wait Until Dark" by Anna Wintour
Model: Elisabetta Ramella
Photographer: Lothar Schmid
Hair: Alex Hilliard
Makeup: Rex




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[Deleted member 116957]

New York Magazine - April 19, 1982
"A Place in the Sun" by Anna Wintour
Models: Sheila Berger, Sophie Billard
Photographer: Jean Pagliuso
Hair: Julien
Makeup: Linda Mason




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[Deleted member 116957]

New York Magazine - December 19, 1968
"Do You Sleep in the Nude?" by Trudy Owett
Featuring: Lauren Hutton, Ali McGraw, Shelley Plimpton, Gayle Hunnicutt, Jenny O'Hara, Jane Merrow
Photographer: Otto Stupakoff



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[Deleted member 116957]

Various Ads from 1968





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[Deleted member 116957]

Various Ads from 1969, Part 1








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[Deleted member 116957]

Various Ads from 1969, Part 2

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[Phuel]

New York Magazine - April 27, 1992
"War of the Poses: Bazaar's Liz Takes on Vogue's Anna" by Michael Gross
Featuring: Liz Tilberis & Anna Wintour







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The most interesting revelation of this article is that Fabien was a darkhorse that some really weren’t hiding their contempt for. I get the impression that the ones that find him limited are the ones that would likely want to see more of a commercial and consumer sensibility. Liz and Fabien's Bazaar brought such a high design aesthetic that was also very much accessible. They will never be matched. And I also get the impression that their Bazaar inspired Franca’s Vogue to be more high fashion than Italia had ever been. It’s unfortunate that the graphic design for Italia was never strong after Fabien left. And had he returned to Italia— my god, we really weren't worthy of such creative greatness as Franca a Fabien together.

 

[Deleted member 116957]

The most interesting revelation of this article is that Fabien was a darkhorse that some really weren’t hiding their contempt for. I get the impression that the ones that find him limited are the ones that would likely want to see more of a commercial and consumer sensibility. Liz and Fabien's Bazaar brought such a high design aesthetic that was also very much accessible. They will never be matched. And I also get the impression that their Bazaar inspired Franca’s Vogue to be more high fashion than Italia had ever been. It’s unfortunate that the graphic design for Italia was never strong after Fabien left. And had he returned to Italia— my god, we really weren't worthy of such creative greatness as Franca a Fabien together.

That surprised me, me too!!!

I've been spending a lot of free time going through the Harper's Bazaar digital archive. I've always seen scans here and there of the editorials from the Tilberis/Baron years, but actually seeing like... the full issues, with the full design was sensational (do I sound overdramatic). I cannot believe how fresh it still feels. The Carmel Snow/Diana Vreeland were, of course, amazing. Also the Nancy White/China Machado years were nothing to sniff at (all those amazing Hiro editorials), the article does a disservice to them, but whatever! But what shocked me even more when going through the archives was how truly a-w-f-u-l the issues between 1973 and 1991 were under Anthony Mazzola. It wasn't just "meh, this is boring, it's not for me" like, a lot of the issues from the years I've looked at were just... not good. I don't even think the article does a good job of truly conveying how awful it was, lmaoo. It really makes one miss the glory days of fashion magazines. We really probably never will see anything like Tilberis/Baron again.

Okay... why am I ranting about Harper's Bazaar in the New York Magazine thread.

 

[Deleted member 116957]

Various Ads from 1970, Part 1







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[Deleted member 116957]

Various Ads from 1970, Part 2





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[Deleted member 116957]

Various Ads from 1971, Part 1

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