From Vanity Fair: Mary Ellen Mark, Hollywood's On-Set Photographer
Only Mary Ellen Mark can claim to have documented the turmoil on the most notorious film set of all time (Apocalypse Now), as well as the making of classics as diverse as Tootsie, One Flew over the Cuckoo’s Nest, and Fellini’s Satyricon. With photographs from more than 50 film sets, Mark’s recently published book, Seen Behind the Scene: Forty Years of Photographing On Set (Phaidon), provides a revealing look at how the movies get made.
Director Francis Ford Coppola shelters himself from the driving rain that added to the troubles of an already beleaguered shoot for "Apocalypse Now" (1979).
Jack Nicholson, Candice Bergen, and Art Garfunkel “French-kissing” on the set of Mike Nichols’s "Carnal Knowledge" (1971), in Vancouver, Canada.
Dustin Hoffman sneaks up on Lawrence Olivier on the set of John Schlesinger’s "Marathon Man" (1976) in New York’s Central Park.
Melanie Griffith with her then boyfriend, Don Johnson, on Sanibel Island, Florida, during a break in filming of "Night Moves" (1975), directed by Arthur Penn.
Cinematographer Billy Williams checks Katharine Hepburn’s light in the woods of New Hampshire on the set of "On Golden Pond" (1981), directed by Mark Rydell.
Johnny Depp and Gunpowder, his character’s horse, in Tim Burton’s "Sleepy Hollow" (1999), Surrey, England.
Director Federico Fellini surveys the elaborate set of "Satyricon" (1969) in Rome, including the house where the movie’s two protagonists, Encopio and Ascilto, live.
Alejandro González Iñárritu directs Cate Blanchett and Brad Pitt in a small Moroccan village for a scene of "Babel" (2006).
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