DosViolines
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source: nytimes.com
More images from article
[font=Arial, Helvetica, San Serif][size=-1]Joe M. Nitzberg for The New York Times; photographed at Strip House[/size][/font]
[font=Arial, Helvetica, San Serif][size=-1]Leather boots by Dior Homme, $685 at Jeffrey. Martin Margiela formal-wear trousers at Bergdorf Goodman.[/size][/font]
[font=Arial, Helvetica, San Serif][size=-1]Joe M. Nitzberg for The New York Times; photographed at Strip House[/size][/font]
[font=Arial, Helvetica, San Serif][size=-1]Weathered calf monk-strap shoes at Miu Miu, $515. Neil Barrett velveteen trousers at Barneys.[/size][/font]
[font=Arial, Helvetica, San Serif][size=-1]Joe M. Nitzberg for The New York Times; photographed at Strip House[/size][/font]
[font=Arial, Helvetica, San Serif][size=-1]Calfskin laceups from A. Testoni, $655 at Bergdorf Goodman and Neiman Marcus. Martin Margiela boot-cut trousers at Bergdorf.[/size][/font]
[font=Arial, Helvetica, San Serif][size=-1]Joe M. Nitzberg for The New York Times; photographed at Strip House[/size][/font]
[font=Arial, Helvetica, San Serif][size=-1]Stamped python-print loafers by Donald J. Pliner, $310 at Saks Fifth Avenue. Kris Van Assche wool trousers at Jeffrey.[/size][/font]
[font=Arial, Helvetica, San Serif][size=-1]Joe M. Nitzberg for The New York Times; photographed at Strip House[/size][/font]
[font=Arial, Helvetica, San Serif][size=-1]Lizard roach killers by Dolce & Gabbana, $750 at Saks. Romeo Gigli sharkskin suit from eBay.[/size][/font]
Returning to Cool, in Pointy-Toed Shoes
Joe M. Nitzberg for The New York Times; photographed at Strip House![]()
Detailed leather winkle-pickers by George Cox, $150 at Trash and Vaudeville. Acne jeans at Jeffrey; 1950’s vintage jacket at Barneys New York. T-shirt at American Apparel.
By DAVID COLMAN
Published: September 29, 2005
IF you can afford but one pair of shoes this season, do yourself a favor: do not buy any of those on this page.
It just does not make good sense. We're talking about a style of shoe that is, after all, synonymous with bad taste. Pointy-toed shoes have popped up for a few seasons now, but they are still too fast, too redolent of 1970's blaxploitation movies to have really caught fire at Prada or Gucci, much less at Florsheim or Payless ShoeSource. Even style arbiters like Jeffrey Kalinsky, the founder of the Manhattan hipster boutique Jeffrey, said he will not be sporting a pair any day soon.
But pointy-toed shoes are here, in all their mod-cum-rockabilly, New Wave glory. At Dolce & Gabbana they come in gloriously trashy materials like red eelskin, tan snakeskin and brown lizard; at Miu Miu, in weathered brown calf and faux croc; at Dior, in glossy black leather; and at A. Testoni, in tooled taupe calf. If you go for them, be warned: acquaintances will raise their eyebrows; friends will compliment you, lying; good friends will rib you ceaselessly.
What can you say? Jealousy is so unattractive. In a day when perfectly tasteful men's shoes are so much the norm, available nationwide at Banana Republic and J. Crew and at once-fusty cobblers like Church's English Shoes, it takes guts to take a step, much less a walk, on the wilder side. But for a stylish guy who wants his feet, at least, to live dangerously, pointy-toed shoes cross the line like no other, recalling 60's lounge lizards who lived for looks.
They are quite the contrast to the rumpled and unshaven cool that fashion has perfected of late. "It's not a shoe that people find by happenstance; it's very conscious," said Geordon Nicol, a host of MisShapes, the so-hip-it-hurts Saturday club night at Luke & Leroy in the West Village (where, earlier this year, the fashion designer Hedi Slimane showed up to D.J. in his Dior Homme pointy-toed boots).
Mr. Nicol means what he says: he has 12 pairs of pointy shoes. "People who wear them are very, very conscious of their own personal style," he said. "The shoes really complete a look." That look, in his case, includes a rail-thin frame and clothes to match. "The pointy shoe brings it all together at the bottom, where a round-toed shoe looks dumpy and dowdy and just wrong," he said.
Mr. Nicol's shoes come from the British shoemakers George Cox and Underground Shoes, which are sold at Trash and Vaudeville in the East Village, where pointy shoes and stovepipe jeans have been a staple since the late 70's heyday of the Ramones.
Jimmy Webb, the store's buyer and manager, reported that the style has picked up steam again, rediscovered by indie rockers who want the most attitude for the least money, about $150 a pair. "I can't keep them in stock," he said. "I sell 15 to 30 pair a week."
And why not? If you have a slim-fitting sharkskin suit (they come in seven colors at www.merc-clothing.com in London) or the perfect rockabilly jacket and trousers, pointed shoes are the coup de grâce.
But if you are just dressing to go out - not out on stage - a pointed toe brings a suavely stylish edge to an understated look. For example, a crisp white T-shirt and old Levi's 501's suddenly looks hip with a pair of brown lizard roach crushers from Dolce & Gabbana. Sensible? No. Supercool? Yes.
"The rest of the outfit doesn't have to match," Bruce Pask, the style director of Cargo magazine, said. "The whole point is that the shoes are all you need. That's what gives it the edginess, like you amped it up a little bit, but not too much."
They are not all-powerful: a slouchy worsted suit or baggy cargo pants will look frumpy against the shoe's sharp edge. Similarly, showily distressed jeans or an excess of jewelry will only blunt their neat point.
Given the wealth of cool connotations the shoes evoke, from the Rat Pack and rockabilly scenes of the late 50's to the New Romantics of the early 80's, their appeal is both tasteless and timeless - and now timely. Designers like Raf Simons, Neil Barrett and Mr. Slimane made nods to mod and rockabilly looks in their spring collections, and skinny stovepipe jeans appear to be the next wave. A smart pair of pointy-toed shoes could well outlast any ribbing you get for wearing them.
So if mortified, amortize.
More images from article

[font=Arial, Helvetica, San Serif][size=-1]Joe M. Nitzberg for The New York Times; photographed at Strip House[/size][/font]


[font=Arial, Helvetica, San Serif][size=-1]Joe M. Nitzberg for The New York Times; photographed at Strip House[/size][/font]


[font=Arial, Helvetica, San Serif][size=-1]Joe M. Nitzberg for The New York Times; photographed at Strip House[/size][/font]


[font=Arial, Helvetica, San Serif][size=-1]Joe M. Nitzberg for The New York Times; photographed at Strip House[/size][/font]


[font=Arial, Helvetica, San Serif][size=-1]Joe M. Nitzberg for The New York Times; photographed at Strip House[/size][/font]
