Rock Groupies (October 2006 - November 2010) | Page 50 | the Fashion Spot

Rock Groupies (October 2006 - November 2010)

Status
Not open for further replies.
great song^^^
i've always loved those rod stewart hot legs promos they looked so good together
 
i just love this cover!
take%20another%20little%20piece%20of%20my%20heart.jpg

source:booksoup
 
I just found a gorg collage of Miss Bebe. It was in some place called "Black Book".
 
Last edited by a moderator:
Feels creepy posting this under my screen name, but I am so sad hearing about Sable Starr. She was one of my inspirations growing up since I stumbled upon her on the now defunct Groupie Central, hence my screen name that stuck through all those years ...
 
that's a beautiful collage :flower: and it's super cool that bebe has a song about joey ramone, they were good friends, so i think it's an amazing way to honor him.
 
wild bebe

specially to JerNYC :flower:

00006cpt
00007ktd

00008f48

bebebuell.org

i gotta say i love her outfit
 
specially to JerNYC :flower:

**Do not quote images, please. See tFS Guidelines for more information.**


bebebuell.org

i gotta say i love her outfit

Oh atooomic, I love you!!:heart: I am so excited because I am going to see her play LIVE tomorrow night (Tuesday May 19th) in NYC at The Fillmore @ Irving Plaza. That is located at East 15th St. and Irving Place. Between 14th and 16th Sts.
The doors are at 7pm and I hear it fills up fast with the fans of Joey Ramone. They come from all over the world. The first band is at 8pm and then Bebe goes on so I'm getting there as soon as the doors open!
I hear it is almost sold out but that there are still some tickets left.
I am so excited!!!!:woot::woot::woot::woot:
 
Last edited by a moderator:
^ really? :woot: so cool! take pictures and share with us okay? :clap::clap:
 
i love seeing a girl rock out in a dress that's so cool^^^

i saw this picture on celebrity city of pamela morrison and jim morrison and thought it was so beautiful so i hope you all like it
 
Oh yes JerNYC Man, I hope you took photos! Oh share the experience paalease! What a goddess Bebe is.
 
^ this picture is way cool, i saw it at her myspace - just fabulous!
 
Girl Together Outrageously: Pamela Des Barres

Ian Fortnam, Classic Rock, 2002​

IN CASUAL DEFIANCE of the fact that her fifty-fifth birthday looms large, the Marchioness Des Barres positively radiates rude good health and an undeniably disarming beauty that’s disconcertingly childlike.

Sporting a lush mane of fiery, shoulder-length curls; a porcelain complexion that belies her Sunset Strip-hopping, Valley Girl salad days; an intimidating pair of ice cool, emotion-veiling Lolita shades; a ready laugh - infectious in its rolling filthiness - and a decidedly elfin prettiness that’s irresistibly reminiscent of the nascent Shirley MacLaine, this is clearly a woman who is still way more than capable of turning heads. And, once upon a time, the Marchioness turned some of the most famous and iconic heads in rock history.
Of course, this was long before she picked up her title - a fortuitous by-product of tying the knot with former Silverhead and Power Station vocalist (Marquis) Michael Des Barres in 1977 – when she was plain old Pamela Miller from the San Fernando Valley. Pamela loved rock’n’roll from the very first moment that she espied the hip-thrusting antics of Elvis, but simply buying the records of her favourite artists was nowhere near enough for young Pamela; she wanted to show her appreciation in a far more direct fashion, and in so doing, Pamela became the most famous groupie in rock history, enjoying mutually pleasurable liaisons with (amongst others) Jim Morrison, Mick Jagger, Jimi Hendrix, Jimmy Page, Keith Moon, Gram Parsons, Chris Hillman, Waylon Jennings and even Miami Vice star Don Johnson.

But there was always far more to Miss Pamela than her penchant for the horizontal polka. She was one of the founding members of Girls Together Outrageously, better known as the GTOs, the world’s first ever all-girl rock band. Encouraged into being by Frank Zappa, the GTOs released the unique and astonishing Permanent Damage album (which featured guest appearances by Rod Stewart, Jeff Beck, Nicky Hopkins and Captain Beefheart) in January ’69, before splitting up a month later.

During an acting career that commenced with Frank Zappa’s 200 Motels (1971) and concluded with Sly Stallone’s Paradise Alley (1978), Pamela spent two years as Dweezil and Moon Unit Zappa’s nanny. But the roles that have earned Pamela most critical plaudits are as the eyebrow-raising autobiographer of I’m With The Band: Confessions Of A Groupie (’87), Take Another Little Piece Of My Heart: A Groupie Grows Up (’92) and as the unflinching chronicler of some of rock’n’roll’s most toe-curling episodes in Rock Bottom: Dark Moments In Music Babylon (’96).

Right now, with both Almost Famous and The Banger Sisters having shamelessly counterfeited some of the more juicy episodes from Pamela’s life, she’s busy putting the finishing touches to a screenplay based on her diary-led, best-selling memoir I’m With The Band which promises to be quite a tale. But fear not, thrill-seekers, as – over an invigorating mineral water – Miss Pamela is about to treat us to some eye-popping insights into a truly exceptional life, where swapping spit with Jimmy Page means just that and sleeping with Jim Morrison need not necessarily lead to defloration.

What originally seduced you into the rock’n’roll lifestyle?

"Elvis. I was eight years old and saw him on Ed Sullivan, and that was all it took. The voice, the face, the hips... it was the whole package. No one had ever seen the sort of stuff he was doing before, except for in the black community, and I was a white girl from the Valley so there was no way that I had even seen a black person yet. So he was bringing all those sexy black elements into a white world that desperately needed it, and I just took it from there. It was a natural progression from him into the pop world. Dion was my hero, then The Beatles, so it was just a natural chain of events."

Why did you eventually choose the Stones over The Beatles?

"Sex. John Lennon had a bit of sexiness to him, but I was more of a Paul girl, so it was such an easy move into the Mick Jagger thing, but it was that sexy, sexy stuff on their first and second albums. The sexiest stuff they ever did was on those: ‘I’m A King Bee’, "Let me come inside", and that was something that nobody was saying then, except for maybe the black people, but I hadn’t heard them yet either. I’m sure they were in the rhythm and blues world, but that was the first time that I had heard anything like that."

What was the appeal of all of these gawky English boys?

"I think it just had a lot to do with the timing, it was perfect timing and I was just such a music lover, so anybody whose music moved me or got me all excited and aroused I was interested in. It all makes a lot of sense to me. I just said ‘Okay’ when I saw the Meet The Beatles album cover, because it seemed like something that wasn’t so far fetched. I guess a lot of people thought that perhaps they were so far removed that you would never be able to make their acquaintance and never thought of doing it, But I sure did. I knew they were living breathing people. I think a lot of it had to do with the fact that there was this band that rehearsed across the street from my house in the Valley. And they were playing instruments, there were guitars and amps and drum kits and they were right there, and I could touch them and see them, so I thought ‘Well, Mick Jagger must be somewhere just standing around’. So it never seemed that impossible to me."

You retained your virginity for an almost unbelievable length of time, so how did you manage that?

"Well, I wanted to save it for love, so I found other ways to show my appreciation. You know, the obvious way..."

A firm handshake.

"No, the other end of the spectrum. I gave head to everybody, because I wanted to be in love before I gave somebody my virginity. Most girls seemed to want to get it over with, but I never felt like that, I wanted to wait for the right person. In the end it was the wrong person of course [Nick St. Nicholas of Steppenwolf], but we’re still good friends to this day. It was always important to me to stay friends with as many of my lovers as I could."

So why was it that you had to get so, shall we say, hands on with your favourite musicians?

"Well, part of it was showing appreciation for what they had made me feel and how good they made me feel with their music and part of it was just lust. They were the most attractive people to me, and I was pretty cute myself, it wasn’t like I had to go out of my way and chase people down, I never had to go through any of that stuff."

It comes across quite strongly in I’m With The Band that these things just seemed to happen to you. Right place, right time, catch the right eye, wallop...

"Yeah, and now people want to know ‘How did you do it?’ but there was really never any secrets to it. The whole thing was very equal, there weren’t a whole lot of girls at that time trying to do what I was doing. Eventually you did get more and more girls trying to get backstage and all that which made it more difficult, but by then I wanted to settle down with somebody anyway. So it was just perfect timing."

Did you fall in love with all of them, because you do come across as a completely hopeless romantic?

"Well yes, but I was a hopeful romantic. I thought I was in love with all of them. I wasn’t in love with Mick Jagger or Keith Moon or Waylon Jennings. Those were flings, even then I knew they were flings. I had a lot of love for those people but I wasn’t in love with them, and it was very clear too back then that we were just having fun, it was a very equal thing, and Mick is still out there having fun, he continues to have a ball out there. But with some of them I did. Like, Jimmy Page I fell in love with, and Chris Hillman was my first true love and I wanted to wind up with one of these people. I wanted to spend my life with one of them. I was such a rose-coloured-glasses-wearing young girl and I really thought that could happen. And it did for a while, I married Michael Des Barres and we had a really wonderful marriage for quite a while. I consider our marriage a success in that it lasted so long, and he’s like my brother now, one of my best, best friends. And we were both only children so now we both have siblings, at least that’s what it feels like."

Did you get your heart broken?

"All the time. Well, as I say, not by Mick Jagger and Keith. They were like... friendly lovers. You know what I mean? People don’t do that anymore. I know it’s hard with all the AIDS thing, and we had none of those problems back then. But yes, Jimmy Page broke my heart pretty bad, Chris Hillman broke it, Don Johnson broke my heart, I was really in love with him too."

And you were very nearly Mrs Jimmy Page, were you not?

"Well, that’s what he said, but that’s not true. I found out later that there were two other girls that he said the same stuff to. We compared notes later. I mean, some of the exact same stuff, and he did the exact same thing. He had this special way of kissing you where he would kind of spit in your mouth, it doesn’t sound good but it was very romantic, and he was like branding you, it was kind of like a dog pissing on a hydrant. You know, he was like making you his, and he was a wild lover, that guy. Anybody who spent some nights with him was very fortunate. He was a really amazing, proficient person at that particular thing. I was so jealous when he got married, because he was my beau when they met - on his birthday yet - and I was devastated. He’d sent me this amazing, stunning necklace for Christmas and I thought I was just in and then two weeks later he meets the love of his life and has a kid. I was so upset."

Led Zeppelin are always painted as a very dark band, and you must be one the only people that they didn’t mistreat in those days?

"No, they didn’t mistreat hardly anybody. A few people were mistreated and those are the things that get all blown out of proportion, of course, but there were way more people that they were good to. They got bored out there on the road, and boredom created some of that. And also the fact that the people were willing to be mistreated, it’s not like they went out onto the street and found somebody to mistreat, these people put themselves there knowing this reputation that this band had. I’m not condoning some of the stuff they did, but that’s just what was going on then and they were the kings of it, and well... they didn’t kill anyone."

Be honest, did you score your conquests on performance, or dare I say, length?

"No, I never talk about that, because I was so involved with them at the time, I wouldn’t say one person’s better than another person or this person’s better than that person, it just wasn’t like that. I wasn’t after them for that reason or to put any notch on any gun-belt or anything like that, I was really looking for love, you know, so the people I loved the most were the best in bed, because when you’re in love a lot of other stuff comes along with it and the old in-and-out isn’t that great without love."

You must have seen a lot of groupies come and go...

"So to speak."

And, especially in the mid-‘70s when things got to epidemic proportions and became for more competitive, who was using whom?

"Well, this really happened after I was involved in it, when I saw all the really young girls coming into it and they didn’t really care about the music and it was all about the notch on the bedpost, I realised that my time in that world was up. From that point of view, I found other ways to stay in the world of music but I realised I didn’t want to be in that world anymore, and they were starting to use each other at that point, but when I was seeing bands and with the GTOs and in the Frank Zappa world and all of that, there was no using of anybody, no one was using anybody. It was all very equal."

How did the GTOs come about?

"We were just a bunch of girls, we met on the Strip, we met this guy called Vito who was a mad kind of Pied Piper of the Sunset Strip and he had a house where a lot of people gathered where he taught dance and sculpting, and a lot of us met there and just started hanging out in a sort of pack. One of them worked for Frank Zappa as Moon’s governess and so we started hanging out at the Zappa house and he saw some of his version of commercial potential in us and just suggested that we start writing songs, and we were thrilled. All of a sudden we became a group, and we had groupies."

It was quite extraordinary once again, as far as right-time-right-place goes, because there you were in Frank Zappa’s studio recording and, hey, Jeff Beck happens by and Rod Stewart pops round and before you know it there they are on your album.

"Well, they were all our friends, people that we hung out with, and a lot of them we weren’t sleeping with. Jeff, Rod, the whole Jeff Beck Group were there, the Mothers, Lowell George co-produced it, we were all just friends. We were in that world, and they wanted to be on the record, we didn’t have to like talk them into it or anything."

 
continued...


Was Frank Zappa like something of a father figure to you?

"Well, he wasn’t that much older than I was, but he was always very wise and mysterious, and whenever I was around him I was nervous. No matter how many years I knew him, he always made you feel a little intimidated and like he was scrutinizing you, and I’m sure he was. So he wasn’t really a father figure, more of a mentor and kind of an idol, really. Even though I wound up living in the house for years I still felt that way. He would disappear down into the basement for hours and hours and days on end and he was even an enigmatic figure in his own house sometimes. So it was all his vision, he saw us as a group and that’s how that came about."

So, we’ve established that you attracted groupies of your own as a member of the GTOs, but did you find aspiring musicians pestering you for sex just for the kudos of bedding Miss Pamela like proper rock stars?

"Oh, believe me, there were. There was one guy who shall remain nameless who said one time after we made love ‘I got in there so deep I think I saw Jimmy Page’. But it was great, it was said out of reverence, there was nothing nasty intended in it or anything he just liked to be in the same place where those people have been, and you know what, I don’t mind."

They wanted to play the same venue, as it were...

"Dave Navarro, who I had a little thing with, wrote a book that didn’t come out because a lot of people got annoyed that he was telling tales on them, and he said something like that in there, and we never consummated our thing so that’s what upset me, because it wasn’t true, but he thought the same way. His heroes had been around me and if that’s why he wanted to hang out with me, fine, I had a good time with him."

Were people terribly offended when you snubbed them?

"I didn’t snub anybody, I don’t think. I’m not a big snubber, but I didn’t just jump in bed with anybody that was hot for me. I had to really care about the people. But, yeah I had the groupies following me around, but they were mainly girls who just wanted to be around me and the GTOs because we knew the right people."

And you were also ahead of your time in being a strong, empowering, ballsy, all-girl rock’n’roll band before the concept had even been considered elsewhere.

"Yeah, our girl group was the first of its kind, and that’s why Frank is such a great innovator for thinking to bring us together in that way, and of course we jumped on it; ‘Wow, what an opportunity’, to do our own record at that time in 1969, was really amazing. And a lot of it was recorded as early as late ’68 and we were in the centrefold of Rolling Stone and that kind of thing which was huge."

Are there any current musicians that catch your eye, do any of them cut the same dash as the Morrisons, Pages, Jaggers or Stewarts used to?

"No, none of them are quite that dashing, because those guys came first that’s all, they were the pioneers and so rarely can they be matched, certainly no new Dylan has come along, and there won’t be one. But there are bands that I really like, I’ve got to say Audioslave because I’m a Chris Cornell slave and, sure, the hot guys still get me hot. Ryan Adams also sends me, he’s a friend, and I do still usually befriend these people, but I haven’t yet met Chris Cornell, and it’s unusual that I don’t get to at least be friends with my heroes."

Why did you decide to write I’m With The Band?

"Because I kept diaries and I knew they were important when I was writing them because of the amazing life I was living and I knew the music would be revered forever, I just knew it. I knew it was going to stick around, and of course The Doors and Hendrix do sell more now than they ever did then, and how about Zeppelin? Straight to number one in America with a three CD set? It’s awesome, huge... So I just knew it was important and it followed on from a series of events, I figured I’d try to be a singer, try to be an actress, but I always figured I’d fall back on writing. So I’ve now written three books, I’m on my fourth, I write screenplays, I have a column, and it just was the right time to write it, I was 33, 34 when I started writing it and it had a lot to do with Stephen Davis, who wrote Hammer Of The Gods, he interviewed me and he said ‘you shouldn’t even be telling me this stuff, you should write your own book’. So that really encouraged me."

It’s amazing that you had time to write the diaries because you were leading some kind of a social life back in the day.

"I carried them with me, they were with me at all times, and I think the book works well because of the immediacy of those diary entries. I was actually sitting writing my thoughts while in the back of a limousine waiting for Jimmy to finish his encore with Led Zeppelin, so they are very immediate and that helped."

Did you leave anything out to spare blushes?

"I only left things out that would hurt somebody, I’m not into hurting anybody, there is one passage at the end that I left in took out, left in, took out, and in the end I did leave it in and I do regret that because I know Jimmy Page got upset about it. It was the scene where I wasn’t seeing him anymore, but we were friends and I was visiting him and he was crawling across the floor to get the bag of drugs. He didn’t like that, even though it was so true. But I did leave a lot of other stuff out like that. But I think we’ve made up now, last time we talked he was fine."

Too many of the people that you talk about in I’m With The Band are no longer with us; Keith Moon, Jim Morrison, Frank Zappa, Jimi Hendrix, Gram Parsons and most recently, Noel Redding.

"I know, I was heartbroken, I stayed in touch with Noel all the way, I saw him just five months ago, he was in town doing a Hendrix birthday tribute and he seemed like he had just had it, you know, it was so great to see him and we just kind of hung onto each other – he clung onto me for dear life actually – and I was all ‘Oh, Noel doesn’t seem too well’, but I knew that his mother had died shortly before he did and that was very tough on him because they were very close."

It is tragic that so many of your peers have succumbed to an early grave, but living the high life doesn’t seem to have done you much harm – you’re looking as fit as a fiddle.

"I know, isn’t it great? I must have good genes, I guess, but I eat really well and I’ve never been addicted to anything, I’ve certainly had my stages of being as high as a kite, sometimes way too much, so if I have any regrets it might be that. Where I got so stoned I forgot things, even better things than went in the book that I couldn’t remember actually. Later on some of my girlfriends reminded me of things that went on that I didn’t put in the book purely because I couldn’t remember them, where I got too stoned. But I’m not addictive, so it didn’t stick, I could go ages without doing it, you know... But, I wouldn’t trade my acid trips for anything."

What made you throw it all in with Michael Des Barres?

"I just fell in love again, and this time, he fell in love back and he was ready to commit... even though he’d been married three weeks to some one else. He didn’t tell me he was married until after we got engaged, and by then it was too late, he was mine."

Did you have many wives who wanted to scratch your eyes out?

"I never went with married men. Other than Waylon Jennings and I didn’t know he was married, and he certainly wasn’t about to tell me."

I think Bianca Jagger was more than a little adamant that you stop phoning Mick after they were married, wasn’t she?

"Yeah, but I didn’t know about her. I was in Europe and when I came back I called Mick to get back together with him and she answered the phone, and of course I didn’t bother him after that. I really respect relationships and I wanted my relationships to be respected, not that they were all that much, but that’s what I wanted."

So would you recommend the groupie lifestyle to a young lady in search of career guidance today?

"It’s not there anymore, you can’t have that kind of lifestyle, now I always say just get in the business. If you are desperately in love with musicians, just become a photographer, be a DJ, work at a record company, start your own band or do what you do."

God forbid that I should ever sleep with Metallica, though. Do you ever regret ones that you missed – Jim Morrison, for instance?

"Well, I made out with him, that’s almost as good. And I was a virgin then and he was actually a gentleman about it, he didn’t force the issue. He was so sweet, he was a mess when he got ****ed up, but this was around the time of the first album, so he was the most beautiful person next to Elvis that I have ever seen, still to this day. Johnny Depp’s coming close, but he was the most beautiful man. Looking up at that face and knowing he was just about to kiss you was pretty great, and he was a one-woman man so not a lot of people can say that, he was really dedicated to that woman, Pam, and I always respected her too."

So, no regrets?

"No, the only regrets I have are things that I did not do. One, could have gone to see Elvis that night, and the other that I could have ****ed Jimi Hendrix but I was just too shy, and I was a virgin, and I just couldn’t do it. It would have been cool if he was the first, and he could have been, so I have a slight regret about that. I went off with Noel instead, so he would have been the first, I had not been laid when I did the Jimi Hendrix video. I’m the ‘Foxy Lady’, you know, and I was 17, how great is that?"

People do seem to forget just how young the rock fraternity were in those days, nowadays you’re luck if your hot, young hopefuls are under 30, but in those days you were genuinely kids? Zeppelin and the Stones misbehaved? Of course they did, they were rutting bucks with loads of wedge and the keys to the chemist’s shop...

"I know, we were kids, people try to get real serious about it, I was a kid. The people I was seeing were kids, when I met Mick he was my son’s age, a kid. How about Robert Plant was 19-years old, what the hell would you expect them to do other than what they did? My God?"

So here you are, a rock historian, a one woman Smithsonian, did you ever think it would end this way?

"Well no, it’s certainly not ending yet, but I never once thought that I would be the person that people came to for all this knowledge. It is amazing, and I’m still here because I’ve always meant enough to myself not to put myself into precarious situations, and the best thing of all is that I simply don’t care if people sneer."

© Ian Fortnam, 2002
http://www.rocksbackpages.com/article.html?ArticleID=5878&SearchText=pamela+des+barres
 
Status
Not open for further replies.

Users who are viewing this thread

New Posts

Forum Statistics

Threads
215,403
Messages
15,301,329
Members
89,397
Latest member
tasmaniarz
Back
Top