To be fair, Saint Laurent puts 90% of this godforsaken industry to shame.i love it. love her. love how this puts Edward and Anna to shame.
This is how you define a Supermodel.
i love it. love her. love how this puts Edward and Anna to shame.
This is how you define a Supermodel.
Or I&V. Because that pose (and model choice) is very them.I'm assuming this is by David Sims. It's fantastic, if not shocking, when you consider his bland Gucci campaign
Maybe because, in their shows and campaigns, they chose to remain elitist and high-fashion, with a good amount of snobbery, and a real disdain for fashion trends. Obviously there are denims, hoodies, bags and sneakers in shops, but I can't recall a campaign featuring those products. Campaigns are mostly eveningwear at YSL.To be fair, Saint Laurent puts 90% of this godforsaken industry to shame.
Saint Laurent really is the real black sheep amongst the popular fashion houses. It's almost like more glamorous version of "quiet luxury" in a way.Maybe because, in their shows and campaigns, they chose to remain elitist and high-fashion, with a good amount of snobbery, and a real disdain for fashion trends. Obviously there are denims, hoodies, bags and sneakers in shops, but I can't recall a campaign featuring those products. Campaigns are mostly eveningwear at YSL.
They don't even show bags on runways.
They are definetely not targeting a general public or Gen Z.
Shalom is a welcomed surprised and obviously a real stunner here. It could have been in colours though. I need to see more.
Saint Laurent really is the real black sheep amongst the popular fashion houses. It's almost like more glamorous version of "quiet luxury" in a way.
I think that Hedi's appointment at Celine (along with the poorly received debut) forced Bellettini to allow Vaccarello to create his vision for Saint Laurent. We start seeing that vision with the Summer 19 campaign by Teller and the Winter 19 show, but the pandemic and the films with Canguilhem really allowed him to mature it to what we have today.
Back to the campaign, I really like this image of Shalom, it's simple and elegant, but I do wonder how the rest of the campaign is going to look. On the runway, a good number of the looks had these extremely wide shoulders which leads me to ask whether the proportions have been modified or reduced for the campaigns and later the boutiques.
That thought was in the back of my head as the main season campaign is shown just before the following season's show.I think they might be some confusion in the thread title and I did a double-take; the dress Shalom is wearing is NOT from the Fall/Winter 23-24 show (held on Feb 28th) but look number 50 or 54 from the Pre-Fall 23 collection (a lookbook released after Fall/Winter, on June 28th).
That's so cool. Do the clothes appear well made (flat seams, flat zippers, sturdy fabrics, etc.)? I've always wondered when I look through the windows, but I'm always too shy to go inside...You're right that F/W has extremely wide shoulders while Pre-Fall's shoulders are much rounder but still big. The Pre-Fall collection is right now in boutiques and I spent quite a lot of times (and money ) checking it this weekend.
That's so cool. Do the clothes appear well made (flat seams, flat zippers, sturdy fabrics, etc.)? I've always wondered when I look through the windows, but I'm always too shy to go inside...
That's so cool. Do the clothes appear well made (flat seams, flat zippers, sturdy fabrics, etc.)? I've always wondered when I look through the windows, but I'm always too shy to go inside...