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Probably because Vogue (or Condé Nast) are too conservative and don’t want editors to try to outperform Anna Wintour.I will NEVER understand why Farneti gave us so many sh*tty issues on Vogue Italia and he knocks it out of the park at this magazine. WHY?
Ah, the ever-transparent policies of Condé Nast—where the mediocrity thrives! Clearly, we can’t have anyone proving that better products are possible than the masterpieces churned out by Wintour and Enninful. I firmly believe poor guy probably had his hands tied when at Vogue Italia. And now, behold, Vogue editions are being handed over to a brigade of faceless ex-interns, ensuring the "old queen" can reign supreme.I will NEVER understand why Farneti gave us so many sh*tty issues on Vogue Italia and he knocks it out of the park at this magazine. WHY?
Beautiful
I don't think this makes sense, because Alt and Edward did this month after month! Maybe there was someone at Farneti's time who no longer works with him (maybe Giovanni Bianco?) and today they are new collaborators.Probably because Vogue (or Condé Nast) are too conservative and don’t want editors to try to outperform Anna Wintour.
I don't think this makes sense, because Alt and Edward did this month after month! Maybe there was someone at Farneti's time who no longer works with him (maybe Giovanni Bianco?) and today they are new collaborators.
He managed to make Versace by Meisel and M&M look bad, I bet all the bullcraps with children painting and blank page are ALL his ideasPeople saying its this guy’s fault. Funny how he starts working with PRADA in 2019 and we are witnessing some of the worst PRADA campaigns ever since 🥲Ferdinando Verderi - Creative Director
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