Tom Pecheux - Makeup Artist

Moschino S/S 2013
Makeup: Tom Pecheux
Hair: Sam McKnight





September 21, 2012
Backstage at Moschino Spring 2013

MILAN — Makeup artist Tom Pecheux described the Sixties throwback style for the Moschino spring collection as “youthful and fun.” Using MAC Cosmetics products, Fix+ and Prep + Prime Moisture Infusion were massaged into the skin and Moisturecover Concealer streamlined pink tones. To signify a retro look, eyes were outlined in white matte Fascinating Eye Kohl Pencil and set with Gesso Eye Shadow. Fake eyelashes — number 35 on the top lid and number 33 on the bottom lid — were coated with Haute & Naughty Lash Mascara. Eyebrows were voluptuously filled in. A coral-colored pop of Morange Lipstick was sealed with a clear Lip Glass. Using Pantene Pro-V products, hairstylist Sam McKnight created a voluminous, teased bouffant with cascading, teased-out curls. Hair was parted into sections, clipped to the crown and back-combed to entice height. To protect highly worked hair, Damage Defense Conditioning Spray was applied. The bouffant was sealed with Ultra Strong Hairspray.
Source: stylebistro.com, wwd.com
 
Balmain S/S 2013
Makeup: Tom Pecheux
Hair: Sam McKnight




“Fresh” Skin And Smooth Operator-Style Hair, Backstage At Balmain
September 28, 2012

After three weeks of nonstop shows, we are entering the home stretch of the Spring season—which means excitement and exhaustion are both at a high. “The girls are getting tired, the skin is getting tired. You can start having little damages,” Tom Pecheux said of battle-worn complexions backstage at Balmain. Although you wouldn’t have guessed that models here had been in New York—or London and Milan for that matter. “The key word is fresh,” Pecheux said of the natural look he designed for Olivier Rousteing’s presentation. “And skincare.”

“It’s the only thing we can do—it’s the only thing you have to do with this look,” Pecheux elaborated of what amounted to “50 percent makeup, 50 percent skincare,” in his estimation. Starting with a triple-threat massage using his standard mix of Rodin Olio Lusso, Estée Lauder Daywear Advanced Multi-Protection Anti-Oxidant Cream, and its Idealist Even Skintone Illuminator, Pecheux built a base using either KETT Cosmetics Hydro Foundation or Estée Lauder Double Wear Light mixed with MAC Strobe Liquid for a dewy finish. Eyes were given a highlight with a dusting of MAC’s Eyeshadow Quad in Caramel Sundae. “I’m lazy,” Pecheux joked, sweeping his brush across the peach, yellow, champagne, and bronze palette to pick up a little bit of each shade. Brows were groomed individually—”Iselin has bleached brows and we filled them in. [Juliana Schurig] has bleached brows that we left; Mila has a thin line so we’re adding color not to increase darkness but to increase size, and Manon, she’s new so her eyebrows are virgin. We’re not building them up”—and lips and cheeks were treated to a touch of muted color from MAC’s forthcoming spring 2013 Lip Palette. To give lashes definition without leaving behind visible product, Pecheux “tinted” them using an interesting technique in which he dipped an angled brush into his trusty tube of MAC Haute and Naughty Mascara and hand-painted each hair.

For hairstylist Sam McKnight, the key word was Sade. “She was a starting point,” he said of the eighties singing sensation who made hoop earrings and a slicked-back braid part of her R&B act’s signature. Blowing hair dry with hair spray to create texture, McKnight secured lengths in a ponytail, created a simple, three-strand braid, and tied it off with another elastic at the end. “I wanted it to look like I wasn’t there,” he elaborated of the style’s ease, which necessitated some “little bits” around the front to make it appear more lived in. McKnight also threw around the word “grunge,” as most people have this season, but emphasized that it’s a “new grunge” that we’ve been seeing. “It’s a healthier grunge. It’s not dirty; it’s more natural.”
Source: stylebistro.com, style.com
 
CR Fashion Book #1 Fall/Winter 12.13
"Queens"
Photographer: Pierpaolo Ferrari
Models: Kiara Kabukuru, Lindsey Wixson, Bambi Northwood-Blyth, Constance Jablonski, Jacquelyn Jablonski & Sui He
Hair: Orlando Pita
Make-Up: Tom Pecheux
Nails: Fleury Rose



Digital Edition CR Fashion Book via Mat Cyruss
 
Vogue España December 2012
Jolgorio Y Algarabia

Photographer: Mario Testino
Models: Natasha Poly, Aymeline Valade, Eva Herzigova, Isabeli Fontana, Jon Kortajarena, Andres Velencoso & others
Stylist: Beat Bollinger
Hair: Christiaan
Make-Up: Tom Pecheux



zinio via Mat Cyruss
 
Elle France January 3rd, 1994
"Les Tailleurs Vous Prennent Par La Taille"
Models: Kiara Kabukuru ? & Unknown
Photographer: Pamela Hanson
Stylist: Valerie Esteve
Hair: Jean-Marc Maniatis
Makeup: Tom Pecheux



Scanned by kelles
 
Estée Lauder's new looks by Tom Pecheux ♥ :wub::woot:
"Blue Prism"
"Red Fire"
"Smoky Gold"
"Vivid Violet"

Models: Constance Jablonski ♥ & Joan Smalls ♥.

I made these sreencaps from the videos...






 
Gucci S/S 2013 Campaign
Photographers:
Mert Alas & Marcus Piggott
Stylist: Camilla Nickerson
Models: Anja Rubik, Karmen Pedaru & Clement Chabernaud
Make-Up: Tom Pecheux
Hair: Luigi Murenu


gucci.com
 
Vogue Paris February 1994
"Rétro Actives"
Model: Yasmeen Ghauri
Photographer: Mario Testino
Stylist: Carine Roitfeld
Hair: Marc Lopez
Makeup: Tom Pecheux




fashion_screen.livejournal.com
 
Vogue Paris March 1999: Kate Moss by Mario Testino


"Excés simple"
Model: Kate Moss
Photographer: Mario Testino
Stylist: Carine Roitfeld
Hair: Marc Lopez
Makeup: Tom Pecheux




katemossonline.net
 
Vogue China March 2013



Le Nouveau Double

Photographers: Inez van Lamsweerde & Vinoodh Matadin
Model: Arizona Muse
Stylist: Nicoletta Santoro
Hair: James Pecis
Make-Up: Tom Pecheux
Nails: Gina Viviano


twitter/Angelica Cheung via tentalicious & dooland via Mat Cyruss
 
Altuzarra F/W 13.14
Makeup: Tom Pecheux
Hair: Paul Hanlon



[style.com's] Senior Beauty Editor Celia Ellenberg's take:
"He respects women," Tom Pecheux gushed when talking about Joseph Altuzarra. "His clothes are fashion, but wearable fashion," the makeup artist continued, showering Altuzarra with accolade after accolade while describing his collection, a favorite stop for Pecheux in New York. "It's very tailored mixed with a little craziness, it's a little [Thierry] Mugler-ish, it's very…Carine Roitfeld," he finally relented. "You said it!" an excited Daria Strokous exclaimed as Pecheux applied MAC Mineralize Moisture Foundation and its Prep and Prime Translucent Loose Finishing Powder to pale out her skin following a moisturizing massage. How so? "You know how [Carine] wears those pencil skirts? I was shooting with her once and underneath was the sexiest slip, but no one sees it. It's that kind of woman," Strokous elaborated.

For Fall, Altuzarra's woman was spiked with a touch of "spookiness," according to Pecheux, which caused the face painter to play with a black smoky eye—another Roitfeld signature—while making sure it was not aggressive. Using the creamy onyx Oil Slick Black from MAC's Fall Forecast Eye Palette, Pecheux diffused the pigment across models' lids with his fingers so there were no hard edges, dragging it halfway underneath the lower lash line as well. To that, he added a metallic raspberry stroke of its Eye Shadow in Loves Lure, also only halfway to the inner corner, which had a bruised quality to it but was meant to create the illusion of madness, Pecheux explained. "It's a little Belle de Jour fantasy," he surmised, taking down lips with MAC's Paint Pot in Tailor Grey.

Paul Hanlon added Patti Smith and Kate Moss to the inspiration list when describing his texturized, lived-in locks. "It's a bit rock 'n' roll, like it's a few days old," he explained taking all the volume out of models' strands with a cocktail of OSiS Schwarzkopf Grip Extreme Hold Mousse and its Buff Light Styling Cream, twisting as he blow-dried to further flatten the hair shaft. Then, section by section, he worked in OSiS Schwarzkopf Magic Anti-Frizz Shine Serum all the way to the roots for a "greasy' effect that was enhanced by its BC Hairtherapy Oil Potion Finishing Treatment through the ends for separation. "It's stringy," Hanlon said imparting a bend to the mid-lengths with a low-lying elastic that he removed before the show started. "It's the opposite of beautiful, rich, quality hair."

Source: style.com
 
US Vogue March 2013
To Rome with Love
Photographer:
Mario Testino
Stylist: Tonne Goodman
Models: Raquel Zimmermann & Joan Smalls
Make-Up: Tom Pecheux
Hair: Christiaan


fashionscansremastered.net
 
Chado Ralph Rucci F/W 13.14
Makeup: Tom Pecheux
Hair: Laurent Philippon




February 12, 2013
Architectural Beauty at Chado Ralph Rucci
By Belisa Silva

Beauty was graphic and strong backstage at Chado Ralph Rucci.

The dramatic, aerodynamic updo, created by Laurent Philippon, for Bumble and bumble, was meant to resemble “architecture” and “sculpture.” To create the style, Philippon began by blowing out hair with a “ponytail blow dry.” He then sectioned hair into two parts, divided horizontally, back-combed and sprayed heavily with Bumble and bumble Does It All. The bottom was then secured with a bungee and the ponytail was braided about two inches. Pins then secured the braids into a horizontal crown shape, which became the base, or “bridge” of the look. Next, the top section of hair was braided and tucked under itself. To keep things in place and to get an “entirely wet” effect, Philippon used generous amounts of Bumble’s Spray de Mode.

Faces, created by Tom Pecheux for MAC, were meant to match hair’s drama. “The whole look is all about being very architectural,” Pecheux said. “Ralph Rucci is known to be an amazing couture designer and his pieces, especially in the winter time, are very graphic and that’s what we wanted to bring.”

At the focus of the look was a strong eye, which featured an extended “powerful black line,” created with MAC Blacktrack Gel Eyeliner. “It’s a strong girl, not an all old antique look. It’s very couture.” To create the exaggerated lined look, Pecheux began by framing eyes on the top and bottom, then extending the lines for drama. “It’s a lot of work but its just those perfect lines, we are extending it quite a lot because also I think it’s dynamic so people sitting in the audience will see the incredible eye and chignon.” Each girl was given false lashes, eyebrows were kept natural and skin was given a matte satin finish. Cheeks featured “a bit of contour and a bit of highlight” and lips were left “natural. We wanted a cool girl not too lady like,” he said.

When asked about personal beauty techniques, Pecheux revealed that he likes to massage models’ faces before applying makeup. “I always try to give love to the girl. It’s good treatment, they relax,” he said. “The type of life they have, running around, so we try to give them a bit of love.”

Looking forward to fall, he said, “I think what is going to be interesting are the contrasts. Contrasts of texture, contrasts of color; like nude and black, matte and metallic, satins. I think [contrasts] are going to give the richness of the winter.”

Nails were kept “simple but expensive looking,” featuring either a soft pink or soft tan shade by Essie. Hands featured either Mademoiselle, a light pink color, or Sand Tropez, a natural sand hue, to keep nails “neutral.”
Source: wwd.com
 
Vogue Russia March 2013: Suvi Koponen by Hedi Slimane


Узник Замка Ив (Prisoner Of The Castle Yves)
Photographer: Hedi Slimane
Model: Suvi Koponen
Styling: Sarah Richardson
Hair: Orlando Prita
Make-Up: Tom Pecheux
Nails: Jenna Hipp




zinio.com via Mat Cyruss
 
Marni F/W 13.14
Makeup: Tom Pecheux
Hair: Paul Hanlon



“Blurry” Bordeaux Lips And “Vine-y” Hair, Backstage At Marni
February 24, 2013 9:32 pm

Tom Pecheux loves Marni, a point that is made ever clearer by the fact that, when you ask him about the makeup backstage here, his first priority is to tell you about the clothes. “It’s an insane, insane, insane beautiful collection,” he gushed about Consuelo Castiglioni’s Fall lineup, which, in a slight departure, was devoid of her signature bounty of prints and embroidery, and instead featured a masculine, monochromatic palette of luxurious fabrics. There was a single color that caught Pecheux’s eye, though: a deep, piercing raspberry fur that served as the inspiration for one of the best bordeaux lips we’ve seen yet this season.

“I wanted it to be a little blurry,” the makeup artist explained of the wash of MAC Lipmix in Crimson and its Lipstick in Hang-up that he painted onto pouts and topped with its Pigment in Basic Red to impart a dry finish. “Destroy the line,” he instructed his team while dipping Q-tips into MAC’s Invisible Set Powder and tracing them around the lip line for a diffused effect that called to mind old Sarah Moon photos. The powder was also integral to mattifying models’ skin, which was kept deliberately pale to make the mouth pop—and to contrast with the combination of MAC Lipmixes in Mid-Tone Nude and Orange that Pecheux layered across lids and underneath the lower lash line before topping them with its Gloss Texture for shine.

Acknowledging that Castiglioni’s woman was much “tougher” than usual for Fall, Paul Hanlon was compelled to add a masculine edge to hair via an extra-low side part that was coated with Tigi Catwalk Curlesque Strong Mousse and diffused through hairnets to achieve a “vine-y” texture that resembled ropes. “It’s a little bit twisted,” he admitted, making a purposefully bent mark in the back of strands to create the illusion of a scarf that had been tied around them causing a ridged imprint. The point was to move away from more whimsical notions and embrace something decidedly “deconstructed” instead, Hanlon explained. Mission accomplished.
Source: style.com
 

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