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Btw to you shady lot, she's on here and probably reading all your wicked comments as we speak.![]()
I'm an early fan of her work way before she took this direction. And I really liked this rebrand for her because it gave her so much identity and access to top tier editions like Vogue China - you see the work and it instantly conjures up a name. Which other new wave photographer except for the Tylers and Lucianos of the fashion world could claim that, who for the record only got to where they are because they had been backed by decision makers? Very few to none.
It's a pity that this aesthetic has now taken such a U-turn into mediocrity. I liked it when it was good because it was more painterly art than digital art which I don't think anybody with proper taste sensibilities actually likes. I look at the 5th editorial shot and it makes me cringe. Maybe it was too much, too soon? Maybe she should also do occasional work like Sarah Moon but how would she make a name for herself in an era where everything is so fleeting? Impossible situation.
Btw to you shady lot, she's on here and probably reading all your wicked comments as we speak.![]()
YesIs this the same photographer who made Brad Pitt look like a corpse for GQ, a few months ago?