It's a nice collection seen as a whole, slightly reminiscent of Nicolas Ghesquiere's Balenciaga in the way it is styled in sections (sheer organza dresses with circular gradient cutouts, sun-pleated halter dresses, flapp-y tunics/sleeveless jackets and weird pattern drafting-collages) - It certainly gives Vionnet a decidedly modernist point of view that it didn't have before. Those first four dresses are a dream, achieving a beautiful balance of being both conceptual and pretty.
On the other hand, I can't help but find that the whole thing falls pretty flat after that. I don't really see the dresses following those first four having a life off the runway.