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The worst decision was making her skin tone to match the text then the pose didnt help at all.
I HATE Korean pop TAKING OVER FASHION INDUSTRY.
Same here, and I know hate is a strong word but I just really want this to be over. The music is fine because I don't have to listen to it and I make very sure it doesn't trickle into my feeds. It's the infiltration into fashion and the massive marketing machine behind these girls that I find so crass. Every single time you see them it's backed by a brand, dressed in a brand, they're talking about a brand. Zero creativity behind it all, just a straight-up money grab. So tacky.
Of course this form of marketing is very normalised in some Asian countries because that's where brands are given free reign to aggressively target audiences through their icons with no scruples. It was Angelica Cheung who set the standards - story first, then brand backing. With the others it's free for all.
And to those who will say double standards because of Jennifer Lawrence for Dior, Keira for Chanel, they were never as blatant as these girls. The same brands knew they had to use more creative and refined ways of making sure the partnership is perceived as more authentic.
There's not a single magazine in the West that would've given Jisoo an OG cover on her own without any brand backing. Fact! And that's what makes this landmark cover so disingenuous. It's not that Vogue France actually cared about Asian representation. The right amount of money had to be put forward first before they bothered.
2. As an Asian, I am happy to see diversity: an Asian girl as an OG on the Vogue France is fabulous. But there should be a BAR like what Angelica Cheung did: she mainly put TOP models/actress on covers. I would be happy to see a top Asian model on Vogue France, but not an Asian dead body without any modeling talent.
Fei Fei or Liu Wen. Both exudes high glamour and can pull French appeal (wearing them like tango dancers). This is teen propaganda, and even the picture is well made, it has nothing to do with France. Out of topic, but what can you expect from most of fashion titles today and this edition of Vogue? Tronchu it's like a lazy version of Farneti, but belongs to the same league. I'll take French Bazaar cover fest over this. At least their identity is very clear.Period. Just imagine if this went to Fei Fei Sun instead... ugh, what a dream that could've been. But she's too good for this wreck of a publication.
The worst decision was making her skin tone to match the text then the pose didnt help at all.
Period. Just imagine if this went to Fei Fei Sun instead... ugh, what a dream that could've been. But she's too good for this wreck of a publication.
This isn't Vogue Paris. It's a fake imitation that took its place. A totally imposter. The original VP was killed more than a year ago by Anna, Edward, Roger Lynch and this Tronchu editor.I still remember how excited I was when Franca and Miesel put Feifei on Vogue Italia as an OG. That is the MOMENT in Asian models' achievement.
After so many years, fianlly Vogue France for the first time put an Asian face on it in its 130 years' history, but in a terrible way by putting a dead face without any modeling potential on it.
I can iamgine Vogue UK would follow this step in the upcoming issuees. Korean entertainment companies can do whatever they want in fashion and show business.
This isn't Vogue Paris. It's a fake imitation that took its place. A totally imposter. The original VP was killed more than a year ago by Anna, Edward, Roger Lynch and this Tronchu editor.
Tronchu it's like a lazy version of Farneti, but belongs to the same league. I'll take French Bazaar cover fest over this. At least their identity is very clear.
And why his VI was not that great, and gone worse since the first issue of 2020? Verderi is part of the answear, but he directed that magazine for almost 5 years. I'm not afraid of Farneti at all. Why I should? I won't work for CN, not a journalist, photographer, stylist, etc. I'm no scared of telling the true of those five years.If I was you, I would avoid putting these two in the same sentence. Farneti is a journalist, who held the EIC position of many Italian magazines - not only fashion related - over the years. He proved more than once how good he can be in this role: Flair, Icon and at the moment D, the supplement of La Repubblica. There is nothing to be compared with the new generation of the clueless CN roles on top of their magazines.