The gold, symmetrical printed, elongated dress is great- it looks like a stained glass window. Though some of the rest of the looks get a bit repetitive. At first, Sarah's initial womenswear collection for McQueen (the Cruise collection, referencing the Samurai-shoulders, the faint salmon color pallet)- many pointed out how incredibly soft it was and now with this collection she's making the identity become even softer.
Even when Lee did do a sort of delicate romance (such as his spring 2007 collection), there was an obscure, ghostly strictness that made that softness have sort of... indescribable, almost-deceptive, dreary allure to it. It was his signature. I can see why people miss the old McQueen identity.
But give her some time, she's got big shoes to fill. Though I miss the old identity a lot- I do hope that Sarah takes this softer McQueen identity into a more defined realm.