Actress Amanda Seyfried and a male friend grab some coffee and stop by a Riteaid in Los Angeles, California on March 30, 2013. During her trip into the coffee shop, Amanda runs out to her car to put more coins in the parking meter.
http://imageupper.com/i/?S0300010090011T1364852335996772"Les Miserables" star Amanda Seyfried arrives on a flight at LAX Airport on March 28, 2013 in Los Angeles, California. Amanda, who arrived on a flight from Newark, tweeted about her experience at the airport. "I just got mistaken for a Ms. Lohan at Newark Airport." The two actresses co-starred in "Mean Girls," which was Amanda's big screen debut. http://imageupper.com/i/?S0300010090011T1364852335996772
Amanda Seyfried goes casual with a backwards hat, dark sweater and pants as she catches a flight out of Los Angeles on March 22, 2013.
Her hair looks gorgeous there, love how it layers around her face. Such a beautiful woman.Amanda – Gracing the pages of Un-Titled Project’s latest issue, actress Amanda Seyfried enchants for the lens of Malerie Marder in a series of moody images. The blonde starlet can be seen in the film, “Lovelace”, which is based off the life of adult film star Linda Lovelace. In the images, Amanda shows off her dramatic side in the designs of Theyskens’ Theory, Isabel Marant and Lanvin amongst others styled by Romina Herrera Malatesta.

Actress Amanda Seyfried seen leaving an event in Beverly Hills on April 11, 2013.
allure1) Seyfried tried on a lot of dresses at our shoot but ultimately fell in love with this floral one by Zac Posen. "It gave some shape up here—they're assets," she said of the resulting cleavage. She once referred to her breasts in an interview as "sacks of fat," a description that she now reconsiders. "Actually, I saw a picture a couple of days ago from when I was 19, and my boobs were way bigger. They were a D, and now they're a small C," she says. "There was something so beautiful about the size of them. When I look back, I'm like, Why did I always give myself such a hard time?"
2) Seyfried is unfussy, relatable, and likable. She uploaded this photograph from our shoot to Instagram, and surprised our reporter with how laid-back she was at their lunchtime interview on a later date. When her salad arrived with a very long, not-blonde hair in it, she felt bad sending it back—and when the new salad came out, she wasn't afraid to joke about it. "Do you want a little more hair in this one?" the cute waiter asked her. "Oh, yeah," she says dryly. "Please."
3) For this look—the Allure cover shot—makeup artist Fulvia Farolfi created a feminine and slightly flushed look for the actress. She dusted pewter eye shadow from the lash lines to the creases and blended a golden pink eye shadow in the creases and inner corners. She finished with a bit of dark brown eye shadow and brown liner and mascara. Then she swirled a pink blush along Seyfried's cheeks and enhanced her "perfect, full lips" with a mix of sheer nude-pink and berry lipsticks. Silk dress by Nina Ricci.
4) Hairstylist Teddy Charles worked a styling lotion through Seyfried's hair and blow-dried it, adding volume with a big round brush. He gave her a loose center part and simply let the hair fall, flatironing the ends to smooth down any flyaways. Cotton eyelet dress by Dolce & Gabbana.
5) Seyfried has had many dramatic roles—most recently, in Les Misérables—but fans still mainly approach her because of her role as the Plastic Karen in Mean Girls. Fortunately, her love for the film hasn't waned. She's been feverishly following news of a possible musical adaptation on Broadway. "I desperately want to be Regina," she says. When they were shooting, she had a great admiration for the film's lead, Lindsay Lohan, though they weren't really friends. "She's talented." A pause. "Was." Another pause. "I mean, I don't know.... She was so bright-eyed." Here, hairstylist Teddy Charles fans her hair for just the right windblown effect.
6) The actress turns back to comedy now with The Big Wedding. She's well aware of the talents of the women who paved the way for her—and sensitive to the old notion that pretty girls can't be funny. "That shouldn't be, because what about Goldie Hawn?" she says. "She's awesome. She should be making more movies."
7) Seyfried tends to be outspoken in interviews. But instead of seeming starved for attention, she simply comes off as unfiltered. "I don't have an edit button," she admits. She's a funny and raunchy oversharer who is forever divulging eyebrow-raising details about herself, like how she used her experience playing Deep Throat star Linda Lovelace in Lovelace to help her Les Miz singing performance. "Imagine deep-throating a penis, get that feeling in the back of your throat, and then sing. That's where your larynx is."
8) As a kid, Seyfried was teased for her pale skin. Now, says the actress, "I'd rather not be ordinary looking. I want something different about me. We all want to be originals."
9) The experience of playing Linda Lovelace seems to have changed Seyfried in ways big and small. "Maybe this is backwards, but because she found the power in herself and in her body at a point, it made me feel comfortable in my own skin in a way that I hadn't been," says the actress. "I've got parts of me that I wish were tighter, but I don't ***********, because it's not worth it."
In West Hollywood on April 27, 2013.
Amanda Seyfried is on the road. Quite literally. Interstate 40, to be exact.
The actress has just left Gallup, N.M., in her rearview mirror as she heads to Santa Fe to film her newest project, a comedy with Seth MacFarlane dubbed “A Million Ways to Die in the West,” which MacFarlane also wrote and is directing. Seyfried’s best friend Alex and her beloved Australian shepherd Finn (the reason they’re driving; the dog can’t fly) are along for the ride as the actress conducts a phone interview with WWD. “It’s eight hours in a car,” she said with a laugh. “It seems like a perfect time to do an interview. To do every interview I’ll ever have.”
The roughly 900-mile journey from Los Angeles doesn’t faze her, although the abundance of firearms along the way might. “They sell guns everywhere in this part of the country,” she said. “The guy at the gas station was raving about his Magnum, whatever that is.”
But, as Seyfried says, “I like to be in the driver’s seat.”
And that she is. Seyfried has just signed on as the face of Very Irresistible Givenchy, replacing Liv Tyler in the role. She is also the face of Clé de Peau Beauté. Seyfried is a longtime fan of the fashion house, wearing a purple spaghetti-strapped dress to the 2012 Tony Awards and attending the house’s fall ready-to-wear show in March. Her response when they offered her the deal? “F--k yeah,” she said bluntly. “It’s an honest collaboration. I’m proud to be a part of [the brands I’m involved with] because what they do is really cool, especially Givenchy — they’re so artistic. And I feel like I have a foot in the fashion industry now.”
She has just finished shooting the ad campaign — which includes both print and TV. TV was shot by Cédric Klapisch, and print by Glen Luchford; the campaign was styled by Riccardo Tisci. Print will begin running in October fashion, beauty and lifestyle magazines in the U.S.; the TV will bow at launch. Thierry Maman, global president of Parfums Givenchy, noted that the actress’ “style and elegance” an d high profile made her a natural pick for the youthful Very Irresistible Givenchy. Nicholas Munafo, U.S. president for LVMH Fragrance Brands, concurs. “Amanda is a chic, sexy woman who is a perfect fit for Givenchy.”
But don’t look for an Amanda Seyfried celebrity fragrance anytime soon. “They’re hard work, and the more you do, they take away from your work as an actor. I’m doing these two campaigns because I care about them and the people involved. They’re great things to be attached to.”
The Santa Fe project will take about six weeks to film, and Seyfried is relishing a rare chance to polish her comedy chops. “I haven’t been in a comedy since ‘Mean Girls’,” she said. And while IMDB may claim that she’s got four more in the works, the actress cautions against believing everything on the Internet. “Half those things I’m not even attached to,” she said. “When I’m done with this one, I’ll start filming another one in August in God knows where — probably Georgia, but possibly Fort Lauderdale. It’s funny how things just percolate and then either go away or are made. With independent movies, it’s about a 50-50 chance, and the independent films are the ones I find most interesting right now.”
She eagerly takes on projects that push her firmly out of her comfort zone, particularly dramas. “I like indulging in certain situations which I wouldn’t normally be in. I like that idea, of playing somebody really lost or going through something impossible to understand, because that’s a journey in itself. You come out of those experiences with a richer, broader view.” That was particularly true of her turn in “Lovelace,” a drama about p*rn actress Linda Lovelace that premiered at the Sundance Film Festival in January. “‘Lovelace’ felt like a big shift in my life and career. That culture is fascinating. I loved the idea of portraying her internal stuff and examining what was going on behind the scenes, that no one saw. Knowing that we were only telling her story made it a lot easier for me — I had to respect her and be her voice. That was the challenge. At the end of the day, it wasn’t really a movie about p*rn. It was about abuse between a husband and wife. The p*rn part was easy to wrap my head around — it was more the violence and the emotionally disturbing dynamic that she and her husband had that was challenging.”
While Seyfried has no desire to write or direct, she would love to produce movies; she already has one producing credit, on “Lovelace.” “It’s great to get your ideas heard and to have creative input, to be part of the process,” she said. “At some point, I’d love to produce things that I don’t necessarily have to be acting in.”