Ava Gardner #1 | Page 98 | the Fashion Spot

Ava Gardner #1

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I'm so captivated with Ava in post 1941. He side profile is reminiscent of the ballerina's in "Swan Lake". What I should say is, Ava's long and beautiful posture (especially her neck) is very swan-like.

Nice pic, Script!
 
masonava-1.jpg

keystone
 
art daily
LONDON.- Hats: An Anthology by Stephen Jones is a collaboration between the V&A and one of the world’s foremost hat designers, Stephen Jones. The exhibition will display more than 300 hats chosen with the expert eye of a milliner. On display will be hats ranging from an Egyptian Anubis mask dating from 600BC to a 1950s Balenciaga hat and couture creations by Jones and his contemporaries. To show the universal appeal and delight of wearing hats, Jones has included a wide variety of styles including top hats, berets and a child’s plastic tiara.

Displayed in a magical, box-hedged, Baroque garden setting, Hats an Anthology will be the V&A’s first exhibition devoted to hats, with many pieces from its extensive hat collection on display for the first time.

Inspiration, the first section of the exhibition, will open with Prince Albert’s top hat and Queen Victoria’s bonnet, and looks at how the past has inspired countless designers. It will show historic and contemporary interpretations of hat styles such as the tricorn, bowler, baseball cap, bonnet, skull cap and many more. It will also look at common themes explored by milliners such as exoticism, modernism and the natural world.

Creation will show how hats are made and the traditions, innovations and practices at the heart of millinery. This area will be set up like a milliner’s workroom with patterns, sketches, materials and millinery blocks.

The Salon will reflect the milliner’s public showcase, featuring spectacular hats that show the craft at its sartorial best. On display will be designs by Philip Treacy, Mitza Bricard for Christian Dior, Vladzio d’Attainville for Balenciaga, Claude St Cyr for Norman Hartnell, Chanel and Stephen Jones.

In The Client, visitors will see hats worn by famous clients including royalty and avid collectors Dita von Teese, Gertrude Shilling, Isabella Blow and Anna Piaggi, as well as hats worn by Boy George and Madonna. There will also be hats that have appeared in films including two designed by Cecil Beaton for My Fair Lady, a Balmain hat worn by Ava Gardner and Marlene Dietrich’s beret.

After the V&A invited Jones to explore its millinery archive, he and V&A fashion and textiles curator Oriole Cullen spent more than two years examining the cupboards, stores and archives of the V&A and other international museum collections. They made many new discoveries and uncovered wonderful examples. They came across Dame Margot Fonteyn’s Dior arrow cloche of 1949 in Bath and the straw hat worn by Audrey Hepburn as Eliza Dolittle in My Fair Lady in the bottom of a box in the Warner Bros’ Hollywood archive. Other interesting selections include a Tudor knitted beret and a Coptic Fez c.1100 from the V&A’s collection and a two inch miniature Stetson from the 1940s, used as a Christmas tree decoration and owned by a private collector in Los Angeles.

Stephen Jones said: “I was honoured when the V&A invited me to curate an exhibition about hats. Since my college days, the V&A has been a treasure trove of inspiration, but to study their archive was a dream come true. This exhibition draws on millinery collections world-wide, and is truly an eclectic and exciting anthology of hats from BC to the present day”.

Stephen Jones spearheaded the fashionable revival of British millinery in the early 1980s. Using unusual materials and daring designs, his exquisitely crafted hats have pushed the boundaries of hat design. Jones has collaborated with many leading fashion designers including Rei Kawakubo of Comme des Garçons, Giles Deacon, Marc Jacobs and John Galliano for Christian Dior and has many celebrity clients.

Hats from the V&A and Jones’s own archive form the core of the display, with additions from other British collections including Bath, Stockport, Luton, and the Royal Collection. There will be contributions from lenders in Los Angeles, New York, Paris, Vienna and from private collectors around the world. The display will include the latest designs by the rising stars of the millinery world such as Noel Stewart and Nasir Mazhar. Hats on display by Stephen Jones will include designs from his two most recent collections ‘VANDA’ and ‘Albertopolis’ - both inspired by his work with the V&A.

One inspiration for the exhibition was the collaborative work that took place more than 30 years ago between the V&A and fashion photographer and illustrator Cecil Beaton. The ensuing exhibition in 1971, Fashion: An Anthology by Cecil Beaton, featuring haute couture designs donated by both fashion designers and their clients, helped put fashion firmly on the museum’s agenda.
 
sydney herald
Jennifer Lopez doesn't have a fat boom-boom, Sam. She's fit, rigged(or whatever you say) and curvy and looks like she has a tiny waist.
Off topic, am I the only one who thinks Jessica Biel looks just like Ava Gardner?
 
Gazette Live
BORO legend George Hardwick was a drop-dead gorgeous football star long before the beautiful Beckham.
And his stunning wife Jennifer was every bit as glamorous as Posh, Cheryl and the WAGS.
They met on a night flight to Las Vegas and Redcar-born Georgie Boy chatted up the posh Trans Globe air hostess endlessly while everyone else slept.
The attraction she says, was “instant and electric.”
He was married with two sons, but they knew they had to be together no matter what the storms ahead. And they were.
Dapper George was 19 years older than Jennifer and came with a reputation of being a bit of a Romeo.
There are tales of him dating Hollywood stars of the silver screen like Ava Gardner, Kay Kendall and Virginia Mayo.
 
Burnemouth Daily Echo
FORTY years ago, they were Bournemouth’s “top twins” and had the honour of opening the town’s pioneering Gaumont twin cinemas.
Back then, 12-year-old Kim and Caryn Coleman, of Poole, had a starring role in a glitzy, no-expense spared opening ceremony and premiere.
And even though four decades have passed, Caryn Orchard and Kim Wilden still have vivid memories of the lavish launch.
Caryn, now 52 and living in Broadstone, said: “I remember it all very well, although it was an awful lot to take in at that age.
“We had a fanfare when we actually cut the ribbons and people were arriving in limousines.”
At the time, the Gaumont twin cinemas in Westover Road were the only ones in the south of England outside of London.
A total of £320,000 had been spent converting the old Gaumont building into twin cinemas and the gala night attracted huge crowds, with some of the guests attending by hovercraft.
Kim, who now lives in Wimborne, and Caryn were selected as the “Gaumont twins” after their father entered them into a competition.
Hundreds of balloons were released as they declared the cinemas open and the Band of the Irish Guards played on the balcony.
That night, Caryn and Kim saw the premier of Ice Station Zebra but the opening of the Bournemouth cinemas was only half their prize.
They were later whisked off to Pinewood Studios in London to see a film being made.
“We saw the Carry On team at Pinewood and sat next to Ava Gardner,” said Caryn.
 
Contra Costa Times
Burt Lancaster double feature: Oh, heck, why not just skip the Super Bowl — Arizona's going to win by 10, anyway — and go see a double dose of Lancaster in his glorious prime. As part of its Film Noir festival, the Castro is presenting "The Killers" (1946) and "Sweet Smell of Success" (1957). Young Ava Gardner is, umm, quite good in "The Killers."
 
^Wow! Talk about a little bit of leg goes a long way. A lot of these wannabe starlets of today could learn something by studying Ava.
 
^Wow! Talk about a little bit of leg goes a long way. A lot of these wannabe starlets of today could learn something by studying Ava.
It's true, Ava was always sexy without being obvious. Also, she wasn't really tall but she had such an amazing posture that she gave the appearance of having very long limbs.

Stunning pictures as usual scriptgirl and nmyngan. You girls are awesome.

To answer my own question. I think Ava was at the top of her beauty around the time she filmed The Killers.
And she was at the top of her seductiveness around the time she married Archie: then she had the looks, the sexual experience and appeal, the movie star confidence and she had found her style. She was just irresistible and fascinating.
Archie destroyed her however...

PS: a bit OT but I have been wondering whether you are American scriptgirl. You don't have to answer of course, I don't mean to pry.
 
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