Bruce Weber - Photographer

[justaguy]

Esquire March 1985
Jeffrey Banks SS 1985
Photo Bruce Weber
Model Hoyt Richards


esquire

 

[justaguy]

Comme des Garçons Homme Plus 1987
Photo Bruce Weber
Stylist Tonne Goodman
Models Keith Pitts, Rob Compono, Curt Butrum, Kevin Cardine, David Moore, Bert Van Endem
Hair Didier Malige


Male Model Retro

 

[justaguy]

GQ February 1981
Photo Bruce Weber
Model Andrew Smith
Hair Thom Priano


condé nast via @blueorchid

 

[justaguy]

GQ February 1981
Fitness Today!
Photo Bruce Weber
Models Tom Hintnaus, Mark Scharosch, David Steen, Ed Robinson, Vince Tonne, Dean Heck, Lowell Smith, Dave McNaney, Jim Kraud, Jerry Kraus, Cort Larned, Unknown
Hair Thom Priano


condé nast via @blueorchid

 

[justaguy]

GQ February 1981
An L.A. Kind of Day
Photo Bruce Weber
Models Thom Fleming, Unknown
Hair Thom Priano


condé nast via @blueorchid

 

[justaguy]

GQ February 1981
Fitness!
Photo Bruce Weber
Models Steven Ford, Otis Chandler, Unknown, Alex Ramos, Mark & James Kerry
Hair Thom Priano


condé nast via @blueorchid

 

[justaguy]

GQ February 1981
Black and Blue
Photo Bruce Weber
Model Unknown
Hair Thom Priano


condé nast via @blueorchid

 

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GQ February 1981
Fitness! | Hit the Beach
Photo Bruce Weber
Models Sinjin & Andrew Smith
Hair Thom Priano


condé nast via @blueorchid

 

[justaguy]

GQ February 1981
Water Wear
Photo Bruce Weber
Models Sinjin Smith, Jane Gill, Andrew Smith, Scott Ford, Mark Eller, Bill Fiers, Unknown
Hair Thom Priano


condé nast via @blueorchid

 

[justaguy]

GQ February 1981
Drink To Your Health
Photo Bruce Weber
Stylist Kezia Keeble
Text Leonard McGill
Model Andrew Smith
Hair Howard Fugler


condé nast via @blueorchid

 

[justaguy]

GQ February 1981
Fitness! | The Wave Set
Photo Bruce Weber, Peter Crawford
Models Buzzy Kerbox, Shaun Tomson, Sloane Condren, Jane Gill, Deborah Collette, Larry Schlienz, Unknown
Hair Thom Priano


condé nast via @blueorchid

 

[justaguy]

GQ February 1981
Fitness! | Sporting Colors
Photo Bruce Weber
Models Andrew Smith, Larry Schlienz, Unknown
Hair Thom Priano


condé nast via @blueorchid

 

[justaguy]

GQ February 1981
Getting Rubbed the Right Way
Photo Bruce Weber
Stylist Kezia Keeble
Text George Mazzei
Model Scott Ford
Hair Howard Fugler


condé nast via @blueorchid

 

[justaguy]

GQ February 1981
Calvin Klein Menswear SS 1981
Photo Bruce Weber
Model Michael Schoeffling


condé nast via @blueorchid

 

[justaguy]

GQ February 1981
Howard USA SS 1981
Photo Bruce Weber
Model Unknown


condé nast via @blueorchid

 

[justaguy]

GQ February 1981
Calvin Klein Jeans SS 1981
Photo Bruce Weber
Model Robert Iannucci


condé nast via @blueorchid

 

[kasper!]

Vogue UK 1982 December
Under Weston Eyes
Photographer: Bruve Weber
Stylist: Grace Coddington

His best ever, so pure and simple. The one with Bruce Hulse and Talisa on the boat is a legend.








my snap from my broken issue of Vogue

 

[kasper!]

From his website:

When I first started working with Grace Coddington, we discovered our shared love of Edward Weston’s photographs. We had both read Weston’s journals and spent hours discussing all the psychological feelings and conflict about women he expressed through his photography. We eventually decided to do a story inspired by Weston, and I suggested the model Bruce Hulse would be the perfect guy to play him—because he too has such a grand passion for women. At the time, Bruce was in love with a girl named Nathalie Gabrielle—and that’s how she and I first met.

Before we started shooting the British Vogue story “Under Weston Eyes,” I told Nathalie that she was going to play the role of Tina Modotti, the photographer, model and revolutionary who became Weston’s lover. I suggested she read up about Modotti, and to my surprise, she did. Later Nathalie would come to remind me more of Charis Weston, Edward’s second wife who he married later in life. Like Charis, Nathalie has a deep compassion for people and accepts even the craziest characters, flaws and all.

Right away, everyone on our team had a feeling for Nathalie and the other people we were photographing. She was always so completely natural, aware of her surroundings and in touch with them. Nathalie could look powerful and strong in one moment, then innocent and youthful in the next. From the start, she had an incredible freedom with her body and was able to transfer that into something artful whenever she was in front of the camera. If I had to choose one photograph from that first British Vogue sitting that epitomizes Nathalie, it would be the image of her in the simple black dress. Only someone with her presence could turn that dress into something so extraordinary. —Bruce Weber